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Powder Her Face
''Powder Her Face'', Op. 14 (1995), is a chamber opera in two acts by the British composer Thomas Adティs, with an English libretto by Philip Hensher. The opera is 100 minutes long. It was commissioned by the Almeida Opera, a part of London's Almeida Theatre, for performances at the Cheltenham Music Festival. The subject of the opera is the "Dirty Duchess", Margaret Campbell, Duchess of Argyll, whose sexual exploits were the stuff of scandal and gossip in Britain in 1963 during her divorce proceedings. The opera is explicit in its language and detail. It was first performed on 1 July 1995 in Cheltenham, with Jill Gテウmez in the leading role. Reviews were generally good, but the opera became notorious for its musical depiction of fellatio: British radio station Classic FM considered it unsuitable for transmission. The German premiere was in Magdeburg, Germany, in 1996. Irena Sylya performed the role of the Duchess. She also performed this role in the Long Beach, CA, producti ...
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Chamber Opera
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adティs, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ''The Rape ...
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テ《tor Piazzolla
Astor Pantaleテウn Piazzolla (, ; March 11, 1921 窶 July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed ''nuevo tango'', incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music". Biography Childhood Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Italian immigrant parents, Vicente "Nonino" Piazzolla and Assunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleテウn) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Lucca in the central region of Tuscany. In 1925 As ...
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Opera Boston
Opera Boston was an opera company in Boston, Massachusetts. It specialized in less-frequently heard repertoire as well as modern works or opera premieres, along with opera education and outreach programs designed to bring opera education to children both in schools and after-school programs throughout the Boston area. After eight years, it was announced on 23 December 2011 that Opera Boston would cease operations on 1 January 2012. Board chairman Winifred Gray and president Gregory Bulger cited "an insurmountable budget deficit" as the reason. Its home base was the Cutler Majestic Theatre, a 1903 Beaux-Arts opera house designed by architect John Galen Howard. In addition to its regular season the company mounted an "Opera Unlimited Festival" which presented 20th and 21st century chamber opera in an outdoor setting, free of charge. The Festival also commissioned new works. Productions Dates in parenthesis are the dates of the Opera Boston production. The list is limited to only ...
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Robert Spano
Robert Spano ( ; born 7 May 1961, Conneaut, Ohio) is an American conductorDavidson, Justin. "CLASSICAL MUSIC: Looking for Magic: Mixing visuals and language into a performance is just part of conductor Robert Spano's pursuit of orchestral risk" (Fanfare); ''Newsday'' (Long Island, NY) 窶 7 October 2001, p. D21. . Retrieved 23 March 2007Tommasini, Anthony. "Critic's Notebook: A Winning Formula for Players and Listeners"; ''The New York Times'' 窶 9 February 2000, p. E5. . Retrieved 23 March 2007Dyer, Richard. "Spano Tries to Hang Out at Tanglewood" (Feature); ''Boston Globe'' 窶 22 July 2001, p. L4. . Retrieved 23 March 2007Ruhe, Pierre. "CRITIC'S NOTEBOOK: Spano Storms New York 窶 and that's fine"; ''The Atlanta Journal-Constitution'' 窶 22 May 2003, p. D1. . Retrieved 23 March 2007Tommasini, Anthony. "Classical Music: Can Brooklyn Keep Its Maestro While He's Hot?"; ''The New York Times'' 窶 26 October 1997, p. 2窶33. . Retrieved 23 March 2007Brock, Wendell. "Live from Bro ...
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Brooklyn Philharmonic
There have been several organisations referred to as the Brooklyn Philharmonic. The most recent one was the now-defunct Brooklyn Philharmonic Symphony Orchestra, an American orchestra based in the New York City borough of Brooklyn, in existence from the 1950s until 2012."Brooklyn Philharmonic, Innovative But Sounding a Troubled Tune" by Brian Wise. wQXR, Friday, 18 October 201/ref> In its heyday it was called "groundbreaking" and "one of the most innovative and respected symphony orchestras of modern times". Organisations Philharmonic Society of Brooklyn The Philharmonic Society of Brooklyn was formed in 1857 under Theodore Eisfeld, who served as its inaugural conductor until 1861. The Philharmonic Society of Brooklyn held concerts at the Athenaeum in Brooklyn Heights, then the largest concert venue in the borough, until it moved to the newly opened Brooklyn Academy of Music in 1861, where it remained until 1891. The Philharmonic Society of Brooklyn was the driving force in the e ...
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Brooklyn Academy Of Music
The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in 1908. The Academy is incorporated as a New York State not-for-profit corporation. It has 501(c)(3) status. Katy Clark became president in 2015 and left the institution in 2021. David Binder became artistic director in 2019. History 19th and early 20th centuries On October 21, 1858, a meeting was held at the Polytechnic Institute to measure support for establishing "a hall adapted to Musical, Literary, Scientific and other occasional purposes, of sufficient size to meet the requirements of our large population and worth in style and appearance of our city."
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Joan Rodgers
Joan Rodgers C.B.E. (born 1956, Cleator Moor, Cumbria, England) is an English operatic soprano. She was married to the conductor Paul Daniel, and married Alan Samson in 2013. She studied singing with Audrey Langford. She made her professional opera debut at the Aix-en-Provence Festival in 1982 as Pamina in Mozart's ''The Magic Flute''; a role she later sang for her debut at the Metropolitan Opera in New York in 1995. In 1983 she made her debut at the English National Opera as the Wood Nymph in '' Rusalka'', and performed for the first time at the Royal Opera House as the princess in ''L'enfant et les sortilティges''. She made her debut at the Glyndebourne Festival Opera in 1989 as Susanna in Mozart's ''The Marriage of Figaro ''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...''. Refere ...
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Southbank Sinfonia
Southbank Sinfonia is a British chamber orchestra founded in 2002. Composed of young professionals from around the world, each year it brings together 33 graduate musicians for a programme of performance and professional development. The annual fellowship comprises performances across Britain and Europe, and features orchestral repertoire, chamber music, opera, dance and theatre, alongside artist development sessions. An integral part of the programme is the orchestra's creative partnerships with performing arts organisations including the Royal Opera House, Academy of St Martin in the Fields, the National Theatre and artists such as Patron Vladimir Ashkenazy. Southbank Sinfonia is based at St John's, Smith Square, where a regular series of free 'Rush Hour' concerts are held throughout the year. The orchestra frequently collaborates with artists from other music genres, including Squarepusher in 2013, as well as in theatrical projects with the National Theatre. These have inclu ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The faテァade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Barbican Centre
The Barbican Centre is a performing arts centre in the Barbican Estate of the City of London and the largest of its kind in Europe. The centre hosts classical and contemporary music concerts, theatre performances, film screenings and art exhibitions. It also houses a library, three restaurants, and a conservatory. The Barbican Centre is a member of the Global Cultural Districts Network. The London Symphony Orchestra and the BBC Symphony Orchestra are based in the centre's Concert Hall. In 2013, it once again became the London-based venue of the Royal Shakespeare Company following the company's departure in 2001. The Barbican Centre is owned, funded, and managed by the City of London Corporation. It was built as the City's gift to the nation at a cost of ツ」161 million (equivalent to ツ」480 million in 2014) and was officially opened to the public by Queen Elizabeth II on 3 March 1982. The Barbican Centre is also known for its brutalist architecture. Performance hal ...
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Margaret Duchess Of Argyll 7 Allan Warren
Margaret is a female first name, derived via French () and Latin () from grc, ホシホアマ∃ウホアマ∃ッマホキマ () meaning "pearl". The Greek is borrowed from Persian. Margaret has been an English name since the 11th century, and remained popular throughout the Middle Ages. It became less popular between the 16th century and 18th century, but became more common again after this period, becoming the second-most popular female name in the United States in 1903. Since this time, it has become less common, but was still the ninth-most common name for women of all ages in the United States as of the 1990 census. Margaret has many diminutive forms in many different languages, including Maggie, Madge, Daisy, Margarete, Marge, Margo, Margie, Marjorie, Meg, Megan, Rita, Greta, Gretchen, and Peggy. Name variants Full name * (Irish) * (Irish) * (Dutch), (German), (Swedish) * (English) Diminutives * (English) * (English) First half * ( French) * (Welsh) Second half * (English), ...
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