Puliyattam
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Puliyattam
Puliyattam (means Tiger Dance) is an old folk art dance of Tamil Nadu. A highly exuberant and cultural festival, this dance form usually comprises a troupe of 6 performers aping the movements of the majestic, predatory tigers. Their bodies are painted by the painstaking efforts of local artists in vibrant yellow and black to resemble an exact replica of a tiger. The paintings include the ferocious looking fangs and convincing headgear replete with ears, paws with claws, and a long tail that conjures an accurate picture of the savage beast’s graceful movements. The thunderous roars of drums beating wildly along with several local instruments reproduce the snarls of the regal predators and complete the picture. Sometimes to incorporate a touch of reality, a vulnerable goat is tied and the dancers pretend to seize upon the helpless creature and thereby kill it. Apart from the tiger, the dancers are often adorned in the beautiful spots of a leopard or the eerie dark shades of a ...
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Puliyattam
Puliyattam (means Tiger Dance) is an old folk art dance of Tamil Nadu. A highly exuberant and cultural festival, this dance form usually comprises a troupe of 6 performers aping the movements of the majestic, predatory tigers. Their bodies are painted by the painstaking efforts of local artists in vibrant yellow and black to resemble an exact replica of a tiger. The paintings include the ferocious looking fangs and convincing headgear replete with ears, paws with claws, and a long tail that conjures an accurate picture of the savage beast’s graceful movements. The thunderous roars of drums beating wildly along with several local instruments reproduce the snarls of the regal predators and complete the picture. Sometimes to incorporate a touch of reality, a vulnerable goat is tied and the dancers pretend to seize upon the helpless creature and thereby kill it. Apart from the tiger, the dancers are often adorned in the beautiful spots of a leopard or the eerie dark shades of a ...
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Dance Forms Of Tamil Nadu
Tamil Nadu has a rich history of art and entertainment. The three modes of entertainment classified as Iyel (Literature), Isai (Music) and Nadagam (Drama) had their roots in the rural folk theatre like Theru Koothu (Street play). Many forms of group and individual dances with the classical forms for popularity and sheer entertainment value. Some of the dance forms are performed by Tribal people. The majority of these dances are still thriving in Tamil Nadu today. Bamber dance This dance is performed inside a temple, around a lamp. The purpose is to worship Lord Krishna, and celebrate his frolics with the gopikas. This is performed during Ramanavami and Gokulashtami. Bharatanatyam Bharatanatyam is a major genre of Indian classical dance that originated in Tamil Nadu.Bharata-natyam
''Encyclopædia Britannica''. 2007
Traditi ...
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Tamil People
The Tamil people, also known as Tamilar ( ta, தமிழர், Tamiḻar, translit-std=ISO, in the singular or ta, தமிழர்கள், Tamiḻarkaḷ, translit-std=ISO, label=none, in the plural), or simply Tamils (), are a Dravidian peoples, Dravidian ethno-linguistic group who trace their ancestry mainly to India’s South India, southern state of Tamil Nadu, union territory of Puducherry (union territory), Puducherry and to Sri Lanka. Tamils who speak the Tamil Language and are born in :Social groups of Tamil Nadu, Tamil clans are considered Tamilians. Tamils constitute 5.9% of the population in India (concentrated mainly in Tamil Nadu and Puducherry), 15% in Sri Lanka (excluding Sri Lankan Moors), 7% in Tamil Malaysians, Malaysia, 6% in Tamil Mauritians, Mauritius, and 5% in Indian Singaporeans, Singapore. From the 4th century BCE, urbanisation and mercantile activity along the western and eastern coasts of what is today Kerala and Tamil Nadu led to the develo ...
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History Of Tamil Nadu
The region of Tamil Nadu in the southeast of modern India, shows evidence of having had continuous human habitation from 15,000 BCE to 10,000 BCE. Throughout its history, spanning the early Upper Paleolithic age to modern times, this region has coexisted with various external cultures. The three ancient Tamil dynasties namely Chera, Chola, and Pandya were of ancient origins. Together they ruled over this land with a unique culture and language, contributing to the growth of some of the oldest extant literature in the world. These three dynasties were in constant struggle with each other vying for hegemony over the land. Invasion by the Kalabhras during the 3rd century disturbed the traditional order of the land, displacing the three ruling kingdoms. These occupiers were overthrown by the resurgence of the Pandyas and the Pallavas, who restored the traditional kingdoms. The Cholas who re-emerged from obscurity in the 9th century by defeating the Pallavas and the Pandyas ...
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Ancient Tamil Music
The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. Many poems of the classical Sangam literature were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as ''Ettuthokai'' and '' Pattupattu''. The early narrative poem ''Cilappatikaram'', belonging to the post-Sangam period (5th or 6th century) also mentions various forms of music practiced by the Tamil people. Music was an integral part of the compositions of the Tamil Saiva saints such as Appar, Siva Prakasar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the 6th and the 10th century. Sangam music The Sangam age grammatical work '' Tolkappiyam'' mentions the various music pertaining to the five landscapes (''thinai'') of the Sangam literature. The five landscapes are associated with a particular mood of the poem and to give colour to these mo ...
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Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ...
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