Prometheus (Manship)
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Prometheus (Manship)
''Prometheus'' is a 1934 gilded, cast bronze sculpture by Paul Manship, located above the lower plaza at Rockefeller Center in Manhattan, New York City. Created by Roman Bronze Works in Queens, the statue is tall and weighs 8 tons. It depicts the Greek legend of the Titan Prometheus, who was the son of the Titan Iapetus and the Oceanid Clymene, brought fire to mankind by stealing it from the Chariot of the Sun, which resulted in Zeus chaining Prometheus and sending an eagle to prey upon his continually regenerating liver. Description The recumbent figure is in a fountain basin in front of a gray, rectangular wall in the Lower Plaza, located in the middle of Rockefeller Center. The ring – representing the heavens – is inscribed with the signs of the zodiac, which are labeled on the inside of the ring. Through the ring, he falls toward the earth (the mountain) and the sea (the pool). The inscription – a paraphrase from Aeschylus – on the granite wall behind, reads: " ...
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Paul Manship
Paul Howard Manship (December 24, 1885 – January 28, 1966) was an American sculptor. He consistently created mythological pieces in a classical style, and was a major force in the Art Deco movement. He is well known for his large public commissions, including the iconic ''Prometheus'' in Rockefeller Center and the ''Celestial Sphere Woodrow Wilson Memorial'' in Geneva, Switzerland. He is also credited for designing the modern rendition of New York City's official seal. Manship gained notice early in his career for rejecting the Beaux-Arts architecture movement and preferring linear compositions with a flowing simplicity. Additionally, he shared a summer home in Plainfield, New Hampshire, part of the Cornish Art Colony, with William Zorach for a number of years. Other members of the highly social colony were also contemporary artists. Manship created his own artist retreat on Cape Ann, developing a 15-acre site on two former granite quarries in Lanesville, a village of Glouc ...
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Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ...
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Smithsonian American Art Museum
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection. Most exhibitions take place in the museum's main building, the old Patent Office Building (shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery. The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, ...
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Smithsonian Institution
The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967. Called "the nation's attic" for its eclectic holdings of 154 million items, the institution's 19 museums, 21 libraries, nine research centers, and zoo include historical and architectural landmarks, mostly located in the District of Columbia. Additional facilities are located in Maryland, New York, and Virginia. More than 200 institutions and museums in 45 states,States without Smithsonian ...
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Maquette
A ''maquette'' (French word for scale model, sometimes referred to by the Italian names ''plastico'' or ''modello'') is a scale model or rough draft of an unfinished sculpture. An equivalent term is ''bozzetto'', from the Italian word for "sketch". Sculpture A maquette is used to visualize and test forms and ideas without incurring the expense and effort of producing a full-scale piece. It is the analogue of the painter's cartoon, ''modello'', oil sketch, or drawn sketch. For commissioned works, especially monumental public sculptures, a maquette may be used to show the client how the finished work will relate to its proposed site. The term may also refer to a prototype for a video game, film, or other media. ''Modello'', unlike the other terms, is also used for sketches for two-dimensional works such as paintings. Like oil sketches, these models by highly regarded artists can become as desirable as their completed works, as they show the process of developing an idea. For exa ...
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Patina
Patina ( or ) is a thin layer that variously forms on the surface of copper, brass, bronze and similar metals and metal alloys (tarnish produced by oxidation or other chemical processes) or certain stones and wooden furniture (sheen produced by age, wear, and polishing), or any similar acquired change of a surface through age and exposure. Additionally, the term is used to describe the aging of high-quality leather. The patinas on leather goods are unique to the type of leather, frequency of use, and exposure. Patinas can provide a protective covering to materials that would otherwise be damaged by corrosion or weathering. They may also be aesthetically appealing. Usage On metal, patina is a coating of various chemical compounds such as oxides, carbonates, sulfides, or sulfates formed on the surface during exposure to atmospheric elements (oxygen, rain, acid rain, carbon dioxide, sulfur-bearing compounds). In common parlance, weathering rust on steel is often mistakenly refe ...
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Palazzo D'Italia
The International Building, also known by its addresses 630 Fifth Avenue and 45 Rockefeller Plaza, is a skyscraper at Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1935, the 41-story, building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. The main tower is set back from Fifth Avenue and includes two 6-story wings to the east, known as Palazzo d'Italia and International Building North. The wings flank an entrance plaza that contains Lee Lawrie's ''Atlas'' statue. The facade is made of limestone, with granite at the base. The wings, patterned around the British Empire Building and La Maison Francaise to the south, contain rooftop gardens. The building's entrances contain ornate decorations by numerous artists. The main entrance on Fifth Avenue leads to a four-story-tall lobby with large marble pillars and escalators. The office space is arranged around the elevator core, with all offices being ...
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New York City Landmarks Preservation Commission
The New York City Landmarks Preservation Commission (LPC) is the New York City agency charged with administering the city's Landmarks Preservation Law. The LPC is responsible for protecting New York City's architecturally, historically, and culturally significant buildings and sites by granting them landmark or historic district status, and regulating them after designation. It is the largest municipal preservation agency in the nation. , the LPC has designated more than 37,000 landmark properties in all five boroughs. Most of these are concentrated in historic districts, although there are over a thousand individual landmarks, as well as numerous interior and scenic landmarks. Mayor Robert F. Wagner Jr. first organized a preservation committee in 1961, and the following year, created the LPC. The LPC's power was greatly strengthened after the Landmarks Law was passed in April 1965, one and a half years after the destruction of Pennsylvania Station. The LPC has been involved ...
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Government Of New York City
The government of New York City, headquartered at New York City Hall in Lower Manhattan, is organized under the New York City Charter and provides for a mayor-council system. The mayor is elected to a four-year term and is responsible for the administration of city government. The New York City Council is a unicameral body consisting of 51 members, each elected from a geographic district, normally for four-year terms. All elected officials are subject to a two consecutive-term limit. The court system consists of two citywide courts and three statewide courts. New York City government employs approximately 330,000 people, more than any other city in the United States and more than any U.S. state but three: California, Texas, and New York. The city government is responsible for public education, correctional institutions, public safety, recreational facilities, sanitation, water supply, and welfare services. New York City consists of five boroughs, each coextensive with one ...
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Theft Of Fire
The theft of fire for the benefit of humanity is a theme that recurs in many world mythology, mythologies. This narrative is classified in the ''Motif-Index of Folk-Literature'' as motif A1415. Its recurrent themes include a trickster figure as the thief, and a supernatural guardian who hoards fire from humanity, often out of mistrust for humans. Examples Africa * The San peoples, the Indigenous peoples of Africa, indigenous Southern African hunter-gatherers, tell how ǀKaggen, in the form of a mantis, brought the first fire to the people by stealing it from the ostrich, who kept the fire beneath its wings. In another version of the myth, Piisi, koagu steals fire from the ostrich. The Americas * Among various Native American tribes of the Pacific Northwest and Native Americans in the United States, First Nations, fire was stolen and given to humans by Coyote, Beaver or Dog. * In Algonquin people, Algonquin myth, Rabbit stole fire from an old man and his two daughters. * In C ...
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Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ...
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