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Pronkstilleven
''Pronkstilleven'' (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic. Development Flemish artists such as Frans Snyders and Adriaen van Utrecht started to paint still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. The style was soon adopted by artists from the Dutch Republic. A leading Dutch representative was Jan Davidsz. de Heem, who spent a long period of his active career in Antwerp and was one of the founders of the style in Holland.Jan Davidsz. de Heem
at the Netherlands Institute for Art History
Other leading representatives in Flanders and the Dutch Republic were

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Jasper Geeraards
Jasper Geerards, Jasper Geerardi or Jasper Geeraerts (c. 1620 – between 1649-1654) was a Flemish painter who specialized in still lifes and in particular pronkstillevens (ostentatious still lifes). He was active in Antwerp and Amsterdam. Life Very little is known with certainty about the life of Geeraards. He is believed to have been born in Antwerp around 1620. He trained in Antwerp where he was registered as a pupil in the Guild of Saint Luke in 1634.Jasper Geerards
at the
It is possible, although there is no documentary evidence to support this assumption, that he studied for a while under the prominent Dutch still life painter
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Adriaen Van Utrecht
Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert. Life Adriaen van Utrecht was born in Antwerp as the son of Abel van ...
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Abraham Van Beyeren
Abraham Hendriksz van Beijeren or Abraham van BeyerenAlso known as 'Abraham van Bergaren (c. 1620, The Hague – March 1690, Overschie (Rotterdam)) was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.Peter C. Sutton, Dutch & Flemish Paintin ...
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Alexander Coosemans
Alexander Coosemans (1627, Antwerp –1689, Antwerp) was a Flemish Baroque painter specialized in still lifes of flower pieces, fruit, and inanimate subjects. He painted vanitas still lifes, pronkstillevens and game pieces. Life Very little is known about the life of Coosemans. He was born in Antwerp where he was baptized on 18 March 1627. His father was a carpenter from Brussels who had become a poorter of Antwerp in 1617. His mother was Geertruid Beeck. His father had a successful cloth trading business and could afford to send his son to a good teacher.Frans Jozef Peter Van den Branden, ''Geschiedenis der Antwerpsche schilderschool'', Antwerpen, 1883, p. 1122 Coosemans became a pupil of Jan Davidsz de Heem, the leading still life painter in the Netherlands, in 1641. He became a master in the Guild of St. Luke of Antwerp in 1645.Alexande ...
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Willem Kalf
Willem Kalf (1619 – 31 July 1693) was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age. We first get acquainted with Willem Kalf through Arnold Houbraken, in his Groot Schilderboek, who speaks very highly of him. In fact, Kalf was a highly regarded and celebrated artist during his own lifetime. This was due to his extensive art knowledge and what we gain from Houbraken, his affable personality. His claim to fame now rests mostly on his mature still lifes, pronkstilleven in Dutch, which feature the most exotic and luxurious objects. This can be seen in for example, ''Still life with nautilus beaker and porcelain lidded bowl'' from 1662, which became an iconic piece of western art. Life There is little known about Willem Kalf's life, for there is minimal documentation on Kalf himself. What is known is mainly derived from archival research, documents, and other sources which link him to specific times, places, and people, but there ar ...
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Carstian Luyckx
Carstian Luyckx, also known as the Monogrammist KL (1623 – c. 1675), was a Flemish painter and draughtsman who specialized in still lifes in various subgenres including flower still lifes, fruit still lifes, fish still lifes, pronkstillevens (sumptuous still lifes), ''vanitas'' still lifes, hunting pieces and garland paintings. He also painted animals and a few genre scenes. After starting his career in Antwerp he is believed to have worked later in France. Life Carstian Luyckx was born in Antwerp in 1623 as the son of David Luycx en Margriet Cloot. He was baptized on 17 August 1623.Carstian Luyckx
at the }
He studied painting under ...
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Peter Willebeeck
Peter Willebeeck or Petrus Willebeeck (''fl''. 1632–1648) was a Flemish still life painter who was active in Antwerp in the second quarter of the 17th century. He is known for his fruit still lifes, vanitas still lifes, pronkstillevens and banquet pieces executed in a very delicate manner. Life Virtually nothing is recorded about Willebeeck's life and training. It is believed he was born before 1620.Liesbeth Helmus, ''Jan Davidsz de Heem en zijn kring'', SDU, 1991 It is known that he was active in Antwerp from 1632 to 1648 after studying with Eduard Snayers.Peter Willebeeck
at the
It is possible that he became a master in the Antwerp
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Flemish Art
The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often vocalize it as star (as, for example, in ''the A* search algorithm'' or '' C*-algebra''). In English, an asterisk is usually five- or six-pointed in sans-serif typefaces, six-pointed in serif typefaces, and six- or eight-pointed when handwritten. Its most common use is to call out a footnote. It is also often used to censor offensive words. In computer science, the asterisk is commonly used as a wildcard character, or to denote pointers, repetition, or multiplication. History The asterisk has already been used as a symbol in ice age cave paintings. There is also a two thousand-year-old character used by Aristarchus of Samothrace called the , , which he used when proofreading Homeric poetry to mark lines that were duplicated. Origen is kno ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Cornelis Norbertus Gijsbrechts - Silverware In An Open Cabinet
Cornelis is a Dutch form of the male given name Cornelius. Some common shortened versions of Cornelis in Dutch are Cees, Cor, Corné, Corneel, Crelis, Kees, Neel and Nelis. Cornelis (Kees) and Johannes (Jan) used to be the most common given names in the Low Countries, and the origin of the term Yankees is commonly thought to derive from the term Jan-Kees for the Dutch settlers in New Netherland. Among the notable persons named Cornelis are: * Cornelis Engebrechtsz (c. 1462–1527), painter from Leiden * Cornelis Massijs (c. 1508–1556), painter from Flanders, Belgium * Cornelis Floris de Vriendt (1513/14-1575), architect and sculptor * Cornelis Cort (c. 1533–1578), engraver and draughtsman * Cornelis Corneliszoon (c. 1550–1607), inventor of the wind powered sawmill * Cor Dillen (c. 1920–2009), director of Philips and their CEO in South America * Cornelis van Haarlem (1562–1638), leading Northern Mannerist painter * Cornelis de Houtman (1565–1599), explorer who ...
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Museum Of Fine Arts, Ghent
The Museum of Fine Arts ( nl, Museum voor Schone Kunsten, MSK) an art museum in Ghent, Belgium, is situated at the East side of the Citadelpark (near the Stedelijk Museum voor Actuele Kunst). The museum's collection consists of some 9000 artworks, dating from the Middle Ages to the 20th century. Over 600 works can be found on display permanently, with the collection largely focusing on Flemish Art (Southern Netherlands). It also houses several European- especially French- paintings, in addition to a large amount of sculptures. Next to its permanent collection the museum organises temporary exhibitions. Between March 2011 and January 2021, the museum conducted 41 exhibitions. The building was designed by city architect Charles van Rysselberghe around 1900. In 2007 the museum reopened after four years of restoration. The museum is a member of The Flemish Art Collection. This is a structural partnership joining the three main museums of fine arts in Flanders: Royal Museum of Fine ...
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