Portrait Of Paolo Morigia
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Portrait Of Paolo Morigia
''Portrait of Paolo Morigia'' is a 1592–1595 oil on canvas painting by Fede Galizia, painted for the church of San Gerolamo in Milan and donated in 1670 to the Pinacoteca Ambrosiana in the same city, where it still hangs. Fogolari described and dated the work based on the inscription at the top, which reads "FIDES GALICIA VIRGO PUDICISS. AETAT SUAE ANN. XVIII OPUS HOC F. PAULI MORIGII SIMULACRUM ANN. 72 GRATI ANIMI ERGO EFFINXIT. ANNO 1596". Later archival research by Berra showed that the inscription was spurious, however. Its subject is the historian and Jesuit Paolo Morigia, holding spectacles in his left hand and writing the lyrics of a madrigal with his right. The reflection of the windows in the spectacle lenses shows the influence of contemporary Flemish art, whilst the great expressivity of the lips draws on Giovanni Battista Moroni's realism and the physiognomical studies then particularly popular in Lombardy thanks to Leonardo da Vinci Leonardo di ser Piero ...
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Fede Galizia - Portrait Of Paolo Morigia - WGA08429
Fede is a surname, a masculine given name and a short form (hypocorism) of other given names, such as Federico. It may refer to: Surname * Emilio Fede (born 1931), Italian anchorman * Giuseppe Fede (died 1777), Italian nobleman, collector and archaeologist * Terrence Fede (born 1991), American football player Given name or nickname * Fede Álvarez (born 1978), Uruguayan filmmaker * Fede Álvarez (football) (born 1974), Mexican football coach * Federico Bessone (born 1984), Argentine footballer also known as Fede Bessone * Fernando Fede Castaños (born 1959), Spanish footballer * Federico Fede San Emeterio (born 1997), Spanish footballer * Fede Galizia (c. 1578–c. 1630), Italian Renaissance painter * Federico Fede Vico (born 1994), Spanish footballer See also * Fede ring, ring in which two hands meet and are clasped * Fedde, another surname and given name * Fed (other) * Fedi * Fide (other) * Fides (other) * Fidei (other) Fidei may r ...
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Fede Galizia
Fede Galizia, better known as Galizia, ( 1578 – 1630) was an Italian Renaissance painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art. She is perhaps not as well known as other female artists, such as Angelica Kauffman and Élisabeth Vigée Le Brun, because she did not have access to court-oriented or aristocratic social circles, nor had she sought the particular patronage of political rulers and noblemen. Life Fede Galizia was born in Milan in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, " is girl dedicates herself to imitate the most extraordinary of our art." ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Pinacoteca Ambrosiana
A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or ancient Rome. The name is specifically used for the building containing pictures which formed the left wing of the Propylaea on the Acropolis at Athens, Greece. The Pinacotheca was located next to the temple of Athena Nike. Though Pausanias speaks of the pictures "which time had not effaced",Pausanias, ''Description of Greece''book I, chapter xxii, page 31, section 6 translated by J. G. Frazer (1898) which seems to point to fresco painting, the fact that there is no trace of preparation for stucco on the walls implies that the paintings were easel pictures. The Romans adopted the term for the room in a private house containing pictures, statues, and other works of art. In the modern world the word is often used as a name for a public art g ...
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Fede Galizia - Portrait Of Paolo Morigia (detail) - WGA08430
Fede is a surname, a masculine given name and a short form (hypocorism) of other given names, such as Federico. It may refer to: Surname * Emilio Fede (born 1931), Italian anchorman * Giuseppe Fede (died 1777), Italian nobleman, collector and archaeologist * Terrence Fede (born 1991), American football player Given name or nickname * Fede Álvarez (born 1978), Uruguayan filmmaker * Fede Álvarez (football) (born 1974), Mexican football coach * Federico Bessone (born 1984), Argentine footballer also known as Fede Bessone * Fernando Fede Castaños (born 1959), Spanish footballer * Federico Fede San Emeterio (born 1997), Spanish footballer * Fede Galizia (c. 1578–c. 1630), Italian Renaissance painter * Federico Fede Vico (born 1994), Spanish footballer See also * Fede ring, ring in which two hands meet and are clasped * Fedde, another surname and given name * Fed (other) * Fedi * Fide (other) * Fides (other) * Fidei (other) Fidei may r ...
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Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ...
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Giovanni Battista Moroni
Giovanni Battista Moroni ( – 5 February 1579) was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy. Biography Moroni was the son of architect Andrea Moroni. He trained under Alessandro Bonvicino "Il Moretto" in Brescia, where he was the main studio assistant during the 1540s, and worked in Trento, Bergamo and his home town of Albino, near Bergamo, where he was born and died. His two short periods in Trento coincided with the first two sessions of the Council of Trent, 1546–48 and 1551–53. On both occasions Moroni painted a number of religious works (including the altarpiece of the ''Doctors of the Church'' for the church of Santa Maria Maggiore, Bergamo) as well as the series of portraits for which he is remembered. During his stay in Trento he also made contact wi ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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Mannerist Paintings
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Paintings In The Pinacoteca Ambrosiana
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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16th-century Portraits
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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