Portrait Of A Young Woman (Pollaiuolo)
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Portrait Of A Young Woman (Pollaiuolo)
''Portrait of a Young Woman'' is a mixed-technique painting on panel of , variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol. History The work is one of the most celebrated and best preserved Renaissance portraits of a woman in profile of those attributed to one of the two Pollaiuolo brothers. It is often compared to '' Portrait of a Woman'' at the Uffizi, as well as to similar portraits held in the Staatliche Museen, the Metropolitan Museum of Art, and the Isabella Stewart Gardner Museum. Similar facial features can also be seen in ' by Andrea della Robbia. These works have traditionally been attributed to Piero del Pollaiuolo, but recent critics, such as Aldo Galli, have proposed attributions to Antonio. The identity of the subject of the portrait in Milan is unclear. Various names have been proposed, including the wife of the banker Giovanni de' Bardi (based on the proba ...
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Piero Del Pollaiuolo
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; in Florence – 1496 in Rome), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. Giorgio Vasari includes a biography of Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Works *'' Profile Portrait of a Young Woman'' (c. 1465) – oil on wood *''The Archangel Raphael and Tobias'' (c. 1465–1470) *'' Cardinal del Portogallo Altarpiece'' (1467–1668) – altarpiece * Seven Virtues (1469–1470; six painted by Pollaiuolo): *: ''Charity'' *: ''Faith'' *: ''Temperance'' *: ''Prudence'' *: ''Hope'' *: ''Justice'' *'' Portrait of a Young Woman'' (c. 1470) *''Apollo and Daphne'' (c. 1470–1480) *'' P ...
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Gian Giacomo Poldi Pezzoli
Gian Giacomo Poldi Pezzoli (Milan 27 July 1822 – 6 April 1879) was an Italian count who gathered art from Italian Renaissance and left Italy one of the first private museum which bears his name, the Museo Poldi Pezzoli. Biography Son of Giuseppe Poldi Pezzoli (1768 – 1833) and Rosa Trivulzio (1800 – 1859), Gian Giacomo grew up surrounded by a rich cultural and artistic environment. His father was a wealthy landowner, and had recently come into possession of a large fortune and the title of earl left to him by his uncle (which included the famous Milanese palace which later became the museum Museo Poldi Pezzoli). His mother was a member of one of the noblest and wealthiest families of Milan, the Trivulzio. This enabled Gian Giacomo to get in touch the nobles of his time and with the literary landscape, artistic and cultural of the early nineteenth century. From 1849 he undertook to gather an important collection which includes paintings by Sandro Botticelli, Piero della ...
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15th-century Portraits
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Paintings By Piero Del Pollaiuolo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings In The Museo Poldi Pezzoli
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Vittorio Sgarbi
Vittorio Umberto Antonio Maria Sgarbi (born 8 May 1952 in Ferrara) is an Italian art critic, art historian, writer, politician, cultural commentator and television personality. He is President of the Museum of Modern and Contemporary Art of Trento and Rovereto. He was appointed curator of the Italian Pavilion at the 2011 Venice Biennale. Several times a member of the Italian Parliament, in 2008 he served as Cabinet Member for Culture, Arts and Sports in Milan's municipal government for six months when Mayor Letizia Moratti terminated his mandate as she saw him 'unfit for the job'. In 2012, he was removed as Mayor of Salemi by the Ministry of Interior after he failed to acknowledge Mafia interferences in his cabinet. Biography Vittorio Sgarbi attended the Classical Lyceum "Ludovico Ariosto" in Ferrara and then graduated in Philosophy "cum laude" at the University of Bologna, where he also specialized in History of Art. He has a younger sister, Elisabetta Sgarbi, an Italian film p ...
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Themes In Italian Renaissance Painting
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's ''Last Judgement'' of the 1530s. The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the period. These include perspective, both in terms of how it was achieved and the effect to which it was applied, and realism, particularly in the depiction of humanity, either as symbolic, portrait or narrative element. Themes The ''Flagellation of Christ'' by Piero della Francesca (above) demonstrates in a single small work many of ...
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Profile Portraits
A silhouette ( , ) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed. Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term ''silhouette'' was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented a cheap but effective alternative to the portrait miniatur ...
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Italo Lupi
Italo Lupi (28 March 1934 – 27 June 2023) was an Italian graphic designer and writer. Life and career Born in Cagliari, in 1959 Lupi graduated in architecture from the Polytechnic University of Milan, and after briefly serving as an assistant professor to Pier Giacomo Castiglioni at his alma mater he started his career as a graphic designer at the La Rinascente Development Office, under the direction of Mario Bellini. After working in the studio of Achille and Pier Giacomo Castiglioni, he opened his own studio, and started collaborating as an art director with major companies and institutions, including IBM and the Triennale di Milano. During his career he designed numerous logos, including for Fiorucci, Miu Miu, Cinelli, the 1983-2019 logo of the Triennale di Milano, the FIS Alpine World Ski Championships 2021, the Museo Poldi Pezzoli and the ADI Design Museum. His last assignment was as image curator of Palazzo Butera in Palermo. Lupi also collaborated as art ...
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Borromeo Family
), type=Noble family, country=, estates= Rocca d'Angera Palazzo Borromeo, Milan Castel of Peschiera BorromeoBorromean Islands Villa Borromeo, Arcore, titles=* Prince of Angera * Marquess of Romagnano * Count of Arona * Count of Peschiera * Lord of Cannobio and Vergante * Lord of Vogogna and Val Vigezzo, styles=''Don'' or ''Donna'', founded=, founder= Vitaliano I, current head=Vitaliano XI, deposition=, ethnicity=Italian, cadet branches=Borromeo Arese The aristocratic House of Borromeo were merchants in San Miniato around 1300 and became bankers in Milan after 1370. Vitaliano de' Vitaliani, who acquired the name of Borromeo from his uncle Giovanni, became the count of Arona in 1445. His descendants played important roles in the politics of the Duchy of Milan and as cardinals in the Catholic Reformation. In 1916 the head of the family was granted the title Prince of Angera by the King of Italy. The best known members of the family were the cardinals and archbishops of Milan; C ...
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Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During this ...
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