Primaticcio
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Primaticcio
Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, so ...
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Chateau Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas Be ...
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Valois Chapel
Catherine de' Medici's building projects included the Valois chapel at Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the château of Chenonceau, near Blois. Born in 1519 in Florence to an Italian father and a French mother, Catherine de' Medici was a daughter of both the Italian and the French Renaissance. She grew up in Florence and Rome under the wing of the Medici popes, Leo X and Clement VII. In 1533, at the age of fourteen, she left Italy and married Henry, the second son of Francis I and Queen Claude of France. On doing so, she entered the greatest Renaissance court in northern Europe.Knecht, 220. King Francis set his daughter-in-law an example of kingship and artistic patronage that she never forgot. She witnessed his huge architectural schemes at Chambord and Fontainebleau. She saw Italian and French craftsmen at work together, forging the style that became known as the first School of Fontainebleau. Francis died in 1547, an ...
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School Of Fontainebleau
The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the Northern Mannerism. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso died in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited to France in 1552 by François's son Henri II. Although known for their work at Fontainebleau, these artists were also invited to create works of art for other noble families of the period and were much esteemed and well-paid. The works of this ...
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Helen Of Troy
Helen of Troy, Helen, Helena, (Ancient Greek: Ἑλένη ''Helénē'', ) also known as beautiful Helen, Helen of Argos, or Helen of Sparta, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda, and was the sister of Clytemnestra, Castor and Pollux, Philonoe, Phoebe and Timandra. She was married to King Menelaus of Sparta "who became by her the father of Hermione, and, according to others, of Nicostratus also." The usual tradition is that after the goddess Aphrodite promised her to Paris in the Judgement of Paris, she was seduced by him and carried off to Troy. This resulted in the Trojan War when the Achaeans set out to reclaim her. Another ancient tradition, told by Stesichorus, tells of how "not she, but her wraith only, had passed to Troy, while she was borne by the Gods to the land of Egypt, and there remained until the day when her lord Menelaus, turning aside on the homewar ...
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Rosso Fiorentino
Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school. Biography Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. His early works include '' Holy Family with the Infant Saint John the Baptist'' (Walters Art Gallery), ''Cherub Playing a Lute'' (Uffizi) and '' The Infant Saint John the Baptist'' (private collection), all produced around 1521. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually w ...
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Innocenzo Da Imola
Innocenzo (di Pietro) Francucci (c. 1490 – c. 1550), generally known as Innocenzo da Imola, was an Italian painter and draftsman. Biography The son of a goldsmith named Pietro, he was born in Imola sometime around 1490. After presumably studying with his father in Imola, by 1506 he had moved to nearby Bologna to study painting. According to Carlo Cesare Malvasia he entered the studio of Francesco Francia in 1508 (although the reliability of this claim has been questioned). He later went to Florence where in 1510 he worked under the direction of Mariotto Albertinelli. His earliest known works include ''The Virgin and Child with Saints Sebastian, Roch, Cosmas and Damian'' was signed and dated in 1515. ''The Virgin and Child with Saints John, Apollinaris and Catherine and a Bishop'', signed and dated in 1516. This second painting is in Cásola Valsenio, near Bologna. During his life he produced a series of religious frescoes and altarpieces, painted in a Raphaelesque ma ...
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Francesco Primaticcio 002
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bib ...
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Francis I Of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a son. A prodigious patron of the arts, he promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the ''Mona Lisa'' with him, which Francis had acquired. Francis' reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire. For his role in the development and promotion of the French language, he became known as ''le Père et Restaurateur des Lettr ...
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Chaalis Abbey
Chaalis Abbey (french: Abbaye de Chaalis) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact. For Louis, Count of Clermont and commendatory abbot of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed. File:Abbatiale de l'abbaye de Chaalis 02.jpg, Jean Aubert's château, now the museum, next to the ruins of the former abbey The monastery was sold and demolished during the French Revolution. Museum The ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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