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Prelude (Deodato Album)
''Prelude'' is the eighth studio album by Brazilian keyboardist Eumir Deodato, released in 1973.DEODATO, EumirAbout/Introduction/History (link) Publicado no site official de Eumir Deodato. Página visitada em 3 de maio de 2015. With the signature track "Also Sprach Zarathustra (2001)" (an arrangement of the theme from '' 2001: A Space Odyssey''), ''Prelude'' would become the most successful recording for Deodato and CTI Records. The album features guitarist John Tropea on three tracks, bassists Ron Carter and Stanley Clarke, and Billy Cobham on drums. The funk-influenced version of the "Introduction" from Richard Strauss's ''Also sprach Zarathustra'', entitled "Also Sprach Zarathustra (2001)", won the 1974 Grammy Award for Best Pop Instrumental Performance and went to number two in the pop charts in the US, number three in Canada, and number seven in the UK. In 1977, the album was re-released briefly as ''2001'' with an alternate cover photo. Later releases This album was reissue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eumir Deodato
Eumir Deodato de Almeida (; born 22 June 1942) is a Brazilian pianist, composer, arranger and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova. Deodato has arranged and produced more than 500 records for acts such as Frank Sinatra, Roberta Flack, Björk and Christophe, as well as produced Kool & the Gang's hits " Celebration", " Ladies' Night" and " Too Hot". Deodato was nominated for three Grammy Awards and won the Grammy Award for Best Pop Instrumental Performance in 1974 for " Also Sprach Zarathustra (2001)." The song peaked at number 2 on the weekly Billboard Hot 100 in March 1973. It reached number 3 in Canada and number 7 on the British charts. Biography Deodato began his musical life on accordion when he was 12 years old, and then piano two years later. He studied orchestration, conducting and arranging. He played bossa nova in bands with Durval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Pop Instrumental Performance
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pr ... for Best Pop Instrumental Performance was awarded between 1969 and 2011. *In 1969 it was awarded as Best Contemporary-Pop Performance, Instrumental *From 1970 to 1971 it was awarded as Best Contemporary Instrumental Performance *In 1972 it was awarded as Best Pop Instrumental Performance *In 1973 it was awarded as Best Pop Instrumental Performance by an Instrumental Performer *From 1974 to 1975 it was again awarded as Best Pop Instrumental Performance *From 1986 to 1989 it was awarded as Best Pop Instrumental Performance (Orchestra, Group or Soloist) *Since 1990 it has again been awarded as Best Pop Instrumental Performance *The award was discontinued from 2011 in a major overhaul of Grammy categories. From 2012, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses Course may refer to: Directions or navigation * Course (navigation), the path of travel * Course (orienteering), a series of control points visited by orienteers during a competition, marked with red/white flags in the terrain, and corresponding .... Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard at normal performance volumes, electric basses require Bass ampli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prélude à L'après-midi D'un Faune
''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later version by Jerome Robbins. Background About his composition Debussy wrote:The music of this prelu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Forrest (author)
George Forrest (born George Forrest Chichester Jr., July 31, 1915 – October 10, 1999) was an American writer of music and lyrics for musical theatre best known for the show '' Kismet'', adapted from the works of Alexander Borodin. He was also known professionally at times as Chet Forrest. Biography Throughout his career Forrest worked exclusively with the composer-lyricist Robert Wright. The two men had an affinity for adapting classical music themes and adding lyrics to these themes for the Broadway musical stage and films. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer. While both men were credited equally as composer-lyricists, it was Mr. Forrest who worked with the music. '' ''Kismet'''' was one of several works Forrest created with Wright commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera (LACLO). '' Song of Norway'', ''Gypsy Lady'', '' Magdalena'', and their adaptation of '' The Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
