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Polly (opera)
''Polly'' is a ballad opera with text by John Gay and music by Johann Christoph Pepusch. It is a sequel to Gay's ''The Beggar's Opera''. Due to censorship, the opera was not performed in Gay's lifetime. It had its world premiere on 19 June 1777 at the Haymarket Theatre in London. A revised and edited version of the score by Clifford Bax and Frederic Austin premiered on 30 December 1922 at the Kingsway Theatre in London.Gay, John: ''Polly'' at Boosey & Hawkes Background The opera relates the adventures of Polly Peachum in the West Indies. Macheath is transported to the West Indies, and becomes a pirate, dis ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Walpole
Robert Walpole, 1st Earl of Orford, (26 August 1676 – 18 March 1745; known between 1725 and 1742 as Sir Robert Walpole) was a British statesman and Whig politician who, as First Lord of the Treasury, Chancellor of the Exchequer, and Leader of the House of Commons, is generally regarded as the ''de facto'' first Prime Minister of Great Britain. Although the exact dates of Walpole's dominance, dubbed the "Robinocracy", are a matter of scholarly debate, the period 1721–1742 is often used. He dominated the Walpole–Townshend ministry, as well as the subsequent Walpole ministry, and holds the record as the longest-serving British prime minister. W. A. Speck wrote that Walpole's uninterrupted run of 20 years as prime minister "is rightly regarded as one of the major feats of British political history. Explanations are usually offered in terms of his expert handling of the political system after 1720, ndhis unique blending of the surviving powers of the crown with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Operas
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later '' Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported '' opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1729 Operas
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Chamberlain
The Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also handle the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours. For over 230 years, the Lord Chamberlain had the power to decide which plays would be granted a licence for performance. From 1737 to 1968, this meant that the Lord Chamberlain had the capacity to censor theatre at his pleasure. The Lord Chamberlain is always sworn of the Privy Council, is usually a peer and before 1782 the post was of Cabinet rank. The position was a political one until 1924. The office dates from the Middle Ages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Douglas, 3rd Duke Of Queensberry
Charles Douglas, 3rd Duke of Queensberry, 2nd Duke of Dover, (24 November 169822 October 1778) was a Scottish nobleman, extensive landowner, Privy Counsellor and Vice Admiral of Scotland. Life He was born in Queensberry House in Edinburgh on 24 November 1698. The younger son of James Douglas, 2nd Duke of Queensberry, 1st Duke of Dover, and Mary Boyle, daughter of Charles Boyle, 3rd Viscount Dungarvan, on 17 June 1706 while still a child he was created in his own right Lord Douglas of Lockerbie, Dalveen and Thornhill, Viscount of Tiberris and Earl of Solway. In 1711 he succeeded his father as Duke of Queensberry and inherited Queensberry House, thanks to a grant of novodamus which excluded his mentally ill older brother James Douglas from the succession to the Dukedom, but left James the Marquessate of the same name. Upon his brother's death in 1715 he succeeded him as the 4th Marquess of Queensberry. In 1728 Queensberry took up the cause of John Gay, who was friendly with h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Hyde, Duchess Of Queensberry
Catherine Hyde, afterwards Duchess of Queensberry (1701 – 17 June 1777), was an English socialite in London and a patron of the dramatist John Gay. Biography Catherine Hyde, often called "Kitty", was the second daughter of Henry Hyde, 4th Earl of Clarendon, and his wife, the former Jane Hyde, Countess of Clarendon, Jane Leveson-Gower. She served as a Lady of the Bedchamber at the court of Anne, Queen of Great Britain, Queen Anne. Catherine married Charles Douglas, 3rd Duke of Queensberry, on 10 March 1720. The couple had two sons and lived much of the time at Douglas House, Petersham, Douglas House, Petersham, London, Petersham, now part of London and at Queensberry House in Edinburgh. The duchess was known for her physical beauty and fashion sense. She was a central figure in London high society and was known for her balls and Masquerade ball, masquerades. According to the standards of her era, she was considered eccentric. She never served meat at any of her suppers. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Press Of Kentucky
The University Press of Kentucky (UPK) is the scholarly publisher for the Commonwealth of Kentucky, and was organized in 1969 as successor to the University of Kentucky Press. The university had sponsored scholarly publication since 1943. In 1949, the press was established as a separate academic agency under the university president, and the following year Bruce F. Denbo, then of Louisiana State University Press, was appointed as the first full-time professional director. Denbo served as director of UPK until his retirement in 1978, building a small but distinguished list of scholarly books with emphasis on American history and literary criticism. Since its reorganization, the Press has represented a consortium that now includes all of Kentucky's state universities, seven of its private colleges, and two historical societies. UPK joined the Association of University Presses in 1947. The press is supported by the Thomas D. Clark Foundation, a private nonprofit foundation establis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles FitzRoy, 2nd Duke Of Grafton
Charles FitzRoy, 2nd Duke of Grafton, (25 October 1683 – 6 May 1757) was an Irish and English politician. Early life He was the only child and heir of Henry FitzRoy, 1st Duke of Grafton (1663–1690) (an illegitimate son of King Charles II by his mistress Barbara Villiers) by his wife Isabella Bennet, 2nd Countess of Arlington, a great-granddaughter of William the Silent. He succeeded to his father's titles on 9 October 1690. Career Grafton was one of the members of the Hanoverian-supporting Kit-Cat Club portrayed by Godfrey Kneller. He served as Lord High Steward at King George I's coronation, becoming a Privy Counsellor in 1715 and a Knight of the Garter in 1721. He also served as Lord Lieutenant of Ireland from 1720 to 1724 and Lord Chamberlain from 1724 until his death. In 1719 he was one of the main subscribers to the Royal Academy of Music, a corporation that produced baroque opera on the stage. In 1739 he supported the creation of what was to become one of London's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gay
John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for ''The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly Peachum, became household names.. Early life Gay was born in Barnstaple, England, last of five children of William Gay (died 1695) and Katherine (died 1694), daughter of Jonathan Hanmer, "the leading Nonconformist divine of the town" as founder of the Independent Dissenting congregation in Barnstaple. The Gay family- "fairly comfortable... though far from rich"- lived in "a large house, called the Red Cross, on the corner of Joy Street". The Gay family was "of respectable antiquity" in North Devon, associated with the manor of Goldsworthy at Parkham and with the parish of Frithelstock (where the senior line remained, resident at the priory Cloister Hall with its lands, until 1823) and became "powerful and numerous" in the town, "established a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
