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Pre-Raphaelite Brotherhood In Popular Culture
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti - Proserpine - Google Art Project
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian people, Italian Italian poetry, poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzrovia
Fitzrovia () is a district of central London, England, near the West End. The eastern part of area is in the London Borough of Camden, and the western in the City of Westminster. It has its roots in the Manor of Tottenham Court, and was urbanised in the 18th century. Its name was coined in the late 1930s by Tom Driberg. It is characterised by its mixed-use of residential, business, retail, education and healthcare, with no single activity dominating. The once bohemian area was home to writers as such as Virginia Woolf, George Bernard Shaw and Arthur Rimbaud. In 2016, ''The Sunday Times'' named it the best place to live in London. Geography For a list of street name etymologies in Fitzrovia see: ''Street names of Fitzrovia''. Fitzrovia has never been an administrative unit, so has never had formal boundaries applied, but the somewhat grid-like pattern of local streets has lent itself to informal quadrangular definitions, with Euston Road to the north, Oxford Street to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleveland Street, London
Cleveland Street in central London runs north to south from Euston Road ( A501) to the junction of Mortimer Street and Goodge Street. It lies within Fitzrovia, in the W1 post code area. Cleveland Street also runs along part of the border between Bloomsbury (ward) which is located in London Borough of Camden, and West End (ward) and Marylebone High Street (ward) in the City of Westminster. In the 17th century, the way was known as the Green Lane, when the area was still rural, or Wrastling Lane, after a nearby amphitheatre for boxing and wrestling. Geography Cleveland Street marks the border between the City of Westminster to its west and the London Borough of Camden to the east. This border is ancient, largely following the old divide between the western parish of Saint Marylebone and the parish of Saint Pancras to the east and can be traced back as far as 1792. The street was also a boundary between large estates, such as the Bedford Estate and the Berners Estate. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gower Street (London)
Gower Street is a two-way street in Bloomsbury, central London, running from Euston Road at the north to Montague Place in the south. The street is continued from North Gower Street north of Euston Road. To the south, it becomes Bloomsbury Street. University College London (UCL) and the Royal Academy of Dramatic Art (RADA) are located along Gower Street as is part of University College Hospital. UCL maintains two student residences along the street: the Arthur Tattersall and John Tovell Houses. Of the many UCL buildings along Gower Street, the Cruciform Building is especially notable, both for its striking red exterior and its obvious form, even when viewed from the road. Old boys of University College School are known as " Old Gowers" after the street where it was founded and co-located with UCL. Euston Square Underground station is located at the north end of Gower Street, at the corner of Euston Road. History Gower Street is named after Lady Gertrude Leveson-Gower, da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germ
Germ or germs may refer to: Science * Germ (microorganism), an informal word for a pathogen * Germ cell, cell that gives rise to the gametes of an organism that reproduces sexually * Germ layer, a primary layer of cells that forms during embryonic development * Cereal germ, the reproductive part of a cereal grain * Tooth germ, an aggregation of cells that eventually forms a tooth * Germ theory of disease, which states that some diseases are caused by microorganisms * Germ (mathematics), an object in a topological space that captures local properties Art and media Music * Germs (band), an American punk rock band * Germ (musician), a stage name of Tim Wright * Germ (rapper), an American rapper affiliated with Suicideboys and Pouya * "Germs" (song), by "Weird Al" Yankovic * ''The Germ'' (album), by Victim's Family Others * "Germs" (''Invader Zim''), an episode of ''Invader Zim'' * ''The Germ'' (periodical), a British art magazine published in 1850 * The Germs (comics) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Germ (periodical)
''The Germ, thoughts towards nature in art and literature'' (1850) was a periodical established by the Pre-Raphaelite Brotherhood to disseminate their ideas. The magazine was edited by William Michael Rossetti. ''The Germ'' was renamed ''Art and Poetry, being Thoughts towards Nature, conducted principally by Artists'' for its last two issues. It was not a success, only surviving for four issues between January and April 1850. Illustrations were provided by members of the brotherhood. Every issue began with an original etching. William Holman Hunt provided an illustration to Woolner's poem ''My Beautiful Lady'' in the first issue. Collinson illustrated his own poem, ''The Child Jesus'', in the second issue. Madox Brown created a two-page illustration of the King Lear and his daughters for the third issue, accompanying his article on the mechanics of a history painting. Walter Deverell depicted ''Viola and Olivia'' from Shakespeare's ''Twelfth Night'' in the last issue. ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' ( grc, μίμησις, label=none) derives from ''mīmeisthai'' ( grc, μιμεῖσθαι, label=none, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "developm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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