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Pour Le Piano
''Pour le piano'' (''For the piano''), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement. Regarded as Debussy's first mature piano composition, the suite has frequently been recorded. Bärenreiter published a critical edition in 2018, on the occasion of the centenary of Debussy's death. History Claude Debussy composed the three pieces forming the suite at different times. The second movement, a sarabande, dates to the winter of 1894 when it belonged to the series of ''Images oubliées'', dedicated to Yvonne Lerolle, the daughter of Henry Lerolle. Debussy composed little piano music during the 1890s and focused on opera and orchestral music. He completed the suite in 1901, revising Sarabande. He also dedicated t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson François
Samson Pascal François (18 May 192422 October 1970) was a French pianist and composer. Biography François was born in Frankfurt where his father worked at the French consulate. His mother, Rose, named him Samson, for strength, and Pascal, for mind. François discovered the piano early – at the age of two – and his first studies were in Italy, with Pietro Mascagni, who encouraged him to give his first concert at the age of six. Having studied in the Conservatoire in Nice from 1932 to 1935, where he again won first prize, François came to the attention of Alfred Cortot, who encouraged him to move to Paris and study with Yvonne Lefébure at the École Normale de Musique. He also studied piano with Cortot (who reportedly found him almost impossible to teach), and harmony with Nadia Boulanger. In 1938, he moved to the Paris Conservatoire to study with Marguerite Long, the doyenne of French teachers of the age. He won the piano section of the inaugural (1943) Marguerite Long- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafał Blechacz
Rafał Blechacz (; born 30 June 1985) is a Polish classical pianist who rose to fame after decisively winning the XV International Chopin Piano Competition in 2005. Biography Blechacz began piano lessons at the age of five, and enrolled in the National Arthur Rubinstein Music School in Bydgoszcz three years later. In May 2007, he graduated from the Feliks Nowowiejski Music Academy in Bydgoszcz with professor Katarzyna Popowa-Zydroń. He won second prize at the ''Arthur Rubinstein in Memoriam'' Piano Competition in Bydgoszcz in 2002, second prize at the 4th Hamamatsu International Piano Competition in 2003 (no first prize was awarded), and first prize at the International Piano Competition in Morocco in 2004. On October 21, 2005, he became the sole recipient of all five first prizes at the 15th International Frederick Chopin Piano Competition in Warsaw, taking First Prize and the polonaise, mazurka, concerto prizes, as well as the Special Prize for Audience Approval. No other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Frankl
Peter Frankl (born 2 October 1935) is a Hungary, Hungarian-born United Kingdom, British pianist. He mainly performs music from the Classical period (music), Classical period (particularly Wolfgang Amadeus Mozart, Mozart), the Romantic music, Romantic period and the 20th-century classical music, early Modern period. His recordings include the complete solo piano music of both Claude Debussy, Debussy and Robert Schumann, Schumann. After studying at the Franz Liszt Academy of Music in Budapest, Frankl won several piano competitions in the late 1950s, including an honorable mention at the V International Chopin Piano Competition. He made his London concert debut in 1962 and first performed in New York in 1967 when he appeared with the Cleveland Orchestra under George Szell. He also studied with Maria Curcio, the last and favourite pupil of Artur Schnabel. Since then he has appeared as soloist with many other orchestras and conducting, conductors. He has been a guest at many internati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jörg Demus
Jörg Wolfgang Demus (2 December 1928 – 16 April 2019) was an Austrian classical pianist who appeared internationally and made many recordings. He was also a composer and a lecturer at music academies. In composition and playing, he focused on chamber music and ''lieder''. He played with singers such as Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, as a piano duo with Paul Badura-Skoda, and with string players such as Josef Suk and Antonio Janigro. Demus was instrumental in bringing the historic fortepiano to concert podiums. He was a member of the Legion of Honour, among many awards. He is regarded as one of the leading Austrian pianists of the immediate post-World War II era. Early life and education Demus was born in St. Pölten; his father was the art historian Otto Demus, and his mother was a concert violinist. At the age of six, Demus received his first piano lessons. Five years later, at the age of 11, he entered the Vienna Academy of Music, studying piano, compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noriko Ogawa (pianist)
(born 1962) is a Japanese classical pianist, based in London. Biography Born in Kawasaki, Ogawa studied at the Tokyo College of Music (1977–80) and the Juilliard School in New York (1981–5), and later with Benjamin Kaplan.Kennedy M, ed. "Ogawa, Noriko" in ''The Oxford Dictionary of Music'', 2nd edn rev., Oxford University Press (accessed 9 December 2008) Career After coming in second in a Japanese music competition in 1984, Ogawa attained third prize in the 1987 , which launched her i ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Gieseking
Walter Wilhelm Gieseking (5 November 1895 – 26 October 1956) was a French-born German pianist and composer. Gieseking was renowned for his subtle touch, pedaling, and dynamic control—particularly in the music of Debussy and Ravel; he made integral recordings of all their published works which were extant during his life. He also recorded most of Mozart's solo piano works. Career Born in Lyon, France, the son of a German doctor and lepidopterist, Gieseking first started playing the piano at age four, without formal instruction. His family traveled frequently and he was privately educated. From 1911 to early 1916, he studied at the Hanover Conservatory. There his mentor was the director Karl Leimer, with whom he later coauthored a piano method. He made his first appearance as a concert pianist in 1915, but was conscripted in 1916 and spent the remainder of World War I as a regimental bandsman. His first London piano recital took place in 1923, establishing an exceptional and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Scarlatti
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 545 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Life and career Scarlatti was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarabandes (Satie)
The ''Sarabandes'' are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous ''Gymnopédies'' (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Claude Debussy, Debussy, principally rests. The ''Sarabandes'' also played a key role in Satie's belated "discovery" by his country's musical establishment in the 1910s, setting the stage for his international notoriety. French composer and critic Alexis Roland-Manuel wrote in 1916 that the ''Sarabandes'' represented "a milestone in the evolution of our music...pieces of an unprecedented harmonic technique, born of an entirely new aesthetic, which create a unique atmosphere, a sonorous magic of complete originality." Background The ''Sarabandes'' emerged at a point in Satie's life when he was beginning to assert his independence as a man and artist. In November 1886, the 20-year-old compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
