Portrait Of Fortunato Bartolomeo De Felice
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Portrait Of Fortunato Bartolomeo De Felice
Portrait of Fortunato Bartolomeo de Felice is a painting by an unknown artist, probably completed between 1750 and 1765. The portrait was commissioned by Fortunato Bartolomeo De Felice himself, an Italian count and Enlightenment figure. The portrait is one of few in existence and most fully representative work of de Felice. The painting Description The current holder of the portrait, the de Felice Duchi Estate, puts this painting as the best representation of de Felice in existence. It is composed of oil paint on canvas, and an elaborate gold frame. The portrait shows de Felice sitting on a red chair, beside a large red bookcase filled with books. It is a semi-profile half-portrait of a poised, mid-speech de Felice. It seems he is at the beginning of writing a letter which could be representative of his extensive correspondence across Europe. Unfortunately, it is too obscure to make out the writing on the letters on his desk. He appears well-fed; his tightly buttoned jacket ...
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Fortunato De Felice, 2nd Count Panzutti
Fortunato Bartolomeo de Felice (24 August 1723 – 13 February 1789), 2nd Comte de Panzutti, also known as ''Fortuné-Barthélemy de Félice'' and ''Francesco Placido Bartolomeo De Felice'', was an Italian nobleman, a famed author, philosopher, scientist, and is said to have been one of the most important publishers of the 18th century. He is considered a pioneer of education in Switzerland, and a formative contributor to the European Enlightenment. Life Fortunato Bartolomeo de Félice was born in Rome to a Neapolitan family, as the eldest of six children, on 24 August 1723. He was confirmed in 1733 in the parish of St. Celso e Giuliano. At the age of 12, he studied at Rome and Naples under the Jesuits, taught by the Franciscan Fortunato da Brescia. On 28 May 1746 he was ordained by papal dispensation, whilst also teaching philosophy. Through his studies at the monastery of San Francesco in Ripa, he discovered a love of physics, becoming friends with Celestino Galiani. In 1753 ...
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Enlightenment Period
The Age of Enlightenment or the Enlightenment; german: Aufklärung, "Enlightenment"; it, L'Illuminismo, "Enlightenment"; pl, Oświecenie, "Enlightenment"; pt, Iluminismo, "Enlightenment"; es, La Ilustración, "Enlightenment" was an intellectual and philosophical movement that dominated Europe in the 17th and 18th centuries with global influences and effects. The Enlightenment included a range of ideas centered on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, and constitutional government. The Enlightenment was preceded by the Scientific Revolution and the work of Francis Bacon, John Locke, and others. Some date the beginning of the Enlightenment to the publication of René Descartes' ''Discourse on the Method'' in 1637, featuring his famous dictum, ''Cogito, ergo sum'' ("I think, therefore I am"). Others cite the publication of Isaac Newton ...
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Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film. The addition of oil or alkyd medium can also be used to modify the viscosity and drying time of oil paint. Oil paints were first used in Asia as early as the 7th century AD and can be seen in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, but oil painting did not begin to be adopted as an artistic medium there until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior ...
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Turban
A turban (from Persian دولبند‌, ''dulband''; via Middle French ''turbant'') is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Arabian Peninsula, the Middle East, the Balkans, the Caucasus, Central Asia, North Africa, West Africa, East Africa, and amongst some Turkic peoples in Russia as well as Ashkenazi Jews. A keski is a type of turban, a long piece of cloth roughly half the length of a traditional "single turban", but not cut and sewn to make a double-width "Double Turban" (or Double Patti). Wearing turbans is common among Sikh men, and infrequently women. They are also worn by Hindu monks. The headgear also serves as a religious observance, including among Shia Muslims, who regard turban-wearing as ''Sunnah mu’akkadah'' (confirmed tradition). The turban is also the tr ...
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Heraldic Symbol
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered together fo ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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