Power Electronics (music)
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Power Electronics (music)
Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with (sometimes) screamed and distorted vocals. The genre is noted for its influence from industrial. Power electronics is generally atonal, like most noise music; there's also lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics, album art, or live performance actions. It is a genre that often invites strong reactions from both listeners and critics, if not dismissed or ignored altogether. Power electronics is related to the early Industrial Records scene but later became more aligned with noise music.Whitehouse, Allmusic bio. [] Access date: March 15, 2009. Etymology and background The name of the genre was coined by William Bennett (experimental musician and founding member of Whiteh ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Brighter Death Now
Brighter Death Now is the artist name under which Roger Karmanik (b. 1965 as Roger Karlsson), the founder of the Swedish record label Cold Meat Industry, releases death industrial, power electronics Power electronics is the application of electronics to the control and conversion of electric power. The first high-power electronic devices were made using mercury-arc valves. In modern systems, the conversion is performed with semiconducto ... and dark ambient music. Whereas early Brighter Death Now recordings tended to be largely instrumental and atmospherically oriented, present-day releases often feature screamed vocals, distorted beyond comprehension. Throughout its history, Karmanik has kept his music's thematic elements focused on such topics as child molestation, sadism, and psychosi The ''Great Death'' trilogy and ''May All Be Dead'' have become rare collectors items, and are sought after by many Brighter Death Now fans. Roger Karmanik has been active under other name ...
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Extended Techniques
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his '' Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing ...
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1982 Neologisms
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ...
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Sonology
Sonology is a neologism used to describe the study of sound in a variety of disciplines. In medicine, the term is used in the field of magingto describe the practice of medical ultrasonography. According to some scholars, sonology may represent a more advanced application of clinical sonography, chiefly due to the requirement for the use of critical application of both cognitive and radiographic skills in making the diagnostic determination at the time of bedside application of focused ultrasound. The term is also used to describe interdisciplinary research in the field of electronic music and computer music, drawing upon disciplines such as acoustics, electronics, informatics, composition and psychoacoustics. This sense of the term is widely associated with the Institute of Sonology, which was established by composer Gottfried Michael Koenig at the University of Utrecht in 1967 and later moved to the Royal Conservatory of The Hague in 1986. The term has also been adopted to descri ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Electroacoustic Improvisation
Live electronic music (also known as live electronics) is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace. History 1800s–1940s Early electronic instruments Early electronic instruments intended for live performance, such as Thaddeus Cahill's Telharmonium (1897) and instruments developed between the two world wars, such as the Theremin (1919), Spharophon (1924), ondes Martenot (1928), a ...
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Stratvm Terror
Peter Andersson (born March 20, 1973 in Boxholm, Sweden) is a music composer within the ambient, noise, industrial, electronic and experimental genre. His projects are Raison D'être, Stratvm Terror, Necrophorus, Atomine Elektrine, Yantra Atmospheres, Panzar, Bocksholm, Svasti-ayanam, Cataclyst, Grismannen. Besides his music activities he is mostly interested in film, art, Tibetan Buddhism and meditation. Stratvm Terror Stratvm Terror is an industrial noise Noise is unwanted sound considered unpleasant, loud or disruptive to hearing. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arise ... project of Peter Andersson, first appearing in 1993. For the project, he was joined by Tobias Larsson. After a few tapes and four CD releases this project has almost reached the same acclaimed status as Raison d'être. Stratvm Terror offers harsh, droning, aggressive and lou ...
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Hieronymus Bosch (band)
Hieronymus Bosch is a New Zealand-based dark industrial experimental noise punk act formed around 1985–86. History The band originally used reel-to-reel tape recorders, loop effects, steel objects and a range of classic analog synths and drum machines. They performed only three times as this incarnation, twice in New Zealand and once in Sydney, Australia. The live art performances included poetry and slide shows and were performed in art galleries. Their sound has varied significantly over time, due to collaborating with many different engineers, percussionists, guitarists, and artists. At a performance in early 1986, the entire interior of a condemned house was torn apart, accompanied by looping noise tapes fed through a generator driven PA system. Around 30 people took part in the destruction of the property. The mid-1980s saw the band become a three-piece, fusing darkwave and industrial. This line-up only lasted a few months, playing one very loose live set accompanyin ...
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Ramleh (band)
Ramleh are a British experimental music group formed by musician Gary Mundy in 1982. The current line-up of the band includes Gary Mundy, Anthony di Franco and Stuart Dennison. Originally a part of the English power electronics and industrial music scene in early 1980s, Ramleh experimented with a more traditional rock format in their later releases. History The group was formed by Mundy in 1982 as a part of the power electronics scene in early 1980s, which included artists such as Whitehouse and Sutcliffe Jügend. The band's ''21/5/62/82'' cassette was released in 1982 and was titled as a reference to the execution of Nazi war criminal Adolf Eichmann. Ramleh recorded four more cassette releases in 1982: ''Onslaught'', ''Live to Theresienstadt'', ''Live New Force'', and ''Live Phenol''. ''Live McCarthy'', ''Live at Moden Tower 12/10/1983'', and ''Live at Prossneck 1/10/83'', A Return to Slavery and The Hand of Glory EPs were added to the band's catalogue in 1983. This was follo ...
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Genocide Organ
Genocide Organ is a German power electronics/ martial industrial collective, formed in Mannheim, Germany in 1985. They are known for their brutal and controversial presentation in their music and attitude. Many of the themes present in their music make reference to the Ku Klux Klan, the Third Reich and war. This insistence on these themes has led to accusations of being far-right extremists Far-right politics, also referred to as the extreme right or right-wing extremism, are political beliefs and actions further to the right of the left–right political spectrum than the standard political right, particularly in terms of being ..., they have denied these accusations in interviews saying: ''“We never say what we think, and we never believe what we say, and if we tell the truth by accident, we hide it under so many lies that it is difficult to find out”.'' Due to this attitude, the website Discogs has blocked the sale of a number of their albums. Discography * ''Lei ...
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