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Prince Heathen
Prince Heathen is Child ballad 104, existing in several variants. The ballad tells the story of a woman held captive by a prince, forcing her to have his child. Synopsis The heroine—Margery May or Margaret—is raped by Prince Heathen, sometimes after he has tried to woo her. Sometimes he tells her he has massacred her family; in all variants, he imprisons her until she bears a child. She has a son and weeps. She tells Prince Heathen she is not weeping for him but because she has nothing to wrap the baby in. His heart softening, the prince gives her silk to wrap the baby in and milk to bath him in, and declares his love for her. Similar ballads A similar ballad, '' Gil Brenton'', features the hero who finally desires to treat the baby well. His motive is the final evidence that the baby is his, and not the softening of heart that Prince Heathen manifests. Recordings *''Prince Heathen'' (1969) Martin Carthy, (with Dave Swarbrick); and previously unreleased John Peel ses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Brenton
"Gil Brenton" is Child ballad 5, Roud 22, existing in several variants. Synopsis A man (often described as a king or lord) has brought home a foreign woman to be his wife. In several variants, the bride is warned that if she is not a maiden (i.e., virgin), she had best send someone else to take her place in the marriage bed, in order to prevent her husband from discovering this fact. She sends her maid in her place. The morning after the wedding, the groom asks the blankets and sheets of the bed, or in some versions the household spirit Billie Blin, if he married a maiden, and they answer that the woman he married was not, and furthermore, she is pregnant. In other variants, the bride informs the bridegroom of her pregnancy without any tests. The groom laments this state of affairs to his mother, who goes to tax his bride with it. The mother-in-law asks who the father of the baby is, and the bride tells how she had gone to the greenwood to gather flowers and been detained th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Carthy
Martin Carthy MBE (born 21 May 1941) is an English folk singer and guitarist who has remained one of the most influential figures in British traditional music, inspiring contemporaries such as Bob Dylan and Paul Simon, and later artists such as Richard Thompson, since he emerged as a young musician in the early days of the folk revival in the UK during the 1960s and 1970s. Early life He was born in Hatfield, Hertfordshire, England, and grew up in Hampstead, North West London. His mother was an active socialist and his father, from a family of Thames lightermen, went to grammar school and became a trade unionist and a councillor for Stepney at the age of 21. Martin's father had played fiddle and guitar as a young man but Martin was unaware of this connection to his folk music heritage until much later in life. His vocal and musical training began when he became a chorister at the Queen's Chapel of The Savoy. He picked up his father's old guitar for the first time after hearing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Swarbrick
David Cyril Eric Swarbrick (5 April 1941 – 3 June 2016) was an English folk musician and singer-songwriter. His style has been copied or developed by almost every British and many world folk violin players who have followed him. He was one of the most highly regarded musicians produced by the second British folk revival, contributing to some of the most important groups and projects of the 1960s, and he became a much sought-after session musician, which led him throughout his career to work with many of the major figures in folk and folk rock music. A member of Fairport Convention from 1969, he is credited with assisting them to produce their seminal album ''Liege & Lief'' (1969) which initiated the British folk rock movement. This, and his subsequent career, helped create greater interest in British traditional music and was highly influential within mainstream rock. After 1970 he emerged as Fairport Convention's leading figure and guided the band through a series of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hudson Records
Hudson Records is a British independent record label specialising in folk and acoustic music. Created in 2016 by producer and engineer Andy Bell with Neil McSweeney, it has released records by Karine Polwart, Jon Boden, Sam Sweeney, The Furrow Collective, Bellowhead, The Young'uns The Young'uns are an English folk group from Stockton-on-Tees, Stockton, County Durham, England, who won the BBC Radio 2 Folk Awards "Best Group" award in 2015 and 2016 and “Best Album” for ''Strangers'' in 2018. They specialise in singing u ... and others. It was named for Bell's dog, Hudson. The Hudson Club is a monthly subscription scheme offering access to all Hudson Records releases, as well as other exclusive features. References External links * Folk record labels Record labels established in 2016 British independent record labels {{UK-record-label-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Mythology
Scottish mythology is the collection of myths that have emerged throughout the history of Scotland, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives. Nature myths The myths and legends of Scotland have a "local colour" as they tell about the way of life during the olden times, apart from giving a perspective of the nature of the country during various seasons of the year. It was the belief that Beira, the Queen of Winter, had a firm hold on the country by raising storms during January and February thus preventing greenery to emerge. She was considered a tough and brutal old woman who stirred the deadly spiraling action of Corryvreckan, ushering snow, as well as torrents resulting in the overflow of rivers. Even the creation of lochs and mountains were attributed to her. Scottish mythology is not like the Greek and Roman myths as it deals with various aspects of nature. In this context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Folklore
English folklore consists of the myths and legends of England, including the English region's mythical creatures, traditional recipes, urban legends, proverbs, superstitions, and folktales. Its cultural history is rooted in Celtic, Christian, and Germanic folklore. During the Renaissance in the 16th century, England looked to more European texts to develop a national identity. English folklore has continued to differ according to region, although there are shared elements across the country. Its folktales include the traditional Robin Hood tales and the Brythonic-inspired Arthurian legend, and their stories often contained a moral imperative stemming from Christian values. The folktales, characters and creatures are often derived from aspects of English experience, such as topography, architecture, real people, or real events. History Before England was founded in the year 927, Wessex and its surrounding areas' cultures were transformed by the invasion of the Danish Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Border Ballads
Border ballads are a group of songs in the long tradition of balladry collected from the Anglo-Scottish border. Like all traditional ballads, they were traditionally sung unaccompanied. There may be a repeating motif, but there is no "chorus" as in most popular songs. The supernatural is a common theme in border ballads, as are recountings of raids and battles. Ballad types The ballads belong to various groups of subjects, such as riding ballads like "Kinmont Willie"; historical ballads like "Sir Patrick Spens"; comic ballads like "Get Up and Bar the Door";''About this book'' - inside front cover of and those with supernatural themes including "Thomas the Rhymer" (also known as "True Thomas" or "Thomas of Erceldoune") and "Tam Lin". Writings about Some of the earliest known references (in Middle Scots) to the ballads appeared in ''The Complaynt of Scotland'' (1549). Sir Walter Scott wrote about border ballads in ''Minstrelsy of the Scottish Border'', first published in 1802– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northumbrian Folklore
Northumbrian may refer to: Languages * present-day Northumbrian dialect, a variant of Northern English closely related to Scots * historic Northumbrian Old English, a variety of Old English spoken in the Kingdom of Northumbria People * an inhabitant of the present-day region of Northumbria or North East England * an inhabitant of the historic county of Northumberland specifically * an inhabitant of the historic Kingdom of Northumbria Transport * Northumbrian (locomotive) ''Northumbrian'' was an early steam locomotive built by Robert Stephenson in 1830 and used at the opening of the Liverpool and Manchester Railway (L&M). It was the eighth of Stephenson's nine 0-2-2 locomotives in the style of ''Rocket'', but ..., a locomotive built in 1830 and first to encompass smokebox and firebox within the boiler barrel {{disambiguation Northumbria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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