Polly Bennett
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Polly Bennett
Polly Mooney Bennett (1922–2003) was an American artist. She is associated with the Gee's Bend quilting collective and was a member of the Freedom Quilting Bee The Freedom Quilting Bee was a quilting cooperative based in Rehobeth, Alabama, that operated from 1966 until 2012. Originally begun by African American women as a way to generate income, some of the Bee's quilts were displayed in the Smithsonian In .... Her work has been exhibited in the Museum of Fine Arts, Houston. Biography Daughter of Mary and Minniefield Mooney, Polly Mooney Bennett was raised in Gee's Bend, Alabama. Her parents separated in 1928. She found work nursing and cooking for various white families in the area. She married her husband, Mark Bennett in 1946. They maintained a farm on Rehoboth Rd. for the remainder of their lives. Bennett began quilting under her mother's instruction at about eight years old. She recalls struggling at first, "...back then what I made be so much longer on one side than th ...
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Boykin, Alabama
Boykin, also known as Gee's Bend, is an African American majority community and census-designated place in a large bend of the Alabama River in Wilcox County, Alabama. As of the 2020 census, its population was 208. The Boykin Post Office A post office is a public facility and a retailer that provides mail services, such as accepting letters and parcels, providing post office boxes, and selling postage stamps, packaging, and stationery. Post offices may offer additional serv ... was established in the community in 1949 and remains active, servicing the 36723 ZIP code. Gee's Bend was named for Joseph Gee, an early large land owner from Halifax County, North Carolina who settled here in 1816. Gee brought 18 African American slaves with him and established a cotton plantation within the bend. Demographics 2020 census ''Note: the US Census treats Hispanic/Latino as an ethnic category. This table excludes Latinos from the racial categories and assigns them to a separate c ...
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The Quilts Of Gee's Bend
The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River. The quilts of Gee's Bend are among the most important African-American visual and cultural contributions to the history of art within the United States. Arlonzia Pettway, Annie Mae Young and Mary Lee Bendolph are among some of the most notable quilters from Gee's Bend. Many of the residents in the community can trace their ancestry back to enslaved people from the Pettway Plantation. Arlonzia Pettway can recall her grandmother's stories of her ancestors, specifically of Dinah Miller, who was brought to the United States by slave ship in 1859. History Just southwest of Selma, in the Black Belt of Alabama, Gee's Bend (officially called Boykin) is an isolated, rural community of about seven hundred inhabitants. The area is named after Joseph Gee, a landowner who came from North Carolin ...
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Freedom Quilting Bee
The Freedom Quilting Bee was a quilting cooperative based in Rehobeth, Alabama, that operated from 1966 until 2012. Originally begun by African American women as a way to generate income, some of the Bee's quilts were displayed in the Smithsonian Institution. History The Freedom Quilting Bee was a quilting cooperative with members located throughout the Black Belt of Alabama. Black women created the cooperative in 1966 as a way to generate income for their families. The women began selling their quilts at the suggestion of Father Francis X. Walter, a priest who was returning to the area as part of the Selma Inter-religious Project. He received a seven hundred dollar grant and traveled through the Black Belt looking for quilts to present at an auction. After the first auction in New York City, the quilts gained critical acclaim and popularity, prompting the craftswomen to organize an official quilting cooperative. The Freedom Quilting Bee, as an alternative economic organization, ...
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Museum Of Fine Arts, Houston
The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Building in 2020, it is the 12th largest art museum in the world based on square feet of gallery space. The permanent collection of the museum spans more than 6,000 years of history with approximately 70,000 works from six continents. Facilities The MFAH's permanent collection totals nearly 70,000 pieces in over of exhibition space, placing it among the larger art museums in the United States. The museum's collections and programs are housed in nine facilities. The Susan and Fayez S. Sarofim Campus encompasses 14 acres including seven of the facilities, with two additional facilities, Bayou Bend and Rienzi ( house museums) at off site locations. The main public collections and exhibitions are in the Law, Beck, and Kinder buildings. The ...
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Souls Grown Deep Foundation
Souls Grown Deep Foundation is a non-profit organization dedicated to documenting, preserving, and promoting the work of leading contemporary African American artists from the Southeastern United States. Its mission is to include their contributions in the canon of American art history through acquisitions from its collection by major museums, as well as through exhibitions, programs, and publications. The foundation derives its name from a 1921 poem by Langston Hughes (1902–1967) titled "The Negro Speaks of Rivers," the last line of which is "My soul has grown deep like the rivers. The foundation is led by Maxwell L. Anderson, who serves as its president, and a member of its board of trustees. Anderson was previously director of the Dallas Museum of Art and the Whitney Museum of American Art in New York. Collection The Souls Grown Deep Foundation Collection contains over 1,100 works by more than 160 artists, two-thirds of whom are women. Ranging from large-scale assemblages to ...
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1922 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkn ...
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2003 Deaths
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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21st-century African-American Women
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman em ...
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21st-century African-American People
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman em ...
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