Prélude, Choral Et Fugue (Franck)
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Prélude, Choral Et Fugue (Franck)
Prélude, Choral et Fugue, FWV 21 is a work for solo piano written in 1884 by César Franck. This work is an exemplar of Franck's distinctive use of cyclic form. Structure As the name implies, it comprises three movements: a prelude, a chorale and a fugue. The interconnectedness and thematic relationships (particularly the cyclic recall of the Prelude and Chorale in the Fugue) make this an unorthodox example of double-function form. It uses a Chromatic fourth motif in the Chorale and the Fugue. The Prelude starts in B minor. The Fugue returns to B minor, but ends in B major. In popular culture The work plays a prominent part in the soundtrack of the film ''Vaghe stelle dell'orsa...'' (aka '' Sandra'' or ''Of a Thousand Delights''), directed by Luchino Visconti and starring Claudia Cardinale Claude Joséphine Rose "Claudia" Cardinale (; born 15 April 1938) is an Italian actress. She has starred in some of the most iconic European films of the 1960s and 1970s, acting in I ...
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Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ...
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B Major
B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera ''Rigoletto'' is in the ke ...
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Fugues
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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Preludes (music)
Prelude may refer to: Music *Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (EP), a 2017 EP by April * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (The Moody Blues album), 1987 album by The Moody Blues * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato *"Prelude", a song by Pete Townshend from '' All the Best Cowboys Have Chinese Eyes'' *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *'' Preludes: Rare and Unreleased Recordings'', an album by Warren Zevon *"Prelude", a song by the Sword from ''Used Future'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *''Prelude'', an EP by ...
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Compositions For Solo Piano
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Compositions By César Franck
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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IMDb
IMDb (an abbreviation of Internet Movie Database) is an online database of information related to films, television series, home videos, video games, and streaming content online – including cast, production crew and personal biographies, plot summaries, trivia, ratings, and fan and critical reviews. IMDb began as a fan-operated movie database on the Usenet group "rec.arts.movies" in 1990, and moved to the Web in 1993. It is now owned and operated by IMDb.com, Inc., a subsidiary of Amazon. the database contained some million titles (including television episodes) and million person records. Additionally, the site had 83 million registered users. The site's message boards were disabled in February 2017. Features The title and talent ''pages'' of IMDb are accessible to all users, but only registered and logged-in users can submit new material and suggest edits to existing entries. Most of the site's data has been provided by these volunteers. Registered users with a prov ...
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Claudia Cardinale
Claude Joséphine Rose "Claudia" Cardinale (; born 15 April 1938) is an Italian actress. She has starred in some of the most iconic European films of the 1960s and 1970s, acting in Italian, French, and English. Born and raised in La Goulette, a neighbourhood of Tunis, Cardinale won the "Most Beautiful Italian Girl in Tunisia" competition in 1957, the prize being a trip to Italy, which quickly led to film contracts, due above all to the involvement of Franco Cristaldi, who acted as her mentor for a number of years and later married her. After making her debut in a minor role with the Egyptian star Omar Sharif in ''Goha'' (1958), Cardinale became one of the best-known actresses in Italy with roles in films such as ''Rocco and His Brothers'' (1960), ''Girl with a Suitcase'' (1961), ''Cartouche (film), Cartouche'' (1962), ''The Leopard (1963 film), The Leopard'' (1963), and Federico Fellini, Fellini's ''8½'' (1963). From 1963, Cardinale appeared in ''The Pink Panther (1963 film), ...
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Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ...
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Sandra (1965 Film)
''Sandra'' ( it, Vaghe stelle dell'Orsa, lit=Glimmering stars of the Great Bear) is a 1965 drama film directed and co-written by Luchino Visconti, and starring Claudia Cardinale, Jean Sorel, and Michael Craig. A modern-day retelling of the Electra story, the film centers on the incestuous relationship between a young Italian woman (Cardinale) and her brother (Sorel), on her return to their ancestral home of Volterra. It premiered at the 26th Venice International Film Festival, where it won the Golden Lion. Plot Visconti's retelling of the Electra story starts with Sandra/Electra (Claudia Cardinale) returning to her ancestral home in Italy. On the eve of an official ceremony commemorating the death of her Jewish father in a Nazi concentration camp, she revives an intimate involvement with her brother (Jean Sorel), which troubles her naive husband ( Michael Craig). As ever with Visconti, he is ambivalently drawn to the decadent society he is ostensibly criticising; and Armando Na ...
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B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: : : Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his ''St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Notable compositions in B minor * Johann Sebastian Ba ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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