Portrait Of A Man In A Turban
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Portrait Of A Man In A Turban
''Portrait of a Man (Self Portrait?)'' (also ''Portrait of a Man in a Turban'' or ''Portrait of a Man in a Red Turban'') is an oil painting by the Early Netherlandish painter Jan van Eyck, from 1433. The inscription at the top of the panel, ''Als Ich Can'' (intended as "as I/Eyck can") was a common autograph for van Eyck, but here is unusually large and prominent. This fact, along with the man's unusually direct and confrontational gaze, have been taken as an indication that the work is a self-portrait. Probably his '' Portrait of Margaret van Eyck'' was a pendant, although her only known portrait is both dated 1439 and larger.Hall (2014), 43 It has been proposed that van Eyck created the portrait to store in his workshop so that he could use it to display his abilities (and social status, given the fine clothes evident in the portrait) to potential clients. However, his reputation was such in 1433 that he was already highly sought after for commissioned work. The panel has bee ...
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Portrait Of A Man In A Turban (Jan Van Eyck) With Frame
''Portrait of a Man (Self Portrait?)'' (also ''Portrait of a Man in a Turban'' or ''Portrait of a Man in a Red Turban'') is an oil painting by the Early Netherlandish painter Jan van Eyck, from 1433. The inscription at the top of the panel, ''Als Ich Can'' (intended as "as I/Eyck can") was a common autograph for van Eyck, but here is unusually large and prominent. This fact, along with the man's unusually direct and confrontational gaze, have been taken as an indication that the work is a self-portrait. Probably his '' Portrait of Margaret van Eyck'' was a pendant, although her only known portrait is both dated 1439 and larger.Hall (2014), 43 It has been proposed that van Eyck created the portrait to store in his workshop so that he could use it to display his abilities (and social status, given the fine clothes evident in the portrait) to potential clients. However, his reputation was such in 1433 that he was already highly sought after for commissioned work. The panel has bee ...
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Rolin Madonna
The ''Madonna of Chancellor Rolin'' is an oil painting by the Early Netherlandish master Jan van Eyck, dating from around 1435. It is kept in the Musée du Louvre, Paris, and was commissioned by Nicolas Rolin, aged 60, chancellor of the Duchy of Burgundy, whose votive portrait takes up the left side of the picture, for his parish church, ''Notre-Dame-du-Chastel'' in Autun, where it remained until the church burnt down in 1793. After a period in Autun Cathedral, it was moved to the Louvre in 1805. Description The scene depicts the Virgin Mary crowned by a hovering Angel while she presents the Infants Jesus to Rolin. It is set within a spacious loggia with a rich decoration of columns and bas-reliefs. In the background is a landscape with a city on a river, probably intended to be Autun in Burgundy, Rolin's hometown. A wide range of well detailed palaces, churches, an island, a towered bridge, hills and fields is portrayed, subject to a uniform light. Perhaps some of the Chancellor ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Portraits By Jan Van Eyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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1433 Paintings
Year 1433 ( MCDXXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events January–December * May 31 – Sigismund is crowned Holy Roman Emperor in Rome. There has been no crowned Emperor since the death of his father, Charles IV, in 1378. * August 14 – Edward I becomes King of Portugal. * September – Cosimo de' Medici, later the ''de facto'' ruler of Florence and patron of Marsilio Ficino, is exiled by the Albizzi/Strozzi faction (Cosimo returns a year later, in September 1434). * October – Iliaș of Moldavia is deposed by his half-brother and joint ruler Stephen II. Date unknown * The Ming Dynasty in China completes its last great maritime expedition, led by Admiral Zheng He; the fleet would be dispersed, altering the balance of power in the Indian Ocean, and making it easier for Portugal and other Western naval powers to gain dominance over the seas. * In Ming Dynasty China, cotton i ...
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Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner to Khan Academy for art history. Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, video, photographs, and links to additional resources for each of the 250 works of art and architecture that comprised the 2017 AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of A ...
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Till-Holger Borchert
Till-Holger Borchert (born 4 January 1967, in Hamburg) is a German art historian and writer specialising in 14th and 15th-century art. He has been the chief curator of the Groeningemuseum and Arentshuis museums in Bruges, Belgium, between 2003 and 2014. In December 2014, he was appointed as director of the Municipal Museums in Bruges. In this role he initiated a radical reorganisation of the institution and laid the foundation for the renewal of infrastructure like the ticketing facility of the Gruuthusemuseum, a new storage, and the exhibition park BRUSK designed by architect Paul Robbrecht. In November 2021 he was appointed as new director of the Suermondt Ludwig Museum in Aachen, a position he resumed in April 2022. He has been teaching in Europe and the US and curated a number of major exhibitions, including " Memling's Portraits", which showed in Bruges, at the Frick Collection in New York and the Thyssen-Bornemisza Museum in Madrid, and " Memling: Rinascimento fiammingo" i ...
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Lorne Campbell (art Historian)
Ian Lorne Campbell (born 1946) is a Scottish art historian and curator. Campbell was Beaumont Senior Research Curator at the National Gallery, London from 1996 to 2012, and from 1974 to 1996 lectured on the Northern Renaissance at the Courtauld Institute of Art, University of London. He has curated major exhibitions at the National Gallery and other museums, including ones on Rogier van der Weyden at Leuven in 2009 and the Prado in 2015. Biography Campbell was born in Stirling in 1946. He received his undergraduate degree from the University of Edinburgh and Ph.D from University of London in 1973. Between 1970 and 1971 he taught at the University of Manchester and later at the University of Cambridge. In 2016, KU Leuven awarded him an honorary doctorate of the Faculty of Arts. He is the author of a number of books on fourteenth, fifteenth and sixteenth-century art, and a leading expert on Early Netherlandish painting, and his contributions to research and knowledge on the p ...
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Glaze (painting Technique)
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well. For example, many classical oil painters have also been known to use ground glass and semi-solid resins to increase the translucency of their paint. Oil painting In oil pain ...
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Self-Portrait (Dürer, Munich)
''Self-Portrait'' (or ''Self-Portrait at Twenty-Eight'') is a panel painting by the German Renaissance artist Albrecht Dürer. Painted early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of his self-portraits.Bailey, 68 The self-portrait is most remarkable because of its resemblance to many earlier representations of Christ. Art historians note the similarities with the conventions of religious painting, including its symmetry, dark tones and the manner in which the artist directly confronts the viewer and raises his hands to the middle of his chest as if in the act of blessing. Description Dürer's face has the inflexibility and impersonal dignity of a mask, hiding the restless turmoil of anguish and passion within. In its directness and apparent confrontation with the viewer, the self-portrait is unlike any that came before. It is half-length, frontal and highly symme ...
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Cornette
A cornette is a piece of female headwear. It is essentially a type of wimple consisting of a large, starched piece of white cloth that is folded upwards in such a way as to create the resemblance of horns (french: cornes) on the wearer's head. It remained fashionable for some Parisian ladies around 1800, wearing ones made of muslin or gauze and richly ornamented with lace. Use by the Daughters of Charity The cornette was retained as a distinctive piece of clothing into modern times by the Daughters of Charity, a Roman Catholic society of apostolic life founded by St. Vincent de Paul in the mid-17th century. The founder wanted to have the sisters of this new type of religious congregation of women, that tended to the sick and poor, and were not required to remain in their cloister, resemble ordinary middle-class women as much as possible in their clothing, including the wearing of the cornette. After the cornette generally fell into disuse, it became a distinctive feature of ...
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Chaperon (headgear)
A chaperon ( or ; Middle French: ''chaperon'') was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood. Humble origins The chaperon began before 1200 as a hood with a short cape, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The edge ...
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