Portrait Of Cardinal Ludovico Trevisan
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Portrait Of Cardinal Ludovico Trevisan
The ''Portrait of Cardinal Ludovico Trevisan'' is a painting by the Italian Renaissance artist Andrea Mantegna, dated to c. 1459-1460. History The identification of the painting's subject as the Venetian cardinal Ludovico Trevisan is confirmed by several copies of the work, as that once in the Bromley Davenport Collection including the man's name, titles and coat of arms, as well as by a medal attributed to Cristoforo di Geremia or an etching included in the 1630 ''Illustrium virorum elogia'', where it is also specified that the portrait belonged to Francesco Leone of Padua. Cardinal Trevisan, later also known as Scarampi Mezzarota, took part in the council of Mantua in 1459: the portrait was commissioned from Mantegna when the artist was still in Padua, shortly before he established himself in Mantua. Description The cardinal is portrayed from in a three-quarter position over a dark background, with strong chiaroscuro effects which enhance the volume of the figure, turning it ...
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ...
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Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Ludovico Trevisan
Ludovico Trevisan (November 1401 – March 22, 1465) was an Italian catholic prelate, who was the Camerlengo of the Holy Roman Church, Patriarch of Aquileia and Captain General of the Church. He succeeded his rival Giovanni Vitelleschi, a fellow cardinal of military talent and inclination, as Bishop of Traù and Metropolitan Archbishop of Florence.Chambers, 2006, p. 45. Trevisan was also known as the Cardinal of Aquileia and the Cardinal Camerlengo. Early life Trevisan was born into a non-military family in Padua, then in the territory of the Republic of Venice, the son of Biagio Trevisano, a doctor in the arts and medicine.Miranda, Salvador. 1998.Consistory of July 1, 1440 (IV)" Like other war cardinals, such as Niccolò Fortiguerra and Giuliano della Rovere, Trevisan came from a humble background. His mother's maiden name was Mezzarota. His first name is sometimes also rendered Ludovico, Luigi, Luise, and Alvise; his last name as Trevisano or Scarampi-Mezzarota. Trevisan st ...
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Bromley Davenport Collection
Bromley is a large town in Greater London, England, within the London Borough of Bromley. It is south-east of Charing Cross, and had an estimated population of 87,889 as of 2011. Originally part of Kent, Bromley became a market town, chartered in 1158. Its location on a coaching route and the opening of a railway station in 1858 were key to its development and the shift from an agrarian village to an urban town. As part of the suburban growth of London in the 20th century, Bromley significantly increased in population and was incorporated as a municipal borough in 1903 and became part of the London Borough of Bromley in 1965. Bromley today forms a major retail and commercial centre. It is identified in the London Plan as one of the 13 metropolitan centres of Greater London. History Bromley is first recorded in an Anglo-Saxon charter of 862 as ''Bromleag'' and means 'woodland clearing where broom grows'. It shares this Old English etymology with Great Bromley in eastern ...
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Cristoforo Di Geremia
Cristoforo di Geremia (1410–1476) of Mantua was a Renaissance sculptor, goldsmith, and medallist. He worked in Rome beginning sometime around 1456 and was active until 1476. He is most famous for his bronze medallion work under Pope Paul II. Cristoforo did a number of medals and jewellery for royal and noble commissions. Life Cristoforo di Geremia's date of birth is unknown. He was most likely the son of Geremia di Nicolino dei Geremei, a Mantuan goldsmith whose name was prevalent in documents from Mantua between the years of 1438 and 1480. Cristoforo di Geremia died at the age of 46, while at what was considered the peak of his professional career. Cristoforo di Geremia studied at the Mantuan school and was most influenced by Mantegna, who was a mentor to Cristoforo. Many of Mantegna's techniques are seen in Cristoforo's work. Although very little is known about his early professional career, it is known that Cristoforo was very interested in the art of antiquity. Many of h ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ...
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Council Of Mantua
The Council of Mantua of 1459, or Congress of Mantua, was a religious meeting convoked by Pope Pius II, who had been elected to the Papacy in the previous year and was engaged in planning war against the Ottoman Turks, who had taken Constantinople in 1453. His call went out to the rulers of Europe, in an agonized plea to turn from internecine warfare to face Christendom's common enemy. Process of the Council of 1459 Pius entered Mantua on 27 May; his long progress to the place of assembly resembled a triumphal procession. He opened the council on 1 June and waited in Mantua as the guest of Ludovico III Gonzaga until September for the various representatives to assemble. On 26 September he called for a new crusade against the Ottomans. The refugee Cardinal Bessarion and Cardinal Juan de Torquemada were in attendance. The Duke of Burgundy was represented at the Council by the duke of Clèves, who brought in his train the young Burgundian cleric Ferry de Clugny. The humanist Isotta ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of p ...
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Clerical Tonsure
Tonsure () is the practice of cutting or shaving some or all of the hair on the scalp as a sign of religious devotion or humility. The term originates from the Latin word ' (meaning "clipping" or "shearing") and referred to a specific practice in medieval Roman Catholic Church, Catholicism, abandoned by papal order in 1972. Tonsure can also refer to the secular practice of shaving all or part of the scalp to show support or sympathy, or to designate mourning. Current usage more generally refers to cutting or shaving for monks, devotees, or mystics of any religion as a symbol of their renunciation of worldly fashion and esteem. Tonsure is still a traditional practice in Catholicism by specific religious orders (with papal permission). It is also commonly used in the Eastern Orthodox Church for newly baptised members and is frequently used for Buddhism, Buddhist novices, Bhikkhu, monks, and Bhikkhunī, nuns. The complete shaving of one's head bald, or just shortening the hair, exists ...
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Il Sole 24 Ore
''Il Sole 24 Ore'' () is an Italian national daily business newspaper owned by Confindustria, the Italian employers' federation. History and profile ''Il Sole 24 Ore'' was first published on 9 November 1965 as a merger between ''Il Sole'' ("the sun"), founded in 1865, and ''24 Ore'' ("24 hours"), founded in 1933. The latter was established by young economists, including Ferdinando di Fenizio, Libero Lenti and Roberto Tremelloni, on 15 February 1933. The owner of ''Il Sole 24 Ore'' is Confindustria. ''Il Sole 24 Ore'' has its headquarters in Milan and is published in broadsheet format. The paper reports on business, politics, developments in commercial and labour law, corporate news and features. Extensive share and financial product listings are provided in its daily supplement, ''Finanza e Mercati''. Weekly supplements include: *''Domenica'' (Sunday): art, literature, philosophy, theatre, cinema, book reviews, and related news; *''Plus24'' (Saturday): family savings, market a ...
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