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Position Of The Arms In Ballet
There are two basic positions of the arms in ballet. In one, the dancer keeps the fingers of both arms fully touching to form an oval shape, either almost touching the hips, or at navel level, or raised above the dancer's head. In the other, the arms are extended to the sides with the elbows slightly bent. These positions may be combined to give other positions. Names differ according to the school/method followed, such as Vaganova, French, Royal Academy of Dance (RAD), Cecchetti, etc. of the arms; the corresponding ''allongés'' positions are obtained by stretching the elbows and rotating the palms of the hands downwards. ''Vaganova'' or Russian school: * Bras bas or preparatory position: both arms are down and rounded with both hands just in front of the hips, fingers almost touching. * First position: maintaining the curved shape, arms are brought up so that the tips of the fingers are in line with the navel or no higher than the sternum. * Second position: arms are out to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Grace
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaganova Method
The Vaganova method is a ballet technique and training system devised by the Russian dancer and pedagogue Agrippina Vaganova (1879–1951). It was derived from the teachings of the ''Premier Maître de Ballet'' Marius Petipa, throughout the late 19th century. It was Agrippa Vaganova who perfected and cultivated this form of teaching classical ballet and turned it into a viable syllabus. The method fuses elements of traditional French style from the romantic era with the athleticism and virtuosity of Italian Cecchetti technique. The training system is designed to involve the whole body in every movement, with equal attention paid to the upper body, legs and feet. Vaganova believed that this approach increases consciousness of the body, thus creating a harmony of movement and greater expressive range. History Upon graduating from the Imperial Ballet School in Saint Petersburg in 1897, Agrippina Vaganova began dancing with the school's associated professional company, the Imperi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Ballet
In the French courts during the 17th Century, ballet first begins to flourish with the help of several important men: King Louis XIV, Jean-Baptiste Lully, Pierre Beauchamps, and Molière. The combination of different talents and passions of these four men shaped ballet to what it is today. Early history Louis XIV Louis XIV, the King of France from 1643 to 1715, was a ballet enthusiast from a young age. In fact his birth was celebrated with the ''Ballet de la Felicite'' in 1639. As a young boy, he was strongly supported and encouraged by the court, particularly by Italian-born Cardinal Mazarin, to take part in the ballets. He made his debut at age 14 in the ''Ballet de Cassandre'' in 1651. Two years later in 1653, the teenage king starred as Apollo, the sun god, in '' Ballet Royal de la Nuit'' (Royal Ballet of the Night). His influence on the art form and its influence on him became apparent. His fancy golden costume was not soon forgotten, and his famous performance led to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Dance
"Health and happiness" , predecessor = , successor = , formation = 1920 , extinction = , type = NGO , status = Registered charity , purpose = Examination board – dance education and training , headquarters = 36 Battersea SquareSW11 3RA , location = London , coords = , region_served = Worldwide , membership = 12,337 , language = English , general = , leader_title = President , leader_name = Dame Darcey Bussell, DBE , leader_title2 = Chairman , leader_name2 = Guy Perricone , leader_title3 = Chief Executive , leader_name3 = Tim Arthur , leader_title4 = Artistic Director , leader_name4 = Gerard Charles , key_people = , main_organ = Board of Trustees , parent_organization = , affiliations = *Ofqual *Council for Dance Education and Training *International Dance Teachers Association , budget = , num_staff = , num_volunteers = , website = , remarks = , former name = Association of Teachers of Operatic Dancing The Royal Academy of Dance (RAD) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecchetti Method
The Cecchetti method is variously defined as a style of ballet and as a ballet training method devised by the Italian ballet master Enrico Cecchetti (1850–1928). The training method seeks to develop essential skills in dancers as well as strength and elasticity. Cecchetti-trained dancers are commonly found in ballet and other dance companies throughout the world. History The greatest influence on the development of the Cecchetti method was Carlo Blasis, a ballet master of the early 19th century. A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the 'Traité élémentaire, théorique, et pratique de l'art de la danse' ("Elementary, Theoretical, and Practical Treatise on the Art of the Dance"). Reputedly a very rigorous teacher, Blasis insisted on his students conforming to strict technical principles when learning to dance, a philosophy which Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positions Of The Feet In Ballet
The positions of the feet in ballet is a fundamental part of classical ballet technique that defines standard placements of feet on the floor. There are five basic positions in modern-day classical ballet, known as the first through fifth positions. In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies. The sixth and seventh positions were not Lifar's inventions, but revivals of positions that already existed in the eighteenth century, when there were ten positions of the feet in classical ballet. Five basic positions The first basic position requires the feet to be flat on the floor and turned out (pointing in opposite directions as a result of rotating the legs at the hips). First posi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful ''port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit '' ballon'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
