Post-painterly Abstraction
   HOME
*





Post-Painterly Abstraction
Post-painterly abstraction is a term created by art critic Clement Greenberg as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto. Greenberg had perceived that there was a new movement in painting that derived from the abstract expressionism of the 1940s and 1950s but "favored openness or clarity" as opposed to the dense painterly surfaces of that painting style. The 31 artists in the exhibition included Walter Darby Bannard, Jack Bush, Gene Davis, Thomas Downing, Friedel Dzubas, Paul Feeley, John Ferren, Sam Francis, Helen Frankenthaler, Sam Gilliam, Al Held, Ellsworth Kelly, Nicholas Krushenick, Alexander Liberman, Morris Louis, Arthur Fortescue McKay, Howard Mehring, Kenneth Noland, Jules Olitski, Ray Parker, David Simpson, Albert Stadler, Frank Stella, Mason Wells, Ward Jackson, Emerson Woelffer, and a number of other American and Canadian artists who wer ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Art Critic
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not an institutionalized training for art critics (with only few exceptions); art critics come from different backgrounds and they may or may not be university trained. Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. Very rarely art critics earn their living from writing criticism. The opinion ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Al Held
Al Held (October 12, 1928 – July 27, 2005) was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University. Background and education Born in Brooklyn, New York, in 1928, he grew up in the East Bronx, the son of a poor Jewish family thrown onto welfare during the depression. Held showed no interest in art until leaving the Navy in 1947. Inspired by his friend Nicholas Krushenick, Held enrolled in the Art Students League ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Emerson Woelffer
Emerson Seville Woelffer (July 27, 1914 – February 2, 2003) was an American artist and arts educator. He was known as a prominent abstract expressionist artist and painter and taught art at some of the most prestigious colleges and universities. Woelffer was one of the important people in bringing modernism to Los Angeles, when he taught at Chouinard Art Institute. Biography Woelffer was born July 27, 1914 in Chicago, Illinois. He studied at the Art Institute of Chicago between 1935 and 1937, with László Moholy-Nagy. In 1938 he joined the WPA Arts Program. After serving in the US Air Force, from 1942 until 1949, he taught at Art Institute of Chicago. At the request of Buckminster Fuller, in 1949 he taught at Black Mountain College. In 1954 he taught at the Colorado Springs Fine Arts Center. In 1959 he and his wife Dina moved to Los Angeles, California where they settled down in the Mount Washington neighborhood. From 1959 to 1973 he taught at the Chouinard Art Institute ( ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ward Jackson
Ward Jackson (September 10, 1928 in Petersburg, Virginia – February 3, 2004) was an American visual artist most closely associated with post painterly abstraction and minimalism, an archivist at the Solomon R. Guggenheim Museum, and the co-founder and editor of the publication "Art Now Gallery Guide". In 1952 he received his bachelor's and MFA from the Richmond Professional Institute of the College of William and Mary. He then studied with the painter Hans Hofmann. His opus is known for its diamond shaped works. His work is held in the permanent collections of the Smithsonian American Art Museum , the Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–194 ..., and MoMA, among others. References {{DEFAULTSORT:Jackson, Ward 20th-century America ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Frank Stella
Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. Biography Frank Stella was born in Malden, Massachusetts, to parents of Italian descent. His father was a gynecologist, and his mother was a housewife and artist who attended fashion school and later took up landscape painting. Deborah Solomon (September 7, 2015)The Whitney Taps Frank Stella for an Inaugural Retrospective at Its New Home''The New York Times''. After attending high school at Phillips Academy in Andover, Massachusetts, where he learned about abstract modernists Josef Albers and Hans Hofmann, he attended Princeton University, where he majored in history and met Darby Bannard and Michael Fried. Early visits to New York art galleries fostered his artistic development, and his work was influenced by the abstract expressionism of Jackson Pollock and Franz Kline. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


David Simpson (artist)
David Simpson (born 1928) is an American abstract painter who lives and works in Berkeley, California. In 1956 Simpson graduated from the California School of Fine Arts (now the San Francisco Art Institute) with a BFA; and in 1958 he earned an MFA, from the San Francisco State College. Since 1958 Simpson has had more than 70 solo exhibitions of his paintings in galleries and museums worldwide. His paintings have been included in hundreds of group exhibitions throughout the United States and Europe. During the early 1960s Simpson was included in two seminal group exhibitions: ''Americans 1963'' at the Museum of Modern Art in New York curated by Dorothy Canning Miller and Post-Painterly Abstraction curated by Clement Greenberg in 1964; that traveled to the Los Angeles County Museum of Art the Walker Art Center and the Art Gallery of Toronto. Simpson is an artist and teacher whose work is associated with the minimalist, monochrome, and color field movements. Early life and edu ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ray Parker (painter)
Raymond Parker (1922-1990) was an Abstract expressionist painter who also is associated with Color Field painting and Lyrical Abstraction. Ray Parker was an influential art teacher and an important Color Field painter and an instrumental figure in the movement coined by Clement Greenberg called Post-Painterly Abstraction. Biography Originally from South Dakota, Ray Parker entered the University of Iowa in Iowa City in 1940; he earned his MFA in 1948. From 1948 to 1951 he taught painting at the University of Minnesota in Minneapolis. During the 1940s his paintings were heavily influenced by cubism. In the early 1950s, however, Parker became associated with the leading abstract expressionists of the day, including Mark Rothko and Willem de Kooning. Parker soon began to simplify and refine his works realizing that through abstraction, and color his paintings could convey and express emotion. Like Piet Mondrian, Stuart Davis and Jackson Pollock, Parker was a fan of jazz music; ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Jules Olitski
Jevel Demikovski (March 27, 1922 – February 4, 2007), known professionally as Jules Olitski, was an American painter, printmaker, and sculptor. Early life Olitski was born Jevel Demikovsky in Snovsk, in Ukrainian Soviet Socialist Republic (now Chernihiv Oblast, Ukraine), a few months after his father, a commissar, was executed by the Soviet government. He emigrated to the United States in 1923 with his mother and grandmother and settled in Brooklyn. His grandmother cared for him while his mother worked to support the family. In 1926 his mother married Hyman Olitsky (note "y" ending), a widower with two sons. A daughter was born in 1930. Education Olitski showed an aptitude for drawing and by 1935 was taking occasional art classes in Manhattan. He attended public schools in New York, winning an art prize upon his graduation from high school. At an exhibit of the work of some of the great masters at the New York World's Fair in 1939 he was very impressed by Rembrandt's portra ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Kenneth Noland
Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored by a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's ''Stripe Paintings'' were exhibited at the Tate in London. Early life and education A son of Harry Caswell Noland (1896–1975), a pathologist, and his wife, Bessie (1897–1980), Kenneth Clifton Noland was born in Asheville, North Carolina. He had four siblings: David, Bill, Neil, and Harry Jr. Noland enlisted in the U.S. Air Force in 1942 after completing high school. As a veteran of World War II, Noland took ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Howard Mehring
Howard Mehring (1931–1978) was a twentieth-century painter born in Washington, D.C. Howard Mehring is associated with Color Field painting and the Washington Color School and the artists at Jefferson Place Gallery. Mehring and Robert Gates both received grants from The Woodward Foundation to travel in Europe during 1971 to broaden their art backgrounds. His connection with Vincent Melzac was instrumental in developing his work. Early in his career (1956–1958) he shared studio space with Thomas Downing, with whom he had been a student of Kenneth Noland at Catholic University. Some of their paintings from that period are difficult to tell apart. Mehring's early work is a "Washington version" of abstract expressionism, with the loose handling of paint on a surface but a much more transparent use of magna paint, an acrylic paint developed by Leonard Bocour. The stylistic resemblance to '' Mountains and Sea'' by Helen Frankenthaler is obvious. As Mehring developed as an a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Arthur McKay
Arthur Fortescue McKay, best known as Art McKay (September 11, 1926 – August 3, 2000) was a Canadian painter and a member of The Regina Five. Many of his works are modernist abstractions. Early life and education McKay was born in Nipawin, Saskatchewan. His father was Joseph Fortescue McKay, a son of Angus McKay whose own grandfather was the younger John Richards McKay and whose grandmother was Harriet Ballenden. This and other ancestry would qualify McKay as an Anglo-Métis artist in Saskatchewan and in Canada. His mother, Georgina Agnes Newnham, was a daughter of another historical figure in Saskatchewan, the Anglican Bishop of Saskatchewan, Jervois Newnham. From an early age, McKay drew landscape. His training in art began at the Provincial Institute of Technology and Art (now the Alberta University of the Arts) in Calgary (1946–1948), and later at the Académie de la Grande Chaumière in Paris (1949–1950), Columbia University in New York (1956–1957), and The Bar ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Morris Louis
Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School. Early life and education From 1929 to 1933, he studied at the Maryland Institute of Fine and Applied Arts (now Maryland Institute College of Art) on a scholarship, but left shortly before completing the program. Louis worked at various odd jobs to support himself while painting, and in 1935 was president of the Baltimore Artists' Association. From 1936 to 1940, he lived in New York City and worked in the easel division of the Works Progress Administration Federal Art Project. During this period, he knew Arshile Gorky, David Alfaro Siqueiros, and Jack Tworkov. He also dropped his last name. Work C ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]