Prequel Films
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Prequel Films
A prequel is a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative. A prequel is a work that forms part of a backstory to the preceding work. The term "prequel" is a 20th-century neologism from the prefix "pre-" (from Latin ''prae'', "before") and "sequel". Like sequels, prequels may or may not concern the same plot as the work from which they are derived. More often they explain the background that led to the events in the original, but sometimes the connections are not completely explicit. Sometimes prequels play on the audience's knowledge of what will happen next, using deliberate references to create dramatic irony. History Though the word "prequel" is of recent origin, works fitting this concept existed long before. The ''Cypria'', presupposing hearers' acquaintance with the events of the Homeric epic, confined itself to what preceded the ''Iliad'', and thus formed a kind of introd ...
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Backstory
A backstory, background story, back-story, or background is a set of events invented for a plot, presented as preceding and leading up to that plot. It is a literary device of a narrative history all chronologically earlier than the narrative of primary interest. In acting, it is the history of the character before the drama begins, and is created during the actor's preparation. It is the history of characters and other elements that underlie the situation existing at the main narrative's start. Even a purely historical work selectively reveals backstory to the audience. Usage As a literary device, backstory is often employed to lend depth or believability to the main story. The usefulness of having a dramatic revelation was recognized by Aristotle, in ''Poetics''. Backstories are usually revealed, partially or in full, chronologically or otherwise, as the main narrative unfolds. However, a story creator may also create portions of a backstory or even an entire backstory ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Vito Corleone
Vito Corleone (born Vito Andolini) is a fictional character in Mario Puzo's 1969 novel ''The Godfather'' and in the first two of Francis Ford Coppola's film trilogy. Vito is originally portrayed by Marlon Brando in the 1972 film ''The Godfather'', and later by Oreste Baldini as a boy and by Robert De Niro as a young man in ''The Godfather Part II'' (1974). He is an orphaned Sicilian immigrant who builds a Mafia empire. He and his wife Carmela have four children: Santino ("Sonny"), Frederico ("Fredo"), and Michael, and one daughter Constanzia ("Connie"). Vito informally adopts Sonny's friend, Tom Hagen, who becomes his lawyer and ''consigliere''. Upon Vito's death, Michael succeeds him as Don of the Corleone crime family. Vito oversees a business founded on gambling, bootlegging, prostitution, and union corruption, but he is known as a kind, generous man who lives by a strict moral code of loyalty to friends and, above all, family. He is also known as a traditionalist wh ...
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Michael Corleone
Michael Corleone is a fictional character and the protagonist of Mario Puzo's 1969 novel ''The Godfather (novel), The Godfather''. In the The Godfather (film series), three ''Godfather'' films, directed by Francis Ford Coppola, Michael was portrayed by Al Pacino, for which he was twice-nominated for Academy Awards. Michael is the youngest son of Vito Corleone, a Sicilian immigrant who builds a Mafia empire. Upon his father's death, Michael succeeds him as the Crime boss, don of the Corleone crime family. In June 2003, Michael Corleone was recognized as the AFI's 100 Years...100 Heroes and Villains, 11th most iconic villain in film history by the American Film Institute, although some critics consider him to be a tragic hero. The British film magazine ''Empire (film magazine), Empire'' selected Michael Corleone as the 11th greatest movie character, with Pacino's performance as Michael Corleone widely regarded as one of the greatest performances in cinematic history. Family Born ...
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The Godfather Part II
''The Godfather Part II'' is a 1974 American epic crime film produced and directed by Francis Ford Coppola. The film is partially based on the 1969 novel ''The Godfather'' by Mario Puzo, who co-wrote the screenplay with Coppola. ''Part II'' serves as both a sequel and a prequel to the 1972 film ''The Godfather'', presenting parallel dramas: one picks up the 1958 story of Michael Corleone (Al Pacino), the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone (Robert De Niro), from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Mariana Hill, and Lee Strasberg. Following the success of the first film, Paramount Pictures began developing a follow-up, with many of the cast and crew returning. Coppola, who was given more creative control, ...
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Intertextuality
Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody,Gerard Genette (1997) ''Paratexts'p.18/ref>Hallo, William W. (2010) ''The World's Oldest Literature: Studies in Sumerian Belles-Lettres'p.608/ref>Cancogni, Annapaola (1985''The Mirage in the Mirror: Nabokov's Ada and Its French Pre-Texts''pp.203-213 or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers (fiction, poetry, and drama and even non-written texts like performance art and digital media), intertextuality is now understood to be i ...
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Raiders Of The Lost Ark
''Raiders of the Lost Ark'' is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. It stars Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, and Denholm Elliott. Ford portrays Indiana Jones, a globe-trotting archaeologist vying with Nazi German forces in 1936 to recover the long-lost Ark of the Covenant, a relic said to make an army invincible. Teaming up with his tough former lover Marion Ravenwood (Allen), Jones races to stop rival archaeologist Dr. René Belloq (Freeman) from guiding the Nazis to the Ark and its power. Lucas conceived ''Raiders of the Lost Ark'' in the early 1970s. Seeking to modernize the serial films of the early 20th century, he developed the idea further with Kaufman, who suggested the Ark as the film's goal. Lucas eventually focused on developing his 1977 space opera ''Star Wars''. Development on ''Raiders of the Lost Ark'' r ...
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Indiana Jones And The Temple Of Doom
''Indiana Jones and the Temple of Doom'' is a 1984 American action-adventure film directed by Steven Spielberg. It is the second installment in the ''Indiana Jones'' franchise, and a prequel to the 1981 film ''Raiders of the Lost Ark'', featuring Harrison Ford who reprises his role as the title character. Kate Capshaw, Amrish Puri, Roshan Seth, Philip Stone, and Ke Huy Quan star in supporting roles. In the film, after arriving in India, Indiana Jones is asked by desperate villagers to find a mystical stone and rescue their children from a Thuggee cult practicing child slavery, black magic, and ritual human sacrifice in honor of the goddess Kali. Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on ''Raiders of the Lost Ark'', turned do ...
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Episode II – Attack Of The Clones
An episode is a narrative unit within a larger dramatic work or documentary production, such as a series intended for radio, television or streaming consumption. The noun ''episode'' is derived from the Greek term ''epeisodion'' (), meaning the material contained between two songs or odes in a Greek tragedy. It is abbreviated as '' ep'' (''plural'' eps). An episode is also a narrative unit within a ''continuous'' larger dramatic work. It is frequently used to describe units of television or radio series that are broadcast separately in order to form one longer series. An episode is to a sequence as a chapter is to a book. Modern series episodes typically last 20 to 50 minutes in length. The noun ''episode'' can also refer to a part of a subject, such as an “episode of life” or an “episode of drama”. See also * List of most-watched television episodes This page lists the television broadcasts which had the most viewers within individual countries, as measured by ...
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Episode VI – Return Of The Jedi
''Return of the Jedi'' (also known as ''Star Wars: Episode VI – Return of the Jedi'' is a 1983 American Epic film, epic space opera film directed by Richard Marquand. The screenplay is by Lawrence Kasdan and George Lucas from a story by Lucas, who was also the executive producer. The sequel to ''Star Wars (film), Star Wars'' (1977) and ''The Empire Strikes Back'' (1980), it is the third installment in the Star Wars original trilogy, original ''Star Wars'' trilogy, the third film to be produced, and the sixth chronological film in the "Skywalker Saga". The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker (English actor), Kenny Baker, Peter Mayhew and Frank Oz. Set one year after ''The Empire Strikes Back'', the Galactic Empire (Star Wars), Galactic Empire is constructing a second Death Star to exterminate the Rebel Alliance. With intel that the Palpatine, Emperor will be onboard, the Rebel fleet launches a fu ...
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