PragmataPro
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PragmataPro
PragmataPro is a monospaced font family designed for programming, created by Fabrizio Schiavi. It is a narrow programming font designed for legibility. The font implements Unicode characters, including (polytonic) Greek, Cyrillic, Arabic, Hebrew and the APL codepoints. The font specifically implements ligatures for programming, such as multiple-character operators. The characters are hinted by hand. PragmataPro was designed to have contained line-spacing and offer rasterization for screens of most sizes except the most small. Notable features also include math and phonetics support. Unicode coverage It includes 7,414 glyphs (6,148 Characters) in version 0.824 (2016) from the following Unicode blocks: * Basic Latin (95) * Latin-1 Supplement (96) * Latin Extended-A (128) * Latin Extended-B (183) * IPA Extensions (96) * Spacing Modifier Letters (80) * Combining Diacritical Marks (106) * Greek (83) * Cyrillic (98) * Hebrew (87) * Arabic (194) * Runic (1) * Phonetic Extensions (12 ...
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Fabrizio Schiavi
Fabrizio Schiavi born in Ponte dell'Olio near Piacenza (Italy), is a graphic designer and type designer. Schiavi is particularly known for the very large font project PragmataPro, the monospaced family designed optimized for screen designed to be the ideal font for coding, math and engineering. Biography Schiavi studied Graphic Design in 1989 at Istituto d’Arte Paolo Toschi in Parma. After working for three years as graphic designer for the Italian record company Expanded Music, he left to set up his own graphic design studio, FSD (Fabrizio Schiavi Design), in Piacenza. Fonts * Sys, a geometric TrueType handhinted font * Pragmata, a monospaced font designed for programmers * PragmataPro, the enhanced version of Pragmata with more than 7000 glyphs per weight * Sirucanorm, the rounded sans-serif version of Siruca custom font * Exit, a narrow sans-serif available at MyFonts * D^44, available at MyFonts * Sidewalker, available at MyFonts * Lithium, available at MyFonts * Eco, a ...
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Iosevka
Iosevka () is a monospace programming typeface, built declaratively using custom typeface generation software, and with an emphasis on compatibility with CJK characters. It is available under a FOSS license. The default builds are available in two styles of nine weights each, and come with italic and oblique versions. The typeface was designed, however, to be easily configurable by editing textual TOML configuration files in the custom generation software. The character repertoire covers a significant portion of the Basic Multilingual Plane of Unicode, and a few characters from the Enclosed Alphanumeric Supplement block. History The first version of Iosevka, then named ''codexHW'', was created on 19 July 2015, and renamed to Iosevka three days later. It is the product of Chinese typographer Renzhi Li, using the Romanised pseudonym Belleve Invis. Features Iosevka once was a condensed font only, suitable to use with double width CJK characters, using a slashed zero by defau ...
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Monospaced Typefaces
This is a list of typefaces, which are separated into groups by distinct artistic differences. The list includes typefaces that have articles or that are referenced. Superfamilies that fall under more than one category have an asterisk (*) after their name. Serif *Adobe Jenson *Albertus *Aldus *Alexandria *Algerian * Amelia (Designed in 1963 by Stan Davis) *American Typewriter * Antiqua *Arno* *Aster *Aurora ** News 706 *Baskerville *Bell (Didone classification serif type designed by Richard Austin, 1788) * Belwe Roman *Bembo *Bernhard Modern *Bodoni **Bauer Bodoni *Bitstream Charter * Bookman * Bulmer *Caledonia *Calisto MT *Cambria * Capitals *Cartier *Caslon ** Wyld * Caslon Antique / Fifteenth Century *Centaur *Century type family * Charis SIL *Cheltenham * Clearface *Cochin *Computer Modern *Concrete Roman * Constantia *Copperplate Gothic * DejaVu Serif *Didot *Droid Serif * Emerson * Fairfield *Fat face *FF Scala *Fixedsys *Footlight * Friz Quadrata *Garamond * Gentium *Geo ...
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Monospaced Font
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting computer code. Monospaced fonts were widely used in early computers and computer terminals, which often had extremely limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font. Even though computers can ...
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Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ...
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Monospaced
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting computer code. Monospaced fonts were widely used in early computers and computer terminals, which often had extremely limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font. Even though computers c ...
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Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), " Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: ...
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Unicode
Unicode, formally The Unicode Standard,The formal version reference is is an information technology Technical standard, standard for the consistent character encoding, encoding, representation, and handling of Character (computing), text expressed in most of the world's writing systems. The standard, which is maintained by the Unicode Consortium, defines as of the current version (15.0) 149,186 characters covering 161 modern and historic script (Unicode), scripts, as well as symbols, emoji (including in colors), and non-visual control and formatting codes. Unicode's success at unifying character sets has led to its widespread and predominant use in the internationalization and localization of computer software. The standard has been implemented in many recent technologies, including modern operating systems, XML, and most modern programming languages. The Unicode character repertoire is synchronized with Universal Coded Character Set, ISO/IEC 10646, each being code-for-code id ...
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APL (programming Language)
APL (named after the book ''A Programming Language'') is a programming language developed in the 1960s by Kenneth E. Iverson. Its central datatype is the Array data type#Multi-dimensional arrays, multidimensional array. It uses a large range of APL syntax and symbols, special graphic symbols to represent most functions and operators, leading to very concise code. It has been an important influence on the development of concept modeling, spreadsheets, functional programming, and computer math packages. It has also inspired several other programming languages. History Mathematical notation A mathematical notation for manipulating arrays was developed by Kenneth E. Iverson, starting in 1957 at Harvard University. In 1960, he began work for IBM where he developed this notation with Adin Falkoff and published it in his book ''A Programming Language'' in 1962. The preface states its premise: This notation was used inside IBM for short research reports on computer systems, such as ...
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Grotesque Sans-serif Typefaces
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ...
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