Post-painterly Abstraction
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Post-painterly Abstraction
Post-painterly abstraction is a term created by art critic Clement Greenberg as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto. Greenberg had perceived that there was a new movement in painting that derived from the abstract expressionism of the 1940s and 1950s but "favored openness or clarity" as opposed to the dense painterly surfaces of that painting style. The 31 artists in the exhibition included Walter Darby Bannard, Jack Bush, Gene Davis, Thomas Downing, Friedel Dzubas, Paul Feeley, John Ferren, Sam Francis, Helen Frankenthaler, Sam Gilliam, Al Held, Ellsworth Kelly, Nicholas Krushenick, Alexander Liberman, Morris Louis, Arthur Fortescue McKay, Howard Mehring, Kenneth Noland, Jules Olitski, Ray Parker, David Simpson, Albert Stadler, Frank Stella, Mason Wells, Ward Jackson, Emerson Woelffer, and a number of other American and Canadian artists who wer ...
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Art Critic
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not an institutionalized training for art critics (with only few exceptions); art critics come from different backgrounds and they may or may not be university trained. Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. Very rarely art critics earn their living from writing criticism. The opinion ...
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Al Held
Al Held (October 12, 1928 – July 27, 2005) was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University. Background and education Born in Brooklyn, New York, in 1928, he grew up in the East Bronx, the son of a poor Jewish family thrown onto welfare during the depression. Held showed no interest in art until leaving the Navy in 1947. Inspired by his friend Nicholas Krushenick, Held enrolled in the Art Students League ...
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Emerson Woelffer
Emerson Seville Woelffer (July 27, 1914 – February 2, 2003) was an American artist and arts educator. He was known as a prominent abstract expressionist artist and painter and taught art at some of the most prestigious colleges and universities. Woelffer was one of the important people in bringing modernism to Los Angeles, when he taught at Chouinard Art Institute. Biography Woelffer was born July 27, 1914 in Chicago, Illinois. He studied at the Art Institute of Chicago between 1935 and 1937, with László Moholy-Nagy. In 1938 he joined the WPA Arts Program. After serving in the US Air Force, from 1942 until 1949, he taught at Art Institute of Chicago. At the request of Buckminster Fuller, in 1949 he taught at Black Mountain College. In 1954 he taught at the Colorado Springs Fine Arts Center. In 1959 he and his wife Dina moved to Los Angeles, California where they settled down in the Mount Washington neighborhood. From 1959 to 1973 he taught at the Chouinard Art Institute ( ...
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Ward Jackson
Ward Jackson (September 10, 1928 in Petersburg, Virginia – February 3, 2004) was an American visual artist most closely associated with post painterly abstraction and minimalism, an archivist at the Solomon R. Guggenheim Museum, and the co-founder and editor of the publication "Art Now Gallery Guide". In 1952 he received his bachelor's and MFA from the Richmond Professional Institute of the College of William and Mary. He then studied with the painter Hans Hofmann. His opus is known for its diamond shaped works. His work is held in the permanent collections of the Smithsonian American Art Museum , the Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–194 ..., and MoMA, among others. References {{DEFAULTSORT:Jackson, Ward 20th-century America ...
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Frank Stella
Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. Biography Frank Stella was born in Malden, Massachusetts, to parents of Italian descent. His father was a gynecologist, and his mother was a housewife and artist who attended fashion school and later took up landscape painting. Deborah Solomon (September 7, 2015)The Whitney Taps Frank Stella for an Inaugural Retrospective at Its New Home''The New York Times''. After attending high school at Phillips Academy in Andover, Massachusetts, where he learned about abstract modernists Josef Albers and Hans Hofmann, he attended Princeton University, where he majored in history and met Darby Bannard and Michael Fried. Early visits to New York art galleries fostered his artistic development, and his work was influenced by the abstract expressionism of Jackson Pollock and Franz Kline. ...
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