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Psychopomp
Psychopomps (from the Greek word , , literally meaning the 'guide of souls') are supernatural creatures, spirits, entities, angels, demons or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to guide them. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, vultures, owls, sparrows, and cuckoos. In the case of birds, these are often seen in huge masses, waiting outside the home of the dying. Overview Ancient religion Classical examples of a psychopomp are the ancient Egyptian god Anubis, the deity Yama in Hinduism, the Greek ferryman Charon, the goddess Hecate, and god Hermes, the Roman god Mercury, the Norse Valkyries, the Aztec Xolotl, Slavic Morana and the Etruscan Vanth. Modern religion Heibai Wuchang, literally "Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermes
Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. Hermes is regarded as "the divine trickster," about which the '' Homeric Hymn to Hermes'' offers the most well-known account. His attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anubis
Anubis (; grc, Ἄνουβις), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian () is the god of death, mummification, embalming, the afterlife, cemeteries, tombs, and the Underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts. Depicted as a protector of graves as early as the First Dynasty (c. 3100 – c. 2890 BC), Anubis was also an embalmer. By the Middle Kingdom (c. 2055–1650 BC) he was replaced by Osiris in his role as lord of the underworld. One of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the "Weighing of the Heart", in which it was determined whether a soul would be allowed to enter the realm of the dead. Anubis is one of the most frequently depicted and mentioned gods in the Egyptian pantheon, however, no relevant myth involved him. Anubis was depict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarakeshwara
Tarakeshwara or Tarakeshvara ( sa, तारकेश्वर, ''Tārakeśvara''; Hindi: ''Tārkeśvar'') is a form of the Hindu god Shiva in his role as a psychopomp, a ferryman or deliverer of the soul into freedom from rebirth (''moksha''). __NOTOC__ Temples * Manikarnika Ghat, Benares * Hangal, Karnataka * Taraknath Temple, West Bengal The temples are connected to the "Taraka", the "ferryboat mantra" or "mantra of the crossing" believed to guide the spirit of the dying to ''moksha''. One Shivite form of the prayer is ''Om Sri Rama Jaya Rama Jaya Jaya Rama'' ("'' Om'', Victory to God with his ''shakti'', victory, victory to God"), supposedly taught by Shiva to his wife Parvati. Another is ''Rām-Rāmāya Namaḥ'', taught by Yajnavalkya to Bharadvaja in the Ramottaratapaniya Upanishad. Supposedly, one dying in the temple at Benares hears Shiva himself reciting one of these mantras. See also * Shaivism * Moksha ''Moksha'' (; sa, मोक्ष, '), also called ''v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanth
Vanth is a chthonic figure in Etruscan mythology shown in a variety of forms of funerary art, such as in tomb paintings and on sarcophagi. Vanth is a female demon in the Etruscan underworld that is often accompanied either by additional Vanth figures or by another underworld demon, Charun (later referred to as ''Charu''). Both Vanth and Charun are only seen in iconography beginning c. 400 BC, in the middle period of Etruscan art, although some earlier inscriptions mention her name. Vanth has no direct counterpart in Greek mythology, and is very frequently, but not always, seen winged. Although Vanth has no real Greek counterpart, she has been compared to the Greek Furies, the Erinyes, especially in older publications. This is an unlikely association since she is almost always shown in Etruscan iconography to be a benevolent guide, not an avenging spirit, which the Furies often represent. Her other attributes include the possession of a torch, key, or scroll, and she is shown o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charon (mythology)
In Greek mythology, Charon or Kharon (; grc, Χάρων) is a psychopomp, the ferryman of Hades, the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Some mortals, heroes, and demigods were said to have descended to the underworld and returned from it as living beings. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hecate
Hecate or Hekate, , ; grc-dor, Ἑκάτᾱ, Hekátā, ; la, Hecatē or . is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associated with crossroads, entrance-ways, night, light, magic, witchcraft, the Moon, knowledge of herbs and poisonous plants, graves, ghosts, necromancy, and sorcery.Seyffert, s.vHecate/ref>d'Este, Sorita & Rankine, David, Hekate Liminal Rites, Avalonia, 2009. Her earliest appearance in literature was in Hesiod's ''Theogony'' in the 8th century BCE as a goddess of great honour with domains in sky, earth, and sea. Her place of origin is debated by scholars, but she had popular followings amongst the witches of Thessaly and an important sanctuary among the Carian Greeks of Asia Minor in Lagina. Her oldest known representation was found in Selinunte, in Sicily. Hecate was one of several de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whip-poor-will
The eastern whip-poor-will (''Antrostomus vociferus'') is a medium-sized (22–27 cm; 8.7-10.6 ins.) bird within the nightjar family, Caprimulgidae, from North America. The whip-poor-will is commonly heard within its range, but less often seen because of its camouflage. It is named onomatopoeically after its song. Description This medium-sized nightjar measures in length, spans across the wings and weighs . Further standard measurements are a wing chord of , a tail of , a bill of and a tarsus of . Adults have mottled plumage: the upperparts are grey, black and brown; the lower parts are grey and black. They have a very short bill and a black throat. Males have a white patch below the throat and white tips on the outer tail feathers; in the female, these parts are light brown. This bird is sometimes confused with the related chuck-will's-widow (''Antrostomus carolinensis'') which has a similar but lower-pitched and slower call. Ecology Eastern whip-poor-wills br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xolotl
In Aztec mythology, Xolotl () was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The Axolotl is named after him. Myths and functions Xolotl was the sinister god of monstrosities who wears the spirally-twisted wind jewel and the ear ornaments of Quetzalcoatl. His job was to protect the sun from the dangers of the underworld. As a double of Quetzalcoatl, he carries his conch-like ehecailacacozcatl or wind jewel. Xolotl accompanied Quetzalcoatl to Mictlan, the land of the dead, or the underworld, to retrieve the bones from those who inhabited the previous world (Nahui Atl) to create new life for the present world, Nahui Ollin, the sun of movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Religion
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and Religion in ancient Rome, religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
