Pre-Human Ideas
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Pre-Human Ideas
''Pre-Human Ideas'' is a compilation album released by Phil Elverum under the name Mount Eerie, on November 12, 2013. The album consists of computerised versions of songs from his 2012 releases ''Clear Moon'' and '' Ocean Roar'', plus 2 organ excerpts from the songs "Pale Lights" and "The Place Lives" from ''Clear Moon'' and ''Ocean Roar'' respectively. The album is a derivation from Elverum's typical sound with his vocals layered in autotune and pitched higher in some instances to resemble a female voice. Recording Recording took place over the time span of 3 years in the recording studio Unknown in Anacortes, Washington. Reception The album received generally positive reviews upon release. Metacritic, which assigns a normalized rating out of 100 to reviews from music critics, the album has received an average score of 72 based on 10 critics, indicating "generally favourable reviews". Heather Phares of AllMusic wrote that the album was "More than just musical footnotes, thes ...
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Mount Eerie
Mount Eerie is the musical project of American songwriter and producer Phil Elverum. Elverum (also of The Microphones) is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie's releases have been issued on Elverum's label P.W. Elverum & Sun, Ltd., and feature highly detailed packaging with his own artwork. History 2003–2005: Career beginnings Following the release of the Microphones' ''Mount Eerie'' album, Elverum announced that he would no longer use the Microphones moniker, opting instead to record under the name Mount Eerie, after the area in Anacortes, Washington called Mount Erie. In an interview with CITR-FM's ''Discorder'' in September 2003, Elverum gave his reasons for this change: "Mount Eerie is a new project. The Microphones was completed, or at least at a good stopping point. I did it because I am ready for new things. I am new." Around this time, Elverum also changed the spe ...
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Consequence Of Sound
''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outlook micro-site, which serves as an online database for music festival news and rumors. In 2018, Consequence of Sound launched Consequence Podcast Network. The website took its original name from the Regina Spektor song " Consequence of Sounds". History ''Consequence of Sound'' was founded in September 2007 by Alex Young, then a student at Fordham University in The Bronx, New York. In January 2008, Michael Roffman became Editor-in-Chief. In October 2014, ''Consequence of Sound'' began covering film and became a part of the Chicago Film Critics Association. In 2016, ''Consequence of Sound'' was reorganized under the umbrella of Consequence Media, a digital media, advertising, and marketing firm. In 2018, ''Consequence of Sound'' launched the ...
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Weighted Mean
The weighted arithmetic mean is similar to an ordinary arithmetic mean (the most common type of average), except that instead of each of the data points contributing equally to the final average, some data points contribute more than others. The notion of weighted mean plays a role in descriptive statistics and also occurs in a more general form in several other areas of mathematics. If all the weights are equal, then the weighted mean is the same as the arithmetic mean. While weighted means generally behave in a similar fashion to arithmetic means, they do have a few counterintuitive properties, as captured for instance in Simpson's paradox. Examples Basic example Given two school with 20 students, one with 30 test grades in each class as follows: :Morning class = :Afternoon class = The mean for the morning class is 80 and the mean of the afternoon class is 90. The unweighted mean of the two means is 85. However, this does not account for the difference in number of ...
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Music Critic
''The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at the ...
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Standard Score
In statistics, the standard score is the number of standard deviations by which the value of a raw score (i.e., an observed value or data point) is above or below the mean value of what is being observed or measured. Raw scores above the mean have positive standard scores, while those below the mean have negative standard scores. It is calculated by subtracting the population mean from an individual raw score and then dividing the difference by the population standard deviation. This process of converting a raw score into a standard score is called standardizing or normalizing (however, "normalizing" can refer to many types of ratios; see normalization for more). Standard scores are most commonly called ''z''-scores; the two terms may be used interchangeably, as they are in this article. Other equivalent terms in use include z-values, normal scores, standardized variables and pull in high energy physics. Computing a z-score requires knowledge of the mean and standard dev ...
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Under The Radar (magazine)
''Under the Radar'' is an American music magazine that features interviews with accompanying photo-shoots. Each issue includes opinion and commentary of the indie music scene as well as reviews of books, DVDs, and albums. The magazine posts web-exclusive interviews and reviews on its website. Items are reviewed based on a rating system in which each album, book, and DVD receives a rating from 1 to 10. The magazine has been in publication since late 2001 and is issued three times per year. The magazine was founded by co-publishers (and husband and wife) Mark Redfern and Wendy Lynch Redfern, who were married on June 2, 2007 and currently run the magazine. Mark is the magazine's Senior Editor and writes many of the magazine's articles. Wendy is the Creative Director and lays out each issue. She is also a music photographer and conducts photo-shoots for the magazine, including many of its covers. Contents It was the first American magazine to interview the following non-American b ...
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Sputnikmusic
Sputnikmusic is an American music community website offering music criticism and music news alongside features commonly associated with wiki-style websites. The format of the website is unusual in that it includes both professional and amateur content, distinguishing it from professionally written music websites such as ''Pitchfork'' and ''Tiny Mix Tapes'', as well as collecting and presenting a wiki-style metadata database in a manner comparable to Rate Your Music and Discogs. Over time, the site came to be established as a credible source; it is now among the sources that Metacritic uses to compile "Critic Scores" and is used as a news source by other websites. As a general rule, the staff writers tended to focus on new releases; however, any user was welcome to submit a review of any album that has been officially released. All genres of music were covered by the site, with dedicated subsections for metal, punk, indie, rock, hip hop, and pop; an 'Other' section also caters ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazine pub ...
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Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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