Polly (The Kinks Song)
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Polly (The Kinks Song)
"Polly" (titled "Pretty Polly" on early singles) is a song by the English rock band the Kinks. It was released on a non-album single in April1968, as the B-side to " Wonderboy". Written and sung by bandleader Ray Davies, the song was recorded in March1968 during sessions for the band's 1968 album '' The Kinks Are the Village Green Preservation Society''. Ray was initially inspired by the character Polly Garter in Dylan Thomas's 1954 radio drama ''Under Milk Wood'', though his resulting character does not share anything with Thomas's besides the same name. The song is one of the few Kinks recordings from the late1960s to possibly feature real strings, as arranged by David Whitaker. Background and composition Ray Davies composed "Polly" in reference to the character Polly Garter from Welsh poet Dylan Thomas's 1954 radio drama ''Under Milk Wood''. Ray briefly planned to write a suite of songs inspired by Thomas's drama, but the idea instead evolved into the Kinks' 1968 alb ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Heroin
Heroin, also known as diacetylmorphine and diamorphine among other names, is a potent opioid mainly used as a recreational drug for its euphoric effects. Medical grade diamorphine is used as a pure hydrochloride salt. Various white and brown powders sold illegally around the world as heroin have variable "cuts". Black tar heroin is a variable admixture of morphine derivatives—predominantly 6-MAM (6-monoacetylmorphine), which is the result of crude acetylation during clandestine production of street heroin. Heroin is used medically in several countries to relieve pain, such as during childbirth or a heart attack, as well as in opioid replacement therapy. It is typically injected, usually into a vein, but it can also be smoked, snorted, or inhaled. In a clinical context, the route of administration is most commonly intravenous injection; it may also be given by intramuscular or subcutaneous injection, as well as orally in the form of tablets. The onset of effects is usuall ...
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Nicky Hopkins
Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music. Early life Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Comm ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nigh ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ...
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Monica (song)
"Monica" is a song by the English rock band the Kinks from their sixth studio album, '' The Kinks Are the Village Green Preservation Society'' (1968). Written and sung by Ray Davies, the song was recorded sometime between late1967 and May1968. The song features congas and a syncopated rhythm, indicating Davies's continued interest in calypso music. Its lyrics are a serenade for a prostitute and were partly inspired by Dylan Thomas's radio drama, ''Under Milk Wood'' (1954), though Davies kept the lyrics deliberately subtle to avoid a radio ban. Retrospective commentators have disputed the song's level of thematic cohesion with the others on ''Village Green''. Background and composition Ray Davies composed "Monica" as a love song, sung as a serenade to a prostitute. Its lyrics are deliberately subtle, never directly referencing her profession, something that arose out of Davies' desire to avoid a ban by BBC Radio. The song's narrator claims Monica for himself, but sings that ...
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Big Black Smoke
"Big Black Smoke" is the B-side to The Kinks' single "Dead End Street", written by Ray Davies. The song was not originally included on any album, but has since appeared as a track on the popular 1972 '' Kink Kronikles'' compilation and as a bonus track on the CD reissue of '' Face to Face''. The Big Smoke is a euphemism for London, the setting of the story told in the lyric. The song makes reference to the recreational use of the drug Drinamyl with the lyric "And every penny she had was spent on ''purple hearts'' and cigarettes." Personnel According to band researcher Doug Hinman: The Kinks *Ray Davieslead vocals, acoustic guitar *Dave Daviesbacking vocals, electric guitar * John Daltonbacking vocals, bass *Mick Avory Michael Charles Avory (born 15 February 1944) is an English musician, best known as the longtime drummer and percussionist for the English rock band the Kinks. He joined them shortly after their formation in 1964 and remained with them until 1984, ...drums Not ...
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Little Miss Queen Of Darkness
Little is a synonym for small size and may refer to: Arts and entertainment * ''Little'' (album), 1990 debut album of Vic Chesnutt * ''Little'' (film), 2019 American comedy film *The Littles, a series of children's novels by American author John Peterson ** ''The Littles'' (TV series), an American animated series based on the novels Places *Little, Kentucky, United States *Little, West Virginia, United States Other uses *Clan Little, a Scottish clan *Little (surname), an English surname *Little (automobile), an American automobile manufactured from 1912 to 1915 *Little, Brown and Company, an American publishing company * USS ''Little'', multiple United States Navy ships See also * * *Little Mountain (other) * Little River (other) *Little Island (other) Little Island can refer to: Geographical areas Australia * Little Island (South Australia) * Little Island (Tasmania) * Little Island (Western Australia) Canada * Little Island (Lake Kagawong), Ontario ...
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Starstruck (The Kinks Song)
"Starstruck" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by Ray Davies, the song was recorded in . The song was issued as the album's lead single in continental Europe in November1968 and in the United States in January1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached on the Veronica Top 40 and on the Hilversum 3 Top 30. An example of rock and beat music, "Starstruck" features a Mellotron which duplicates the sound of a string section. The lyrics are directed towards a female listener whom the singer politely chastises for failing to distinguish between stardom and real life. Retrospective commentators dispute the song's level of thematic cohesion with the others on ''Village Green''; some suggest a lack of relation to the album's themes, while others contend ...
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