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Popscene
"Popscene" is a song by English alternative rock band Blur, released as a non-album single on 30 March 1992. Despite its relatively low chart placing, it has since become critically praised and regarded as one of the pioneering songs of the Britpop genre. Recording The song was first played live in late 1991, and recorded at Matrix Studios in Holborn with producer Steve Lovell. The lyrics showed frontman Damon Albarn's distaste for the music business, complaining that there were too many insignificant indie bands. Musically, it was different to the style seen on the group's first album ''Leisure'' and featured heavily flanged guitars, a Can influenced drumbeat, and brass from session players the Kick Horns. The band considered "Popscene" to be the loudest and best thing they had worked on at that point. Reception The single reached No. 32 on the UK Singles Chart, and was panned by both '' Melody Maker'' and ''NME''. The Beastie Boys, guest reviewing for NME, suggested the ...
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On Your Own (Blur Song)
"On Your Own" is a song by English rock band Blur. It was released as a single on 16 June 1997 from the band's fifth studio album, '' Blur'' (1997). It charted at number five on the UK Singles Chart. Although it was not released exclusively under the name, Damon Albarn, frontman of both musical projects, has since referred the song as 'one of the first ever Gorillaz tunes'. Music video The music video for "On Your Own" was directed by Sophie Muller and recorded in Barcelona, in what at the time was an industrial site, by the Besos Water Tower. B-sides The B-sides were all recorded at John Peel's home studio: Peel Acres. They were previously broadcast on BBC Radio 1 on 8 May 1997. Stickered copies of CD1 and the white vinyl 7-inch features the text 'includes POPSCENE'. This is because "Popscene" did not appear on the UK version of ''Modern Life is Rubbish'' and was, therefore, rare and sought after by fans until its inclusion on '' Midlife: A Beginner's Guide to Blur''. The ...
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Modern Life Is Rubbish
''Modern Life Is Rubbish'' is the second album by English alternative rock band Blur, released in May 1993. Although their debut album ''Leisure'' (1991) had been commercially successful, Blur faced a severe media backlash soon after its release, and fell out of public favour. After the group returned from an unsuccessful tour of the United States, poorly received live performances and the rising popularity of rival band Suede further diminished Blur's status in the UK. Under threat of being dropped by Food Records, for their next album Blur underwent an image makeover championed by frontman Damon Albarn. The band incorporated influences from traditional British guitar-pop groups such as the Kinks and the Small Faces, and the resulting sound was melodic and lushly produced, featuring brass, woodwind and backing vocalists. Albarn's lyrics on ''Modern Life Is Rubbish'' use "poignant humour and Ray Davies characterisation to investigate the dreams, traditions and prejudices of subu ...
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Blur (band)
Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree. Their debut album, ''Leisure'' (1991), incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released ''Modern Life Is Rubbish'' (1993), ''Parklife'' (1994) and '' The Great Escape'' (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop". Blur's self-titled fifth album (1997) saw another stylistic shift, influenced by the lo-fi styles of American indie rock groups, and became their third UK chart-topping album. Its single " Song 2" brought the band mainstream success in the US for the first time. Their next album, '' 13'' (1999) saw the band experimenting with ...
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For Tomorrow (song)
"For Tomorrow" is a song by English alternative rock band Blur. It is the lead track to their second album, ''Modern Life Is Rubbish'' (the title appears in the lyric). Released 19 April 1993 as the first single from the album, "For Tomorrow" charted at number 28 in the UK Singles Chart. The Visit to Primrose Hill Extended version of "For Tomorrow" was included in the band's compilation albums, '' Blur: The Best of'', (being the only song from ''Modern Life Is Rubbish'' to be featured) and '' Midlife: A Beginner's Guide to Blur''. Single background In this period the band had gone on a tour of the US which they greatly detested, especially as the country was the home of grunge and audiences were not receptive to their music. After that tour lead singer Damon Albarn started to write songs with a very British feel. This was one such song, written on Christmas Day 1992 at the family piano in his parents' house. David Balfe, the head of the band's record company, commissioned this ...
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Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ...
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Beastie Boys
Beastie Boys were an American rap rock group from New York City, formed in 1978. The group was composed of Mike D, Michael "Mike D" Diamond (vocals, drums), Adam Yauch, Adam "MCA" Yauch (vocals, bass), and Ad-Rock, Adam "Ad-Rock" Horovitz (vocals, guitar, Programming (music), programming). Beastie Boys were formed out of members of experimental hardcore punk band the Young Aborigines in 1978, with Diamond as vocalist, Jeremy Shatan on bass guitar, John Berry (Beastie Boys), John Berry on guitar, and Kate Schellenbach on drums. When Shatan left in 1981, Yauch replaced him on bass and the band changed their name to Beastie Boys. Berry left shortly thereafter and was replaced by Horovitz. After achieving local success with the 1983 comedy hip hop single "Cooky Puss", Beastie Boys made a full transition to hip hop, and Schellenbach left. They toured with Madonna (entertainer), Madonna in 1985 and a year later released their debut album, ''Licensed to Ill'' (1986), the first rap reco ...
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Bang (Blur Song)
"Bang" is a song by English rock band Blur, released on 29 July 1991 as the third single from their debut album, ''Leisure''. Music video The video, directed by Willy Smax, features the band in west London at night. Time-lapse photography of night-time traffic was used, creating streaks of light from cars' headlights. Black-and-white performance shots were also included. In later years Dave Rowntree expressed his love of the video, stating it as his favorite of the Blur catalogue. The video itself went generally unnoticed during its time of release and of all the promos, gets the least airplay on television. The video has been aired quite frequently on MTV Rocks, though, as part of their ''Blur Top 40'' list, of which it features at 26. A vinyl copy of ''Beatles for Sale'' by the Beatles and '' Blonde on Blonde'' by Bob Dylan can be found in the music video when Graham Coxon is seen playing his guitar. The board game the band is playing whilst sat at the table is Scrabble. ...
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A Beginner's Guide To Blur
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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John Harris (critic)
John Rhys Harris (born 1969) is a British journalist, writer and critic. He is the author of ''The Last Party: Britpop, Blair and the Demise of English Rock'' (2003); ''So Now Who Do We Vote For?'', which examined the 2005 UK general election; a 2006 behind-the-scenes look at the production of Pink Floyd's ''The Dark Side of the Moon''; and ''Hail! Hail! Rock'n'Roll'' (2009). His articles have appeared in '' Select'', '' Q'', ''Mojo'', ''Shindig!'', ''Rolling Stone'', ''Classic Rock'', ''The Independent'', the ''New Statesman'', ''The Times'' and ''The Guardian''. Early life Harris was raised in Wilmslow in north Cheshire; his father was a university lecturer in nuclear engineering, and his mother a teacher who was the daughter of a nuclear research chemist. He became fixated by pop music at an early age. He attended the comprehensive Wilmslow County High School (at the same time as members of the band Doves), then went to Loreto College, Manchester, a Roman Catholic sixth form ...
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ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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The Buzzcocks
Buzzcocks are an English punk rock band formed in Bolton, England in 1976 by singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto. They are regarded as a seminal influence on the Manchester music scene, the independent record label movement, punk rock, power pop, and pop punk. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on ''Singles Going Steady'', an acclaimed compilation album described by music journalist and critic, Ned Raggett, as a "punk masterpiece". Devoto and Shelley chose the name "Buzzcocks" after reading the headline, "It's the Buzz, Cock!", in a review of the TV series '' Rock Follies'' in ''Time Out'' magazine. The "buzz" is the excitement of playing on stage; "cock" is northern English slang meaning "friend". They thought it captured the excitement of the nascent punk scene, as well as having humorous sexual connotations following Pete Shelley's time ...
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