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Public Art In Barcelona
Public art in Barcelona is a designated group of monuments and outdoor sculptures in the city. In addition to the architecture and a network of museums, parks, and gardens, the works put an artistic stamp on the Catalan capital. Public art in the city developed in the 19th century, although the first municipal commission was the 1673 monument to Saint Eulalia of Barcelona, Eulalia in Pedró Square. Artworks are typically located in the interior of Niche (architecture), niches and on the façades of public buildings. They are concentrated because of the city's enclosure by medieval defensive walls. The walls were demolished in the 19th Century, sparking a boom in public works such as Ildefons Cerdà's Eixample project. The city annexed several municipalities in the early 20th century, increasing the space available for public art. Some were commissioned for particular events such as the 1888 Barcelona Universal Exposition, 1888 and 1929 Barcelona International Exposition, 1929 Ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramon Berenguer III, Count Of Barcelona
Ramon Berenguer III ''the Great'' was the count of Barcelona, Girona, and Ausona from 1086 (jointly with Berenguer Ramon II and solely from 1097), Besalú from 1111, Cerdanya from 1117, and count of Provence in the Holy Roman Empire, from 1112, all until his death in Barcelona in 1131. As Ramon Berenguer I, he was Count of Provence in right of his wife. Biography Born on 11 November 1082 in Rodez, Viscounty of Rodez, County of Toulouse, Francia, he was the son of Ramon Berenguer II. He succeeded his father to co-rule with his uncle Berenguer Ramon II. He became the sole ruler in 1097, when Berenguer Ramon II was forced into exile. Responding to increased raids into his lands by the Almoravids in 1102, Ramon counter-attacked, assisted by Ermengol V, Count of Urgell, but was defeated and Ermengol killed at the battle of Mollerussa. During his rule Catalan interests were extended on both sides of the Pyrenees. By marriage or vassalage he incorporated into his realm almost all o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Llimona I Bruguera
Josep Llimona i Bruguera (; 8 April 1864, in Barcelona – 27 February 1934) was a Spanish sculptor. His first works were academic, but after a stay in Paris, influenced by Auguste Rodin, his style drew closer to ''modernisme''. He was very prolific, and exhibited in Catalonia, Madrid, Paris, Brussels and Buenos Aires. Some of his monumental work is familiar to Barcelona residents and visitors alke. Artistic education and career He studied at the Llotja School in Barcelona and in the studio of the brothers Agapit and Venaci Vallmitjana. He was also a disciple of Rossend Nobas, with whom he worked for two years, and the painter Martí i Alsina, in the school of fine arts in Barcelona. When he was 16 years old he obtained a Fortuny grant, awarded by the City Council, and moved to Rome, where as well as producing the works that were mandatory under the terms of his grant, he made an initial model for an equestrian statue of the count of Barcelona Ramon Berenguer the Great. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passeig De Lluís Companys, Barcelona
Passeig de Lluís Companys () is a promenade in the Ciutat Vella and Eixample districts of Barcelona, Catalonia, Spain, and can be seen as an extension of Passeig de Sant Joan. It was named after President Lluís Companys, who was executed in 1940. It starts in Arc de Triomf and ends in Parc de la Ciutadella, on Carrer de Pujades. Former names The original Cerdà plan originally listed it as Núm. 35, and was later renamed to Salón de Víctor Pradera, Fermín Galán and Salón de San Juan, or Saló de Sant Joan in Catalan. In 1979 the current name was approved by the city council. Buildings and monuments *Arc de Triomf, by Josep Vilaseca i Casanovas * Tribunal Superior de Justícia de Catalunya, a monumental building in a highly eclectic style, by Enric Sagnier and Josep Domènech Estapà. ''Personatges del Saló de Sant Joan'' In 1883, the Barcelona city council approved the inauguration of eight sculptures commemorating eight important men in the history of Catalonia. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arc De Triomf
The Arc de Triomf () is a triumphal arch in the city of Barcelona in Catalonia, Spain. It was built by architect Josep Vilaseca i Casanovas as the main access gate for the 1888 Barcelona World Fair. The arch crosses over the wide central promenade of the Passeig de Lluís Companys, leading to the Ciutadella Park that now occupies the site of the world fair. It is located at the northern end of the promenade, facing the Passeig de Sant Joan. Design The arch is built in reddish brickwork in the Neo-Mudéjar style. The front frieze contains the stone sculpture ''Barcelona rep les nacions'' (Catalan for "Barcelona welcomes the nations") by Josep Reynés. The opposite frieze contains a stone carving entitled ''Recompensa'' ("Recompense"), a work from Josep Llimona's earliest period, representing the granting of awards to the participants in the World Exposition. The friezes along the sides of the arch include allegories of agriculture and industry by Antoni Vilanova and of trade a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Barcelona
The history of Barcelona stretches over 2000 years to its origins as an Iberian village named ''Barkeno''. Its easily defensible location on the coastal plain between the Collserola ridge (512 m) and the Mediterranean Sea, the coastal route between central Europe and the rest of the Iberian peninsula, has ensured its continued importance, if not always preeminence, throughout the ages. Barcelona is currently a city of 1,620,943, the second largest in Spain, and the capital of the autonomous community of Catalonia. Its wider urban region is home to three-quarters of the population of Catalonia and one-eighth of that of Spain. Origins The origin of the earliest settlement at the site of present-day Barcelona is unclear. Remains from the Neolithic and early Chalcolithic periods have been found on the coastal plain near the city. The ruins of an early settlement have been excavated in the El Raval neighborhood, including different tombs and dwellings dating to earlier than 5000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Land Art
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United StatesArt in the modern era: A guide to styles, schools, & movements. Abrams, 2002. (U.S. edition of Styles, Schools and Movements, by Amy Dempsey) but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.http://www.land-arts.com Land art. Concerns of the art mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Headstone
A headstone, tombstone, or gravestone is a stele or marker, usually stone, that is placed over a grave. It is traditional for burials in the Christian, Jewish, and Muslim religions, among others. In most cases, it has the deceased's name, date of birth, and date of death inscribed on it, along with a personal message, or prayer, but may contain pieces of funerary art, especially details in stone relief. In many parts of Europe, insetting a photograph of the deceased in a frame is very common. Use The stele (plural stelae), as it is called in an archaeological context, is one of the oldest forms of funerary art. Originally, a tombstone was the stone lid of a stone coffin, or the coffin itself, and a gravestone was the stone slab that was laid over a grave. Now, all three terms are also used for markers placed at the head of the grave. Some graves in the 18th century also contained footstones to demarcate the foot end of the grave. This sometimes developed into full kerb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commemorative Plaque
A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, typically attached to a wall, stone, or other vertical surface, and bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Many modern plaques and markers are used to associate the location where the plaque or marker is installed with the person, event, or item commemorated as a place worthy of visit. A monumental plaque or tablet commemorating a deceased person or persons, can be a simple form of church monument. Most modern plaques affixed in this way are commemorative of something, but this is not always the case, and there are purely religious plaques, or those signifying ownership or affiliation of some sort. A plaquette is a small plaque, but in English, unlike many European languages, the term is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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