|
Pomorska Street, Bydgoszcz
Pomorska Street is an important street in downtown Bydgoszcz. Location Pomorska Street is roughly oriented south–north, starting from Gdańska Street up to the railway line to the north. It crosses important thoroughfares, such as Śniadeckich Street, Cieszkowski Street or Swiętojańska street. Naming Through history, the street had the following names: * Before 1920, ''"Der weg nach Schwetz"'' (''Road to Świecie''), then ''"Rinkauerstraße"'' (from Rinkau - pl, Rynkowo-, a village north of Bromberg) * 1920–1939, Ulica Pomorska (southern part)-Ulica Szczecińska (northern part) * 1939–1945, Robert Ley Straße * since 1945, Ulica Pomorska Current namesake of the street comes from the Kuyavian-Pomeranian Voivodeship. History The axis has since long been the path linking Bydgoszcz to Świecie, german: Schwetz, hence its name on one of the first recorded maps from 1800, "Der weg nach Schwetz" (''The road to Świecie''). In fact, this path was an historical th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuyavian-Pomeranian Voivodeship
Kuyavian-Pomeranian Voivodeship, also known as Cuiavian-Pomeranian Voivodeship or simply Kujawsko-Pomorskie, or Kujawy-Pomerania Province ( pl, województwo kujawsko-pomorskie ) is one of the 16 voivodeships (provinces) into which Poland is divided. It was created on 1 January 1999 and is situated in mid-northern Poland, on the boundary between the two historic regions from which it takes its name: Kuyavia ( pl, Kujawy) and Pomerania ( pl, Pomorze). Its two chief cities, serving as the province's joint capitals, are Bydgoszcz and Toruń. History The Kuyavian-Pomeranian Voivodeship was created on 1 January 1999, as a result of the Polish local government reforms adopted in 1998. It consisted of territory from the former Bydgoszcz, Toruń and Włocławek Voivodeships. The area now known as Kuyavia-Pomerania was previously divided between the region of Kuyavia and the Polish fiefdom of Royal Prussia. Of the two principal cities of today's Kuyavian-Pomeranian voivodeship, one ( Byd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclecticism In Art
Eclecticism is a kind of mixed style in the fine arts: "the borrowing of a variety of Art movement, styles from different sources and combining them" . Significantly, Eclecticism hardly ever constituted a specific style in art: it is characterized by the fact that it was not a particular style. In general, the term describes the combination in a single work of a variety of influences—mainly of elements from different historical styles in architecture, painting, and the graphic arts, graphic and decorative arts. In music the term used may be either Eclecticism in music, eclecticism or polystylism. In the visual arts The term eclectic was first used by Johann Joachim Winckelmann to characterize the art of the The Carracci, Carracci, who incorporated in their paintings elements from the Renaissance art, Renaissance and Art in ancient Greece#Classical, classical traditions. Indeed, Agostino Carracci, Agostino, Annibale Carracci, Annibale and Lodovico Carracci had tried to combine in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Revival Architecture
Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (art)
In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corbel
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England. The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic (New Stone Age) times. It is common in medieval architecture and in the Scottish baronial style as well as in the vocabulary of classical architecture, such as the modillions of a Corinthian cornice. The corbel arch and corbel vault use the technique systematically to make openings in walls and to form ceilings. These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay Window
A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or run over one or multiple storey A storey (British English) or story (American English) is any level part of a building with a floor that could be used by people (for living, work, storage, recreation, etc.). Plurals for the word are ''storeys'' (UK) and ''stories'' (US). T ...s. In plan, the most frequently used shapes are isosceles trapezoid (which may be referred to as a ''canted (architecture), canted bay window'') and rectangle. But other polygonal shapes with more than two corners are also common as are curved shapes. If a bay window is curved it may alternatively be called ''bow window.'' Bay windows in a triangular shape with just one corner exist but are relatively rare. A bay window supported by a corbel, Bracket (archite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclecticism In Architecture
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Lithography")
