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Profile Of A Jazz Musician
''Profile of a Jazz Musician'' is an album by Paul Horn which was originally released on the Columbia label in 1962. , accessed July 17, 2015 Reception The site awarded the album 4 stars calling it: "one of Horn's finer jazz dates".Track listing ''All compositions by Paul Horn except as indicated'' # "Count Your Change" - 4:38 # "Now Hear This" - 4:09 # "Lazy Afternoon" (, John Latouche) ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Horn (musician)
Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album ''Inside''. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965. Biography Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor's degree. In June 1953, Horn gained a master's from the Manhattan School of Music. Moving to Los Angeles, he played with Chico Hamilton's quintet from 1956 to 1958 and became an established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1962 Albums
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Horn (musician) Albums (born 1946), American computer scientist
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Paul Horn may refer to: *Paul Horn (musician) (1930–2014), American jazz flutist *Paul Horn (computer scientist) Paul M. Horn (born August 16, 1946) is an American computer scientist and solid state physicist who has made contributions to pervasive computing, pioneered the use of copper and self-assembly in chip manufacturing, and he helped manage the dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Turner
Milton Turner (1930–1993) was a jazz drummer. After graduating from Pearl High School, he attended Tennessee State University, where he coincided with Hank Crawford, who he later recommended to join him in Ray Charles' band when he took over from William Peeples in the late 1950s. In 1962, he was a member of Phineas Newborn's trio with Leroy Vinnegar, Yanow, Scott (2003''Jazz on Record: The First Sixty Years'', p. 616. Backbeat BooksAt Google Books. Retrieved 27 June 2013. on whose solo albums he would later appear, and in the early 1960s, Turner also recorded with Teddy Edwards. He never recorded as a leader. Discography With Ray Charles *''What'd I Say'' (Atlantic, 1959) *''The Genius Hits the Road'' (ABC-Paramount, 1960) With Hank Crawford *'' More Soul'' (Atlantic, 1960) *'' The Soul Clinic'' (Atlantic, 1962) *'' True Blue'' (Atlantic, 1964) *'' Dig These Blues'' (Atlantic, 1966) *'' After Hours'' (Atlantic, 1966) *'' Mr. Blues'' (Atlantic, 1967) With Teddy Edwards *'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Gaskin
Roderick Victor Gaskin (November 23, 1934 – July 14, 2012) was an American jazz bassist. Gaskin was born in The Bronx, New York and moved to Los Angeles in 1962. He started playing with Paul Horn and Red Mitchell and went on to become one of many bass players for the Jazz Crusaders. He also recorded with Curtis Amy and Dupree Bolton, before becoming a part of the West Coast jazz scene, accompanying Buddy Collette, Shelly Manne, and Bud Shank. Between 1966 and 1970, he was a member of Cannonball Adderley's groups, and in 1970 recorded with Duke Ellington's octet, quintet, quartet and trio. He started playing with the Billy Taylor Trio in the late 1970s, continuing until 1993, as well as with Johnny Hartman and Hank Jones. Between 1994 and 2001 Victor Gaskin was in Singapore and performed regularly at The Four Seasons Hotel with Boni de Souza & Friends for the iconic Sunday Jazz Brunch. They were pioneers of the Sunday Jazz Brunch scene in Singapore, setting the trend for ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Moer
Paul Moerschbacher (July 22, 1916 – June 9, 2010), better known as Paul Moer, was an American jazz pianist. Moer attended the University of Miami, graduating in 1951, and following this played frequently on the West Coast jazz scene with Benny Carter, Vido Musso, Zoot Sims, Stan Getz, Bill Holman, and Shorty Rogers. Moer did extensive work in Los Angeles studios as a pianist and an arranger. He led his own trio in the late 1950s with Jimmy Bond and Frank Butler. In 1960 he toured Australia with Benny Carter. He also recorded with Charles Mingus, Jack Montrose, John Graas, Paul Horn (1960–63), Ruth Price, and Buddy DeFranco. Moer played little after the 1960s, though he made a comeback with a release in 1991 of Elmo Hope tunes. Discography As leader * 1959 ''The Contemporary Jazz Classics of the Paul Moer Trio'' * 1961 ''Live at the Pour House'' * 1991 ''Plays the Music of Elmo Hope'' * 2005 ''Get Swinging'' As sideman With Jack Montrose * 1954 ''Arranged by Montros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Richards
Emil Richards (born Emilio Joseph Radocchia; September 2, 1932 – December 13, 2019) was an American vibraphonist and percussionist. Biography Musician Richards began playing the xylophone aged six. In High School, he performed with the Hartford Symphony Orchestra. He studied with Al Lepak at the Hartt School of Music in Hartford, graduating in 1952. After being drafted, he belonged to an Army band in Japan and played with Toshiko Akiyoshi. He cited Lionel Hampton as his first and biggest influence on vibraphone. In 1954, Richards moved to New York City, where he played with Charles Mingus, Ed Shaughnessy, and Ed Thigpen while doing studio recordings for Perry Como, the Ray Charles Singers, and Mitchell Ayres. For about three years, he was a member of a group led by George Shearing, then moved to Los Angeles and worked with Don Ellis and Paul Horn. He led his own band, the Microtonal Blues Band, and spent time with composer and inventor Harry Partch. As a sideman, he accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
