Portrait Of Isabella Of Portugal (van Eyck)
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Portrait Of Isabella Of Portugal (van Eyck)
''Portrait of Isabella of Portugal'' was a betrothal painting by the early Netherlandish artist Jan van Eyck, one of his earliest works and now lost, known only from copies. It dates to his 1428-29 visit to Portugal on behalf of Philip the Good, when he was sent as part of an embassy to evaluate the then 30-year-old Isabella's suitability as a bride for Philip. Commission Van Eyck was tasked by Philip the Good with bringing back two (mostly likely a pair were painted to increase the probability that one would make it back to the Netherlands) faithful representations of her likeness for the duke to evaluate. Because Portugal was ridden with plague, their court was itinerant and the Dutch party met them at the out of way castle of Aviz. Van Eyck spent nine months there, returning successfully to the Netherlands with Isabella as a bride to be; the couple married on Christmas Day of 1429. The portrait was executed around the time the preliminary marriage agreement was drawn up, ...
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Portrait Of Isabella Of Portugal Van Eyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Petrus Christus
Petrus Christus (; 1410/1420 – 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him.Petrus Christus (active by 1444, died 1475/76)
. Metropolitan Museum of Art. Retrieved 9 March 2014
The best known include the '''' (1446) and ''
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15th-century Portraits
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ...
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Portraits By Jan Van Eyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ...
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Portrait Of A Man With A Blue Chaperon
''Portrait of a Man with a Blue Chaperon'' (or ''Portrait of a Man with a Blue Hood'', earlier ''Portrait of a Jeweller'' or ''Man with a Ring'') is a very small (22.5 cm x 16.6 cm with frame) oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around 1430. It contains a number of elements typical of van Eyck's secular portraits, including a slightly oversized head, a dark and flat background, forensic attention to the small details and textures of the man's face, and illusionistic devices.Borchert, 35 Artists did not give titles to their works during the Northern Renaissance period, and as with any portrait of a sitter whose identity is lost, the painting has attracted generic titles over the years. It had long been thought that the ring held in the man's right hand was meant as an indication of his profession as a jeweller or goldsmith and so the painting was long t ...
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Portrait Of Isabella Of Portugal
The ''Portrait of Isabella of Portugal'' is an oil-on-canvas portrait of Isabella of Portugal, Holy Roman Empress by Titian dating to 1548. It was part of the Spanish royal collection and is now in the Museo del Prado in Madrid. Description The subject is Empress Isabella of Portugal (1503–1539), the beloved wife of Charles V, Holy Roman Emperor, mother of Philip II of Spain and daughter of Manuel I of Portugal. Titian painted her after her death, using a mediocre painting for reference.Tiziano Vecellio, Charles Hope, Jennifer Fletcher, Jill Dunkerton, Miguel Falomir Faus, Nicholas Penny, Caroline Campbell, Amanda Bradley, and David Jaffe. 2003. ''Titian: ational Gallery, London 19 February – 18 May 2003'. London: National Gallery. p. 36. . For the rest of his life, Charles took the painting with him on all his travels. The portrait follows a classic scheme already used by Raphael and Leonardo da Vinci, in which the model sits next to a window opening on a landscape. The ...
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Portrait Of A Carthusian
''Portrait of a Carthusian'' is a painting in oils on oak Panel painting, panel by the Early Netherlandish painter Petrus Christus in 1446. The work is part of the Jules Bache Collection housed at the Metropolitan Museum of Art in New York City. It is regarded as a masterpiece of Early Netherlandish painting and, because of the musca depicta, fly painted towards the bottom of the painting, a prominent, early example of ''trompe-l'œil''. In 2020, the painting became a meme after the subject was compared to a Northeast Philadelphia local. Overview The monk ''Portrait of a Carthusian'' depicts a three-quarter portrait of anonymous Carthusian monk captured in mid-turn, gazing directly at the viewer. Because the monk's body is turned to his left, he must look over his right shoulder to gaze at the viewer, creating a somewhat cumbersome diagonal pose. Petrus Christus balances this out by shifting the axis of the monk's face to the right, placing him just off center. By further m ...
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Léal Souvenir
''Léal Souvenir'' (also known as ''Timotheus'' or ''Portrait of a Man'') is a small oil painting, oil-on-oak panel painting, panel portrait by the Early Netherlandish painting, Early Netherlandish painter Jan van Eyck, dated 1432. The sitter has not been identified, but his highly individual features suggest a historical person rather than the hypothetical ideal usual at the time in northern Renaissance art, Renaissance portraiture;Smith, 42 his slight and unassuming torso is contrasted with a sophisticated facial expression. His features have been described as "plain and rustic", yet thoughtful and inward-looking. A number of art historians, including Erwin Panofsky, have detected mournfulness in his expression. The sitter was apparently significant enough a member of the Duke of Burgundy, Burgundian duke Philip the Good's circle that his court painter portrayed him. The man sits before an imitation parapet with three sets of painted inscriptions, each rendered to look as if ...
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Betrothal
An engagement or betrothal is the period of time between the declaration of acceptance of a marriage proposal and the marriage itself (which is typically but not always commenced with a wedding). During this period, a couple is said to be ''fiancés'' (from the French), ''betrothed,'' ''intended'', ''affianced'', ''engaged to be married,'' or simply ''engaged''. Future brides and grooms may be called ''fiancée'' (feminine) or ''fiancé'' (masculine), ''the betrothed'', a ''wife-to-be'' or ''husband-to-be'', respectively. The duration of the courtship varies vastly, and is largely dependent on cultural norms or upon the agreement of the parties involved. Long engagements were once common in formal arranged marriages, and it was not uncommon for parents betrothing children to arrange marriages many years before the engaged couple were old enough. This is still done in some countries. Many traditional Christian denominations have optional rites for Christian betrothal (also k ...
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Rogier Van Der Weyden (workshop Of) - Portrait Of Isabella Of Portugal
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details ...
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House Of Aviz
The House of Aviz (Portuguese language, Portuguese: ''Casa de Avis''), also known as the Joanine Dynasty (''Dinastia Joanina''), was a dynasty of Portuguese people, Portuguese origin which flourished during the Portuguese Renaissance, Renaissance and the period of the Portuguese discoveries, when History of Portugal (1415–1578), Portugal expanded its power globally. The house was founded by King John I of Portugal, Grand-Master of the Order of Aviz and illegitimate son of King Peter I of Portugal, Pedro I (of the Portuguese House of Burgundy), who ascended to the throne after successfully pressing his claim during the 1383–1385 Portuguese interregnum. Aviz monarchs would rule Portugal through the Age of Discovery, establishing Portugal as a global power following the creation of the Portuguese Empire. In 1494, Pope Alexander VI divided the world under the dominion of Portugal and Spain with the Treaty of Tordesillas. The House of Aviz has produced numerous prominent figures i ...
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