Power Inc. Volume 1
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Power Inc. Volume 1
''Power Inc. Volume 1'' is a compilation album by the American industrial hip-hop group Tackhead. It was released in 1994 on Blanc Records. Track listing Personnel ;Tackhead *Keith LeBlanc – Drum kit, drums, percussion *Little Axe, Skip McDonald – guitar *Adrian Sherwood – Sampler (musical instrument), sampler, Programming (music), programming *Doug Wimbish – bass guitar ;Technical personnel *Jill Mumford – design *Mark Stewart (English musician), Mark Stewart – design *Tackhead – Record producer, producer Release history References

{{DEFAULTSORT:Power Inc. Volume 1 1994 compilation albums Tackhead albums ...
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Tackhead
Tackhead (styled TACK>>HEAD, sometimes known as Fats Comet) is an industrial hip-hop group that was most active during the 1980s and early 1990s, and briefly reformed in 2004 for a tour. Their music occupies the territory where funk, dub, industrial music and electronica intersect. The core members are Doug Wimbish ( bass), Keith Leblanc (percussion) and Skip McDonald (guitar) and producer (sometimes credited as "mixologist") Adrian Sherwood. Despite being short-lived as a band proper, the legacy and output of these groups of musicians has been prodigious. History In the late 1970s, Wimbish, Leblanc and McDonald were members of the house band for the Sugarhill Records record label and the trio of hip-hop artists known as the Sugarhill Gang. They were also the musicians playing behind DJ Grandmaster Flash's 1982 hit " The Message" (the vocal was by Melle Mel) and another hit " White Lines". During a visit to New York City, to help with a remix, London-based producer Sherwood ...
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Melle Mel
Melvin Glover (born May 15, 1961 in The Bronx), better known by his stage name Grandmaster Melle Mel (or simply Melle Mel) () is an American hip hop recording artist who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five. Career Glover began performing in the late 1970s. He may have been the first rapper to call himself ''MC'' ( master of ceremonies). Other Furious Five members included his brother The Kidd Creole (Nathaniel Glover), Scorpio (Eddie Morris), Rahiem (Guy Todd Williams) and Cowboy (Keith Wiggins). While a member of the group, Cowboy created the term '' hip-hop'' while teasing a friend who had just joined the US Army, by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers. Grandmaster Flash & The Furious Five began recording for Enjoy Records and released "Superrappin'" in 1979. They later moved on to Sugar Hill Records and were popular on the R&B charts with party songs like "Fre ...
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Design
A design is a plan or specification for the construction of an object or system or for the implementation of an activity or process or the result of that plan or specification in the form of a prototype, product, or process. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan (such as in craftwork, some engineering, coding, and graphic design) may also be considered to be a design activity. The design usually has to satisfy certain goals and constraints; may take into account aesthetic, functional, economic, or socio-political considerations; and is expected to interact with a certain Environment (systems), environment. Typical examples of designs include architectural drawing, architectural and engineering drawing, engineering drawings, circuit diagrams, Pattern (sewing), sewing patterns and less tangible artefacts such as business process models. Designing People who produce designs ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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What's My Mission Now?
"What's My Mission Now?" is a single by the American industrial hip-hop group Tackhead, released in October 1985 on On-U Sound. Scott Becker of ''Option'' called it "Sherwood as his outrageous best: wild stereo effects, a crucial beat, a bit of dubbing-it-up, found vocals (in this instance, used largely to poke fun at the military), odd sounds, the works." Formats and track listing All songs written by Keith LeBlanc, Skip McDonald, Adrian Sherwood and Doug Wimbish ;UK 12" single (ON-U DP 13) #"What's My Mission Now?" – 7:30 #"Now What?" – 6:38 Personnel *Keith LeBlanc – drums, percussion * Skip McDonald – guitar * Adrian Sherwood – sampler, programming, producer Producer or producers may refer to: Occupations *Producer (agriculture), a farm operator *A stakeholder of economic production *Film producer, supervises the making of films **Executive producer, contributes to a film's budget and usually does not ... * Doug Wimbish – ...
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Rockchester
"Rockchester" is a single by the British industrial hip-hop group Fats Comet, released in January 1987 on World Records. Release and reception In the August 1986 issue of '' Spin'', columnist John Leland described the song as "the best dance music now being made" The single entered the UK Indie Chart in 1987, remaining there for eleven weeks and peaking at No. 6. The song's B-side later appeared on the retrospective compilation album '' Power Inc. Vol. 1'', released in 1994. In 1997, Future Sound of London released the hit single '' We Have Explosive'', part three of which interpolates a looped sample of "Rockchester". Formats and track listing All songs written by Keith LeBlanc, Skip McDonald, Adrian Sherwood and Doug Wimbish ;UK 12" single (WR006) #"Rockchester" – 6:16 #"OK Bye!" – 5:18 Personnel ;Musicians *Keith LeBlanc – drums, percussion *Skip McDonald – guitar *Adrian Sherwood – sampler, programming *Bim Sherman – ad ...
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Bernard Fowler
Bernard Fowler (born January 2, 1960) is an American musician. He is known for a long association with The Rolling Stones, providing backing vocals since 1989 and on their studio recordings and live tours. Fowler has been a featured guest vocalist on the majority of solo albums released by the members of that band. He has released two solo albums, and he has also been a regular featured singer on other musicians' recordings and tours. Fowler has toured and recorded with the bands Tackhead and Bad Dog and occasionally with Nicklebag and Little Axe. Biography Fowler's first recordings were with the group The Total Eclipse for the album ''A Great Combination'' released 1975. In the early 1980s he was a member of The New York City Peech Boys with DJ Larry Levan and keyboard player Michael De Benedictus. The group had dance hits with tracks like " Don't Make Me Wait" and "Life Is Something Special". He provided vocals for the songs "I'm the One" and "Come Down" from the Material ...
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