Portiuncula Chapel
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Portiuncula Chapel
Portiuncula, also spelled Porziuncola or Porzioncula, is a small Catholic church located within the Papal Basilica of Saint Mary of the Angels in Assisi in the '' frazione'' of Santa Maria degli Angeli, situated about from Assisi, Umbria (central Italy). It is the place from where the Franciscan movement started. The name Portiuncola (meaning “small portion of land”) was first mentioned in a document from 1045, now in the archives of the Assisi Cathedral. History According to a legend, whose existence can be traced back with certainty only to 1645, the little chapel of Porziuncola was erected under Pope Liberius (352-366) by hermits from the Valley of Josaphat, who had brought relics from the grave of the Blessed Virgin. The same legend relates that the chapel passed into the possession of Benedict of Nursia in 516. It was known as Our Lady of the Valley of Josaphat or of the Angels – the latter title referring, according to some, to the assumption of Mary accompan ...
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Portiuncula On The Feast Of The Pardon
Portiuncula, also spelled Porziuncola or Porzioncula, is a small Catholicism, Catholic church located within the Papal Basilica of Saint Mary of the Angels in Assisi in the ''frazione'' of Santa Maria degli Angeli (Assisi), Santa Maria degli Angeli, situated about from Assisi, Umbria (central Italy). It is the place from where the Franciscan movement started. The name Portiuncola (meaning “small portion of land”) was first mentioned in a document from 1045, now in the archives of the Assisi Cathedral. History According to a legend, whose existence can be traced back with certainty only to 1645, the little chapel of Porziuncola was erected under Pope Liberius (352-366) by hermits from the Valley of Josaphat, who had brought relics from the grave of the Blessed Virgin. The same legend relates that the chapel passed into the possession of Benedict of Nursia in 516. It was known as Our Lady of the Valley of Josaphat or of the Angels – the latter title referring, according to s ...
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Abbot
Abbot is an ecclesiastical title given to the male head of a monastery in various Western religious traditions, including Christianity. The office may also be given as an honorary title to a clergyman who is not the head of a monastery. The female equivalent is abbess. Origins The title had its origin in the monasteries of Egypt and Syria, spread through the eastern Mediterranean, and soon became accepted generally in all languages as the designation of the head of a monastery. The word is derived from the Aramaic ' meaning "father" or ', meaning "my father" (it still has this meaning in contemporary Hebrew: אבא and Aramaic: ܐܒܐ) In the Septuagint, it was written as "abbas". At first it was employed as a respectful title for any monk, but it was soon restricted by canon law to certain priestly superiors. At times it was applied to various priests, e.g. at the court of the Frankish monarchy the ' ("of the palace"') and ' ("of the camp") were chaplains to the Merovingian and ...
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Major Basilica
In the Catholic Church, a basilica is a designation given by the Pope to a church building. Basilicas are distinguished for ceremonial purposes from other churches. The building need not be a basilica in the architectural sense (a rectangular building with a central nave flanked by two or more longitudinal aisles). Basilicas are either major basilicas – of which there are four, all in the Diocese of Rome – or minor basilicas, of which there were 1,810 worldwide . Numerous basilicas are notable shrines, often even receiving significant pilgrimages, especially among the many that were built above a ''confessio'' or the burial place of a martyr – although this term now usually designates a space before the high altar that is sunk lower than the main floor level (as in the case in St Peter's and St John Lateran in Rome) and that offer more immediate access to the burial places below. Some Catholic basilicas are Catholic pilgrimage sites, receiving t ...
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Pope Pius X
Pope Pius X ( it, Pio X; born Giuseppe Melchiorre Sarto; 2 June 1835 – 20 August 1914) was head of the Catholic Church from 4 August 1903 to his death in August 1914. Pius X is known for vigorously opposing modernist interpretations of Catholic doctrine, and for promoting liturgical reforms and scholastic theology. He initiated the preparation of the 1917 Code of Canon Law, the first comprehensive and systemic work of its kind. He is venerated as a saint in the Catholic Church and is the namesake of the traditionalist Catholic Priestly Fraternity of Saint Pius X. Pius X was devoted to the Blessed Virgin Mary under the title of Our Lady of Confidence; while his papal encyclical '' Ad diem illum'' took on a sense of renewal that was reflected in the motto of his pontificate. He advanced the Liturgical Movement by formulating the principle of ''participatio actuosa'' (active participation of the faithful) in his motu proprio, ''Tra le sollecitudini'' (1903). He encouraged ...
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Galeazzo Alessi
Galeazzo Alessi (1512 – 30 December 1572) was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali. For a number of years he lived in Genoa. He was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzo, palazzi, now a part of the World Heritage List. His work can be found in many other Italian cities, including in Ferrara, Bologna, Naples and Milan, where he designed the facade of Santa Maria presso San Celso. With Giacomo Barozzi da Vignola, Vignola, he designed the Basilica of Santa Maria degli Angeli in Assisi, the seventh largest Christian church at the time. Elsewhere in Europe, he designed churches and palaces in France, Germany and Flanders. He produced designs for El Escorial in Spain, but age and heal ...
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Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Sebastiano Serlio, Serlio and Andrea Palladio, Palladio. He is often considered the most important architect in Rome in the Mannerism, Mannerist era. Biography Giacomo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as architect in Bologna, supporting himself by painting and making perspective Patterns, templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then Francis I of France, François I called him to Fontainebleau, where he spent the years 1541–1543. Here he pro ...
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Basilica
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ...
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Pope Pius V
Pope Pius V ( it, Pio V; 17 January 1504 – 1 May 1572), born Antonio Ghislieri (from 1518 called Michele Ghislieri, O.P.), was head of the Catholic Church and ruler of the Papal States from 8 January 1566 to his death in May 1572. He is venerated as a saint of the Catholic Church. He is chiefly notable for his role in the Council of Trent, the Counter-Reformation, and the standardization of the Roman Rite within the Latin Church. Pius V declared Thomas Aquinas a Doctor of the Church. As a cardinal, Ghislieri gained a reputation for putting orthodoxy before personalities, prosecuting eight French bishops for heresy. He also stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.
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Pietro Vannucci
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojour ...
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Pietro Cattani
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470–154 ...
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Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ...
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Johann Friedrich Overbeck
Johann Friedrich Overbeck (3 July 1789 – 12 November 1869) was a German painter. As a member of the Nazarene movement, he also made four etchings. Early life and education Born in Lübeck, his ancestors for three generations had been Protestant pastors; his father Christian Adolph Overbeck (1755–1821) was doctor of law, poet, mystic pietist and burgomaster of Lübeck. Within a stone's throw of the family mansion in the Konigstrasse stood the '' Gymnasium'', where the uncle, doctor of theology and a voluminous writer, was the master; there the nephew became a classic scholar and received instruction in art. Artistry The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, then under the direction of Heinrich Friedrich Füger. While Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. Overbeck wrote to a friend that ...
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