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Polish National Edition
), commonly referred to as the Chopin National Edition or the Polish National Edition, is an urtext edition of the complete works by Frédéric Chopin, aiming to present his output in its authentic form. Started by Jan Ekier in 1959, the entirety of Chopin's known works were published in 37 volumes from 1967 to 2010, accompanied by source and performance commentaries. The Chopin National Edition is considered the authoritative edition of Chopin's works, and is recommended to contestants of the International Chopin Piano Competition. History In 1959, Jan Ekier started the project of a new critical edition of Chopin's works, as he came to the conclusion that the prevailing Paderewski edition presented a "false image of Chopin's music in many aspects". The first volume of Ballades was published in 1967 by PWM Edition, featuring a minimalist design with white covers. A total of nine volumes were published up to 1991, with a publication rhythm that correlated to each edition of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballades (Chopin)
Frédéric Chopin's four ballades are single- movement pieces for solo piano, composed between 1831 and 1842. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Form The term ''ballade'' was used by Chopin in the sense of a balletic interlude or dance-piece, equivalent to the old Italian ''ballata'', but the term may also have connotations of the medieval heroic ballad, a narrative minstrel-song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he may be said to be a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin’s, poet Adam Mickiewicz. The exact inspiration for each individual ballade, however, is unclear and disputed. Though the ballades do not conform exactly to sonata form, the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexameron (musical Composition)
The term Hexameron (Greek: Ἡ Ἑξαήμερος Δημιουργία ''Hē Hexaēmeros Dēmiourgia'') refers either to the genre of theological treatise that describes God's work on the six days of creation or to the six days of creation themselves. Most often these theological works take the form of commentaries on Genesis. As a genre, hexameral literature was popular in the early church and medieval periods. The word derives its name from the Greek roots ''hexa-'', meaning "six", and ''hemer-'', meaning "day". The order of creation in Genesis (1,1 to 2,3) is: # ''Light'' - first day. # ''A vault between the waters, to separate water from water'' called ''the heavens'' - second day. # ''The water ... gathered ... so that dry land may appear ... and ... growing things, ... plants that bear seed, and trees bearing fruit each with its own kind of seed'' - third day. # ''Lights in the vault of the heavens'' - fourth day: sun, moon, and stars. # "''Let the water teem with living cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andante Spianato Et Grande Polonaise Brillante
Andante spianato et grande polonaise brillante in E-flat major, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The ''Grande polonaise brillante'' in E-flat, set for piano and orchestra, was written first, in 1830-31. In 1834, Chopin wrote an ''Andante spianato'' in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work (both orchestrated version and solo piano version) was published in 1836, and was dedicated to Madame d'Este. Music The ''Grande polonaise brillante'' is a work for piano and orchestra, although the piano part is often played on its own. The ''Andante spianato'' (spianato means "even" or "smooth") for solo piano was composed as an introduction to the polonaise after Chopin received a long-awaited invitation to perform in one of Habeneck’s Conservatoire Concerts in Paris. This was the only time Chopin had ever used the term ''spianato'' as a description for any of his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopin's Compositions For Piano And Orchestra
Frédéric Chopin's compositions for piano and orchestra originated from the late 1820s to the early 1830s, and comprise three concert pieces he composed 1827–1828, while a student at the in Warsaw, two piano concertos, completed and premièred between finishing his studies (mid 1829) and leaving Poland (late 1830), and later drafts, resulting in two more published works. Among these, and the other works in the brilliant style which Chopin composed in this period, the concertos are the most accomplished ones. Context Together with a number of rondos ( Opp. 1, 5, 16 and 73), the ''Polonaise brillante'' (Op. 3) and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s. Other compositions of the same period, such as the Sonata (Op. 4) and the Trio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes (Chopin)
Frédéric Chopin’s waltzes are pieces of moderate length adhering to the traditional 3/4 waltz time, but are remarkably different from the earlier Viennese waltzes in that they were not designed for dancing but for concert performance. Some of them are accessible by pianists of moderate capabilities, but the more difficult of them require an advanced technique. Carl Maria von Weber's '' Invitation to the Dance'' was an early model for Chopin's waltzes. Chopin started writing waltzes in 1824, when he was fourteen, and continued until the year of his death, 1849. He wrote 36 in total, of which 20 are numbered. Probably the most famous are the '' Minute Waltz'' in D-flat major and the '' C-sharp minor waltz'' of 1847, two of the last set of waltzes Chopin published before his death (Op. 64). Background Chopin published only eight waltzes in his lifetime, and his desire was that any unpublished works would not be published and instead burned. However, Chopin's sister Ludwika an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonatas (Chopin)
Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ... composed three piano sonatas, two of which were published in his lifetime, one posthumously. They are considered to be among Chopin's most difficult piano compositions both musically and technically. They cover a period of time from 1828 to 1844, reflecting Chopin's style changes. Piano Sonata No. 1 in C minor, Op. posth. 4 Chopin composed this piano sonata in 1828, when he was still studying with Józef Elsner, to whom the sonata was dedicated. Despite having a low opus number, this work was published posthumously in 1851 by Tobias Haslinger's son. This work is among the least recorded of all of Chopin's works, and is not considered a part of the standard piano repertoire. Movements This sonata has four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzos (Chopin)
Frédéric Chopin's four scherzos (or scherzi) are single-movement pieces for solo piano, composed between 1833 and 1843. They are often linked to Chopin's four ballades, composed in roughly the same period; these works are examples of large scale autonomous musical pieces, composed within the classical framework, but surpassing previous expressive and technical limitations. Unlike the classical model, the musical form adopted by Chopin is not characterised by humour or elements of surprise, but by highly charged "gestures of despair and demonic energy". Commenting on the first scherzo, Robert Schumann wrote: "How is 'gravity' to clothe itself if 'jest' goes about in dark veils?" Niecks, Frederick (2009). ''Frédéric Chopin as a Man and Musician''. Echo Library. p. 494. (originally published in 1888). Retrieved 30 August 2010. Overview Starting in the early 1830s, after his departure from Poland, Chopin's musical style changed significantly, entering a mature period with co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes (Chopin)
Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C minor, Op. 45; a piece in A major from 1834; and an unfinished piece in E minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. 24 Preludes, Op. 28 Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Mallorca, where he spent the winter of 1838–39 and where he had fled with George Sand and her children to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's ''The Well-Tempered Clavier'', and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. The manuscript, which Chopin carefully prepare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaises (Chopin)
Most of Frédéric Chopin's polonaises were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the '' Polonaise-Fantaisie'' of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A, Op. 53. There is also the ''Andante spianato et grande polonaise brillante'' in E, Op. 22, for piano and orchestra, which also exists in a solo piano version; and the '' Introduction and Polonaise brillante'' in C major, Op. 3, for cello and piano. Polonaises for solo piano Chopin wrote at least 23 polonaises for piano solo. Of these: * 7, including the '' Polonaise-Fantaisie'', were published in his lifetime * 3 were published posthumously with opus numbers * 6 were published posthumously without opus numbers * at least 7 are lost. List of polonaises by Chopin These are for solo piano unless otherwise indicated. See also * List of compositions by Frédéri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Chopin)
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field. Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Number 21 was not originally entitled "nocturne" at all, but since its publication in 1938 as such, it is generally included with publications and recordings of the set. Influences By the time of Chopin's birth in 1810, John Field was already an accomplished composer. Eventually, the young Chopin became a great admirer of Field, taking some influence from the Irish composer's play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
