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Polyphemos
Polyphemus (; grc-gre, Πολύφημος, Polyphēmos, ; la, Polyphēmus ) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's ''Odyssey''. His name means "abounding in songs and legends". Polyphemus first appeared as a savage man-eating giant in the ninth book of the ''Odyssey''. The satyr play of Euripides is dependent on this episode apart from one detail; Polyphemus is made a pederast in the play. Later Classical writers presented him in their poems as heterosexual and linked his name with the nymph Galatea. Often he was portrayed as unsuccessful in these, and as unaware of his disproportionate size and musical failings. In the work of even later authors, however, he is presented as both a successful lover and skilled musician. From the Renaissance on, art and literature reflect all of these interpretations of the giant. Odysseus and Polyphemus Ancient sources In Homer's epic, Odysseus lands on the island of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphemos Reclining And Holding A Drinking Bowl
Polyphemos reclining and holding a drinking bowl is a Late Classical terracotta figurine that was created in Boeotia, Greece in late 5th- early 4th century BCE. The Museum of Fine Arts, Boston purchased the statue in December 1901 from E.P. Warren, who bought the terracotta figure in Paris, in 1901, from a vendor who acquired it in Thebes. The terracotta figurine depicts Polyphemos, the Cyclops and antagonist of Odysseus in book nine of Homer’s ''Odyssey'', as a dignified banqueter consuming wine. This figurine depicts the scene in the ''Odyssey'' where, in order to escape death, Odysseus tricks Polyphemos to become highly intoxicated. The figurine was discovered in the Kabirion sanctuary, which is situated near Thebes. Every year, the sanctuary held a festival where performers parodied popular myths.Ibid. ''Polyphemos reclining and holding a drinking bowl'' reflects the presence and importance of humor in ancient Greek culture. The figurine is a satirical image of the Cyclops ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclops (play)
''Cyclops'' ( grc, Κύκλωψ, ''Kyklōps'') is an ancient Greek satyr play by Euripides, based closely on an episode from the ''Odyssey''. It would have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in Fifth-century Athens, 5th Century BC Athens. The date of its composition is unknown, but it was probably written late in Euripides' career. It is the only complete satyr play extant. It is one of a double bill in the 2022 Cambridge Greek Play. Plot The play is set in Sicily at Mount Etna, Mount Aetna. Silenus explains that he and his sons, the chorus, are slaves to a Cyclops, Polyphemus. The chorus enter with singing and sheep. Silenus tells them to stop singing and send the sheep into the cave because he can see a Greek ship by the coast and men coming to the cave. Odysseus enters with his men and asks where they can find water and if anyone will sell them food. Silenus questions Odysseus and Odysseus questions Silenus. On learning that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; el, Κύκλωπες, ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers Brontes, Steropes, and Arges, who made for Zeus his weapon the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous as the builders of the Cyclopean walls of Mycenae and Tiryns. In ''Cyclops'', the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus; as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclopes. From at least the fifth century BC, Cyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outis
Outis (a transliteration of the Ancient Greek pronoun = "nobody" or "no one") is an often used pseudonym that appeared famously in Classical Greek legends. Modern artists, writers, and others in public life have adopted the use of this pseudonym in order to hide their identity and it has been used for fictional characters as well. Ancient Greek origin of the pseudonym The Homeric hero Odysseus used the pseudonym "Outis" when he was fighting the Cyclops Polyphemus and the monster demanded his name. Odysseus replied instead that the pronoun was his name in order to trick the monster. After Odysseus had put out the monster's eye, Polyphemus shouted in pain to the other Cyclopes of the island. When they shouted back, inquiring whether Polyphemus was in danger, he replied that "Nobody" was trying to kill him, so presuming that he was not in any danger, none of them came to his rescue. The story of the Cyclops can be found in the ''Odyssey'', book 9 (in the Cyclopeia). Use of the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (mythology)
Acis and Galatea (, ) are characters from Greek mythology later associated together in Ovid's ''Metamorphoses''. The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit. The episode was made the subject of poems, operas, paintings, and statues in the Renaissance and after. Mythology Galathea or Galatea (Ancient Greek: Γαλάτεια; "she who is milk-white"), the "glorious" and "comely" daughter of the 'Old Man of the Sea' Nereus and the Oceanid Doris, was a sea-nymph anciently attested in the work of both Homer and Hesiod, where she is described as the fairest and most beloved of the 50 Nereids. She lived in the sea and aroused the love of a most improbable suitor, the Sicilian Cyclops Polyphemus. In Ovid's ''Metamorphoses,'' Galatea appears as the beloved of Acis, the son of Faunus and the river-nymph Symaethis, daughter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni - Polyphemus - Google Art Project
Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The meaning of the name is debated, with various sources indicating the Germanic "Wido" means "wood" and others connecting the Italian form "Guido" to the latinate root for "guide". The slang term ''Guido'' is used in American culture to refer derogatorily to an urban working-class Italian or Italian-American male who is overly aggressive or macho with a tendency for certain conspicuous behavior. It may also be used as a more general ethnic slur for working-class urban Italian Americans. People Given name ;Medieval times *Guido of Acqui (–1070), bishop of Acqui, Italy * Guido of Anderlecht (–1012), Belgian saint *Guido of Arezzo (–after 1033), Italian music theorist *Guido da Velate, (died 1071) bishop of Milan *Guido Bonatti (died ), Ita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gruppo Di Polifemo, Sperlonga 0
Gruppo may refer to: * groupset A groupset or gruppo (from the Italian for "group", sometimes misspelled grouppo) is a bicycle component manufacturer's organized collection of mechanical parts. It generally refers to all of the components that make up a bicycle excluding the bicy ..., a bicycle component manufacturer's organized collection of mechanical parts * Leonard Gruppo (born 1942), a politician in Pennsylvania See also *' {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenia (Greek)
Xenia ( el, ξενία) is an ancient Greek concept of hospitality. It is almost always translated as 'guest-friendship' or 'ritualized friendship'. It is an institutionalized relationship rooted in generosity, gift exchange, and reciprocity. Historically, hospitality towards foreigners and guests (Hellenes not of your polis) was understood as a moral obligation. Hospitality towards foreign Hellenes honored Zeus ''Xenios'' (and Athene ''Xenia'') patrons of foreigners. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (e.g. gifts, protection, shelter) as well as non-material ones (e.g. favors, certain normative rights). The word is derived from '' xenos'' 'stranger'. The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of strangers. He thus embodied the moral obligation to be hospitable to foreigners and guests. Theoxeny or ''theoxenia'' is a theme in Greek mythology in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubris
Hubris (; ), or less frequently hybris (), describes a personality quality of extreme or excessive pride or dangerous overconfidence, often in combination with (or synonymous with) arrogance. The term ''arrogance'' comes from the Latin ', meaning "to feel that one has a right to demand certain attitudes and behaviors from other people". To ''arrogate'' means "to claim or seize without justification... To make undue claims to having", or "to claim or seize without right... to ascribe or attribute without reason". The term ''pretension'' is also associated with the term ''hubris'', but is not synonymous with it. According to studies, hubris, arrogance, and pretension are related to the need for victory (even if it does not always mean winning) instead of reconciliation, which "friendly" groups might promote. Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer collateral consequences from wrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenia (Greek)
Xenia ( el, ξενία) is an ancient Greek concept of hospitality. It is almost always translated as 'guest-friendship' or 'ritualized friendship'. It is an institutionalized relationship rooted in generosity, gift exchange, and reciprocity. Historically, hospitality towards foreigners and guests (Hellenes not of your polis) was understood as a moral obligation. Hospitality towards foreign Hellenes honored Zeus ''Xenios'' (and Athene ''Xenia'') patrons of foreigners. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (e.g. gifts, protection, shelter) as well as non-material ones (e.g. favors, certain normative rights). The word is derived from '' xenos'' 'stranger'. The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of strangers. He thus embodied the moral obligation to be hospitable to foreigners and guests. Theoxeny or ''theoxenia'' is a theme in Greek mythology in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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