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Public Art Fund
Public Art Fund is an independent, non-profit arts organization founded in 1977 by Doris Freedman, Doris C. Freedman. The organization presents contemporary art in New York City's public spaces through a series of highly visible artists' projects, new commissions, installations, and exhibitions that are emblematic of the organization's mission and innovative history. History Public Art Fund was founded in 1977 by Doris Freedman, Doris C. Freedman who served as the first Director of New York City's New York City Department of Cultural Affairs, Department of Cultural Affairs, the President of the Municipal Art Society, and a tireless supporter of New York City's Percent for Art legislation. Public Art Fund was born from the merger of two preexisting organizations, CityWalls, which was founded in 1966, and the Public Arts Council, founded in 197). Working with artists and museums, Public Art Fund works to bring artwork outside of traditional spaces and into the public sphere. Since its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Art Fund Nancy Rubins By David Shankbone
In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociology, sociological concept of the ''Öffentlichkeit'' or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, and suffered more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder. Etymology and definitions The name "public" originates with the Latin ''wikt:publicus#Latin, publicus'' (also ''wikt:poplicus#Latin, poplicus''), from ''wikt:populus#Latin, populus'', to the Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes Denes
Agnes Denes (Dénes Ágnes; born 1931 in Budapest) is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media—from poetry and philosophical writings to extremely detailed drawings, sculptures, and iconic land art works, such as '' Wheatfield — A Confrontation'' (1982), a two-acre field of wheat in downtown Manhattan, commissioned by the Public Art Fund, and ''Tree Mountain—A Living Time Capsule'' (1992–96) in Ylojärvi, Finland. Her work ''Rice/Tree/Burial with Time Capsule'' (1968–79) is recognized as one of the earliest examples of ecological art. She lives and works in New York City. Early life and career Born in Budapest, Hungary in 1931, her family survived World War II, the Nazi occupation, and moved to Sweden on their way to the United States. Still a teenager, she created her first environmental/philosophical work, ''Bird Project,'' in Sweden, comparing migrating bird colonies to people — the migrants ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fifth Avenue
Fifth Avenue is a major and prominent thoroughfare in the borough of Manhattan in New York City. It stretches north from Washington Square Park in Greenwich Village to West 143rd Street in Harlem. It is one of the most expensive shopping streets in the world. Fifth Avenue carries two-way traffic from 142nd to 135th Street and carries one-way traffic southbound for the remainder of its route. The entire street used to carry two-way traffic until 1966. From 124th to 120th Street, Fifth Avenue is cut off by Marcus Garvey Park, with southbound traffic diverted around the park via Mount Morris Park West. Most of the avenue has a bus lane, though not a bike lane. Fifth Avenue is the traditional route for many celebratory parades in New York City, and is closed on several Sundays per year. Fifth Avenue was originally only a narrower thoroughfare but the section south of Central Park was widened in 1908. The midtown blocks between 34th and 59th Streets were largely a residential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilya Kabakov
Ilya Iosifovich Kabakov (Russian: Илья́ Ио́сифович Кабако́в; born September 30, 1933), is a Russian–American conceptual artist, born in Dnipropetrovsk in what was then the Ukrainian SSR of the Soviet Union. He worked for thirty years in Moscow, from the 1950s until the late 1980s. He now lives and works on Long Island, United States. Throughout his forty-year plus career, Kabakov has produced a wide range of paintings, drawings, installations, and theoretical texts—not to mention extensive memoirs that track his life from his childhood to the early 1980s. In recent years, he has created installations that evoked the visual culture of the Soviet Union, though this theme has never been the exclusive focus of his work. Unlike some underground Soviet artists, Kabakov joined the Union of Soviet Artists in 1959, and became a full member in 1962. This was a prestigious position in the USSR and it brought with it substantial material benefits. In general, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gran Fury
Emerging from ACT UP (AIDS Coalition to Unleash Power) in 1988, Gran Fury was an HIV/AIDS, AIDS activist artist collective from New York City consisting of 11 members including: Richard Elovich, Avram Finkelstein, Amy Heard, Tom Kalin, John Lindell, Loring McAlpin, Marlene McCarty, Donald Moffett, Michael Nesline, Mark Simpson and Robert Vazquez-Pacheco. The participation of "visual artists in ACT UP and other collectives was essential to the effectiveness of the campaigns of protest, education and awareness about AIDS.” The collective mutually disbanded in 1995, a year prior to Mark Simpson's death on November 10, 1996 from HIV/AIDS, AIDS. Gran Fury organized as an autonomous collective, describing themselves as a “...band of individuals united in anger and dedicated to exploiting the power of art to end the AIDS crisis.” The contribution of recycling historical images of homoerotic pleasure contributed to the pictorial landscape of the AIDS activist movement. Recycling t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix González-Torres
Félix González-Torres (November 26, 1957 – January 9, 1996) was a Cuban-born American visual artist. González-Torres's openly gay sexual orientation was influential in his work as an artist. González-Torres was known for his minimal installations and sculptures in which he used materials such as strings of lightbulbs, clocks, stacks of paper, or packaged hard candies. In 1987, he joined Group Material, a New York-based group of artists whose intention was to work collaboratively, adhering to principles of cultural activism and community education. González-Torres' work ''"Untitled" (L.A.)'' (1991), a 50 lb. installation of green hard candies, sold for $7.7 million at Christie's in 2015. Early life and career González-Torres was born in Guáimaro, Cuba. In 1971, he and his sister Gloria were sent to Madrid where they stayed in an orphanage until settling in Puerto Rico with relatives the same year. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
