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Psychogeography
Psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists. In 1955, Guy Debord defined psychogeography as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." One of the key tactics for exploring psychogeography is the loosely defined urban walking practice known as the ''dérive''. As a practice and theory, psychogeography has influenced a broad set of cultural actors, including artists, activists and academics. Development Psychogeography was originally developed by the Lettrist International 'around the summer of 1953'. Debord describes psychogeography as 'charmin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dérive
The ''dérive'' (, "drift") is a revolutionary strategy originally put forward in the "Theory of the Dérive" (1956) by Guy Debord, a member at the time of the Letterist International. Debord defines the ''dérive'' as "a mode of experimental behaviour linked to the conditions of urban society: a technique of rapid passage through varied ambiances." It is an unplanned journey through a landscape, usually urban, in which participants drop their everyday relations and "let themselves be drawn by the attractions of the terrain and the encounters they find there". Though solo ''dérives'' are possible, Debord indicates that the most fruitful numerical arrangement consists of several small groups of two or three people who have reached the same level of awareness, since cross-checking these different groups' impressions makes it possible to arrive at more objective conclusions.The ''dérive'' goals include studying the terrain of the city (psychogeography) and emotional disorienta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unitary Urbanism
__NOTOC__ Unitary urbanism (UU) was the critique of '' status quo'' "urbanism", employed by the Letterist International and then further developed by the Situationist International between 1953 and 1960. The praxis originates from the Lettrist technique of hypergraphics which was applied to architecture by the Lettrist International (LI). The UU critique of urbanism was further developed in the 1950s by the LI, and consists of a range of practices that include, but are not limited to: * The situation * The dérive (drift) * Psychogeography * Détournement * industrial painting * Revolution The critical practice continued to be developed by the Situationists and others. It was largely abandoned for the Debordian theory of the spectacle after the Second Situationist International and Situationist Antinational were formed. One of the few groups openly practicing unitary urbanism today is evoL PsychogeogrAphix in London. Unitary urbanism was announced as a very specific praxis a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Psychogeographical Association
The London Psychogeographical Association (LPA), sometimes referred to as the London Psychogeographical Committee, is an organisation devoted to psychogeography. The LPA is perhaps best understood in the context of psychogeographical Praxis (process), praxis. London Psychogeographical Institute The LPA was first mentioned in 1957 by the British artist Ralph Rumney, as one of the organisers of the "First Exhibition of Psychogeography" in Brussels, which included his work. According to many accounts the group eventually merged into the Situationist International. Rumney was in fact the only member of the 'Association'. LPA East London Section In the 1990s, the LPA was reinvoked as the LPA East London Section by Fabian Tompsett, using the pseudonym Richard Essex, who published a series of newsletters and pamphlets under its name, as well as the writers grouped around the multiple user name Luther Blissett (nom de plume), Luther Blissett, including Stewart Home. Activities of the EL ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asger Jorn
Asger Oluf Jorn (3 March 1914 – 1 May 1973) was a Danish painter, sculptor, ceramic artist, and author. He was a founding member of the avant-garde movement COBRA and the Situationist International. He was born in Vejrum, in the northwest corner of Jutland, Denmark, and baptized Asger Oluf Jørgensen. The largest collection of Jorn's works—including his major work ''Stalingrad''—can be seen in the Museum Jorn, Silkeborg, Denmark. Jorn willed his property and the works of art located inside to the Municipality of Albissola Marina (Savona), so the Italian museum called "Casa Museo Jorn" was created for displaying his works. Early life He was the second oldest of six children, an elder brother to Jørgen Nash. Both of his parents were teachers. His father, Lars Peter Jørgensen, a fundamentalist Christian, died in a car crash when Asger was 12 years old. His mother, Maren, ''née'' Nielsen, was more liberal but nevertheless a deeply committed Christian. This early heav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flâneur
() is a French noun referring to a person, literally meaning "stroller", "lounger", "saunterer", or "loafer", but with some nuanced additional meanings (including as a loanword into English). is the act of strolling, with all of its accompanying associations. A near-synonym of the noun is . Traditionally depicted as male, a is an ambivalent figure of urban affluence and modernity, representing the ability to wander detached from society with no other purpose than to be an acute observer of industrialized, contemporary life. The was, first of all, a literary type from 19th-century France, essential to any picture of the streets of Paris. The word carried a set of rich associations: the man of leisure, the idler, the urban explorer, the connoisseur of the street. However, the flâneur's origins are to be found in journalism of the Restoration, and the politics of postrevolutionary public space. It was Walter Benjamin, drawing on the poetry of Charles Baudelaire, who made t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolutionary
A revolutionary is a person who either participates in, or advocates a revolution. The term ''revolutionary'' can also be used as an adjective, to refer to something that has a major, sudden impact on society or on some aspect of human endeavor. Definition The term—both as a noun and adjective—is usually applied to the field of politics, but is also occasionally used in the context of science, invention or art. In politics, a revolutionary is someone who supports abrupt, rapid, and drastic change, usually replacing the status quo, while a reformist is someone who supports more gradual and incremental change, often working within the system. In that sense, revolutionaries may be considered radical, while reformists are moderate by comparison. Moments which seem revolutionary on the surface may end up reinforcing established institutions. Likewise, evidently small changes may lead to revolutionary consequences in the long term. Thus the clarity of the distinction between r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoist
Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and, more generally, to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization. Background Definitions of Neoism were always disputed. The main source of this is the undefinable concept of Neoism which created vastly different, tactically distorted accounts of Neoism and its history. Undisputed, however, are the origin of the movement in the late 1970s Canada. It was initiated by Hungarian-born Canadian performance and media-artist Istvan Kantor (aka Monty Cantsin) in 1979, in Montreal. At around the same time the open-pop-star identity of Monty Cantsin was spread through the Mail Artist David Zack (born New Orleans, June 12, 1938, died presumably in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' |
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