|
Praktiflex
'' Kamera-Werkstätten Guthe & Thorsch'' (K.W.) was established 1919 in Dresden by Paul Guthe and Benno Thorsch, starting out manufacturing the ''Patent Etui'' plate camera. Ten years later came the roll film TLR ''Pilot Reflex'' and in 1936, the 6×6 SLR ''Pilot'' range. By that time, Benno Thorsch, the surviving partner from 1919, decided to immigrate to the United States and arranged with the US citizen Charles Noble to swap enterprises. Noble came to Germany and moved the factory to Niedersedlitz on the outskirts of Dresden, while Benno Thorsch in Detroit ran the acquired photo finishing business that was one of the largest in the USA.John H. Noble The new ''Kamera-Werkstätten AG, Niedersedlitz'' prospered, and in 1939 launched the 35mm SLR ''Praktiflex'' camera. The concept proved successful, and through continuous development, the '' Praktica'' name became one of the most popular 35mm SLR brands for several decades, beginning in the 1950s. The Camera The Praktiflex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamera-Werkstätten
Kamera-Werkstätten Guthe & Thorsch was a photographic equipment manufacturer based in Dresden. Kamera-Werkstätten Guthe & Thorsch By the beginning of the twentieth century the photographic industry prospered using new manufacturing methods, building smaller, lighter and more reliable equipment, and using better materials like aluminium and steel rather than wood, brass and leather. After World War I, the camera industry in Dresden surely had the most specialized workforce in that field, comprising several respected brands. It was at this time the Kamera-Werkstätten, K.W. was established in Dresden, Germany. Kamera-Werkstätten Guthe & Thorsch, K.W. for short, was established in 1919 in Dresden, by Paul Guthe and Benno Thorsch to manufacture cameras and associated products. The first was the ''Patent Etui 6×9'' plate camera previously designed by Guthe. The 3×4 TLR ''Pilot Reflex 3×4'' medium format roll-film camera range began in 1931, which by 1935 evolved into the 6×6 120 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lens Mount
A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, single lens reflex type, single lens mirrorless type or any movie camera of 16 mm or higher gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements. Mount types A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock (friction lock) type. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position, yet types such as the C-mount interface are still widely in us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessar
The Tessar is a photographic lens design conceived by the German physicist Paul Rudolph in 1902 while he worked at the Zeiss optical company and patented by Zeiss in Germany; the lens type is usually known as the Zeiss Tessar. A Tessar comprises four elements in three groups, one positive crown glass element at the front, one negative flint glass element at the center and a negative plano-concave flint glass element cemented with a positive convex crown glass element at the rear. History Beginnings Despite common belief, the Tessar was not developed from the 1893 Cooke triplet design by replacing the rear element with a cemented achromatic doublet. Paul Rudolph designed the Anastigmat with two lenses cemented in 1890. Later, Rudolph thought that a narrow airgap in the form of a positive lens would correct the spherical aberration (as did HL Aldis in 1895) and that this device was much better than the lenses cemented. In addition, this allowed the photographers to hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Zeiss
Carl Zeiss (; 11 September 1816 – 3 December 1888) was a German scientific instrument maker, optician and businessman. In 1846 he founded his workshop, which is still in business as Carl Zeiss AG. Zeiss gathered a group of gifted practical and theoretical opticians and glass makers to reshape most aspects of optical instrument production. His collaboration with Ernst Abbe revolutionized optical theory and practical design of microscopes. Their quest to extend these advances brought Otto Schott into the enterprises to revolutionize optical glass manufacture. The firm of Carl Zeiss grew to one of the largest and most respected optical firms in the world. Birth and family His father Johann Gottfried August Zeiss (1785–1849) was born in Rastenberg, where his forefathers had worked as artisans for over 100 years. August moved with his parents to Buttstädt, a small regional capital north of Weimar, where he married Johanna Antoinette Friederike Schmith (1786–1856). Carls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastigmat
An anastigmat or anastigmatic lens is a photographic lens completely corrected for the three main optical aberrations: spherical aberration, coma, and astigmatism. Early lenses often included the word ''Anastigmat'' in their name to advertise this new feature (''Doppel-Anastigmat'', ''Voigtländer Anastigmat Skopar'', etc.). The first Anastigmat was designed by Paul Rudolph for the German firm Carl Zeiss AG in 1890. All modern photographic lenses are close to being anastigmatic, meaning that they can create extremely sharp images for all objects across their field of view; the underlying limitation is that the lens can deliver the anastigmatic performance only up to a maximum aperture (i.e., it has a minimum F-number) and only within a given working distance (focusing range). Note that all optical aberrations (except spherical aberration) become more pronounced towards the edges of the field of view, even with high-grade anastigmatic lenses. Anastigmatic performance is accomplis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schneider-Kreuznach
Schneider Kreuznach () is the abbreviated name of the company Jos. Schneider Optische Werke GmbH, which is sometimes also simply referred to as Schneider. They are a manufacturer of industrial and photographic optics. The company was founded on 18 January 1913 by Joseph Schneider as Optische Anstalt Jos. Schneider & Co. at Bad Kreuznach in Germany. The company changed its name to Jos. Schneider & Co., Optische Werke, Kreuznach in 1922, and to the current Jos. Schneider Optische Werke GmbH in 1998. In 2001, Schneider received an Oscar for Technical Achievement for their Super-Cinelux motion picture lenses. It is best known as manufacturers of large format lenses for view cameras, enlarger lenses, and photographic loupes. It also makes a limited amount of small- and medium-format lenses, and has at various times manufactured eyeglasses and camera rangefinders, as well as being an OEM lens maker for Kodak and Samsung digital cameras. It has supplied the lenses for various LG de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Lens
In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and sometimes disturbing, distortion. The problem Photographic technology employs different physical methods from the human eye in order to capture images. Thus, manufacturing optics which produce images that appear natural to human vision is problematic. The eye has a nominal focal length of approximately 17mm, but it varies with accommodation. The nature of human binocular vision, which uses two lenses instead of a single one, and post-processing by the cortex is very different from the process of making and rendering a photograph, video or film. The structure of the human eye has a concave retina, rather than a flat sensor. This produces effects observed by Abraham Bosse, who in his 1665 illustration 'To prove that one can neither define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contax
Contax (stylised as CONTAX in the Kyocera era) began as a German camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant. Historical overview While the firm of Ernst Leitz of Wetzlar established the 24 mm × 36 mm negative format on perforated 35 mm movie film as a viable photographic system, Zeiss Ikon of Dresden decided to produce a competitor designed to be superior in every way. The name Contax was cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script (typefaces)
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are generally used for display typeface, display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting. Styles Script typefaces are organized into highly regular formal types similar to cursive writing and looser, more casual scripts. Formal scripts A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham the Elder, George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
