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Poem Of Almería
The ''Poem of Almería'' ( es, Poema de Almería) is a medieval Latin epic poem in 385 leonine hexameters. It was appended to the end of the '' Chronica Adefonsi imperatoris'', an account of the reign of Alfonso VII of León and Castile, and narrates the victorious military campaign of 1147 that culminated in the conquest of the port of Almería. The poem, as it survives, is unfinished, abruptly ending mid-line before recounting the actual siege of Almería itself. Of its surviving lines, 293 consist of "''dénombrement épique'', a stirring roll-call of the chief members and contingents of the army".Barton 2006, 458–59. The ''Poem'' has aroused interest among scholars and critics for the light it may shed on the origins and development of vernacular epic (the ''cantares de gesta'') and on the nature of Iberian aristocratic and military customs. It has been described as "a relict of incomparable interest for the cultural archaeology of the twelfth century" and "a splendid ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin
Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Church, and as the working language of science, literature, law, and administration. Medieval Latin represented a continuation of Classical Latin and Late Latin, with enhancements for new concepts as well as for the increasing integration of Christianity. Despite some meaningful differences from Classical Latin, Medieval writers did not regard it as a fundamentally different language. There is no real consensus on the exact boundary where Late Latin ends and Medieval Latin begins. Some scholarly surveys begin with the rise of early Ecclesiastical Latin in the middle of the 4th century, others around 500, and still others with the replacement of written Late Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poem
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonine Verse
Leonine verse is a type of versification based on internal rhyme, and commonly used in Latin verse of the European Middle Ages. The invention of such conscious rhymes, foreign to Classical Latin poetry, is traditionally attributed to a probably apocryphal monk Leonius, who is supposed to be the author of a history of the Old Testament (''Historia Sacra'') preserved in the Bibliothèque Nationale of Paris. This "history" is composed in Latin verses which rhyme in the center. It is possible that this Leonius is the same person as Leoninus, a Benedictine musician of the twelfth century, in which case he would not have been the original inventor of the form. It is sometimes referred to disparagingly as "jangling verse" by classical purists, for example 19th century antiquaries, who consider it absurd and coarse and a corruption of and offensive to the high ideals of classical literature. In English, the rhyme may be between a word within the line (often before a caesura) and the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexameter
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, or major accent, of words in an English line of poetry; in Greek and Latin a "foot" is not an accent, but describes various combinations of syllables). It was the standard epic metre in classical Greek and Latin literature, such as in the ''Iliad'', ''Odyssey'' and ''Aeneid''. Its use in other genres of composition include Horace's satires, Ovid's ''Metamorphoses,'' and the Hymns of Orpheus. According to Greek mythology, hexameter was invented by Phemonoe, daughter of Apollo and the first Pythia of Delphi.Pliny the Elder, 7.57 __TOC__ Classical Hexameter In classical hexameter, the six feet follow these rules: * A foot can be made up of two long syllables (– –), a spondee; or a long and two short syllables, a dactyl (– υ υ). * The first four feet can contain either one of them. * The fifth is almost always a dactyl, and last must be a spondee. A short syllable (υ) is a syllabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso VII Of León And Castile
Alfonso VII (1 March 110521 August 1157), called the Emperor (''el Emperador''), became the King of Galicia in 1111 and King of León and Castile in 1126. Alfonso, born Alfonso Raimúndez, first used the title Emperor of All Spain, alongside his mother Urraca, once she vested him with the direct rule of Toledo in 1116. Alfonso later held another investiture in 1135 in a grand ceremony reasserting his claims to the imperial title. He was the son of Urraca of León and Raymond of Burgundy, the first of the House of Ivrea to rule in the Iberian peninsula. Alfonso was a dignified and somewhat enigmatic figure. His rule was characterised by the renewed supremacy of the western kingdoms of Christian Iberia over the eastern (Navarre and Aragón) after the reign of Alfonso the Battler. Though he sought to make the imperial title meaningful in practice to both Christian and Muslim populations, his hegemonic intentions never saw fruition. During his tenure, Portugal became ''de facto'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Almería (1147)
The siege of Almería by the Kingdom of León and Castile and its allies lasted from July until October 1147. The siege was successful and the Almoravid garrison surrendered. The besieging force was under the overall command of King Alfonso VII. He was supported by forces from Navarre under their king, Catalonia under the count of Barcelona and Genoa, which provided most of the naval force. The city of Almería, known in Arabic as ''al-Mariyya'', reached its zenith under the Almoravids in the latter half of the eleventh century and the first half of the twelfth. This period of commercial and cultural richness was cut short by the conquest of 1147. Large sections of the city were physically destroyed and most prominent residents emigrated to North Africa. Sources There are two major Latin narrative sources of the campaign of Almería: Caffaro di Rustico's ''De captione Almerie et Tortuose'' from the Genoese perspective and the anonymous '' Chronica Adefonsi imperatoris'' from the Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almería
Almería (, , ) is a city and municipality of Spain, located in Andalusia. It is the capital of the province of the same name. It lies on southeastern Iberia on the Mediterranean Sea. Caliph Abd al-Rahman III founded the city in 955. The city grew wealthy during the Islamic era, becoming a world city throughout the 11th and 12th centuries. It enjoyed an active port that traded silk, oil and raisins. Etymology The name "Almería" comes from the city's former Arabic name, ''Madīnat al-Mariyya'', meaning "city of the watchtower". As the settlement was originally port or coastal suburb of Pechina, it was initially known as ''Mariyyat al-Bajjāna'' (''Bajjāna'' being the Arabic name for Pechina). History The origin of Almería is connected to the 9th-century establishment of the so-called Republic of Pechina (Bajjana) some kilometres to the north, which was for a time autonomous from the Cordobese central authority: the settlement of current-day Almería initially developed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantares De Gesta
A ''cantar de gesta'' is the Spanish equivalent of the Old French medieval ''chanson de geste'' or "songs of heroic deeds". The most important ''cantares de gesta'' of Castile were: * The '' Cantar de Mio Cid'', where the triumph of the true nobility, founded on effort, merit and optimism is narrated, as opposed to the blood nobility that the fictitious characters Infantes of Carrión represent. * The '' Poema de Fernán González'', which presents a mix of history and legend concerning the first Count of Castile, Fernán González. * The '' Cantar de los Siete Infantes de Lara'', where a right revenge long delayed is narrated. * The '' Cantar de Bernardo del Carpio'', that narrates the tragic history of a bastard of noble origin attempting to procure the release from prison of his father, Count of Saldaña, jailed for having secretly married the King's sister; in his efforts to rehabilitate the family honor, he is unfairly treated by his king Alfonso the Chaste. * The ''Mocedade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallelism (rhetoric)
Parallelism is a rhetorical device that compounds words or phrases that have equivalent meanings so as to create a definite pattern. This structure is particularly effective when "specifying or enumerating pairs or series of like things".Corbett and Connors, 1999. p. 46 A scheme of balance, parallelism represents "one of the basic principles of grammar and rhetoric".Corbett and Connors, 1999. p. 45 Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional. An entire issue of the journal ''Oral Tradition'' has been devoted to articles on parallelism in languages from all over. It is very often found in Biblical poetry and in proverbs in general. Examples The following sentences and verses possess "similarity in structure" in words and phrases: In the quote above, the compounded adjectives serve as parallel elements and support the noun "law". In the abov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Bible
The Hebrew Bible or Tanakh (;"Tanach" ''Random House Webster's Unabridged Dictionary''. Hebrew: ''Tānāḵh''), also known in Hebrew as Miqra (; Hebrew: ''Mīqrā''), is the Biblical canon, canonical collection of Hebrew language, Hebrew scriptures, including the Torah, the Nevi'im, and the Ketuvim. Different branches of Judaism and Samaritanism have maintained different versions of the canon, including the 3rd-century Septuagint text used by Second-Temple Judaism, the Syriac language Peshitta, the Samaritan Torah, the Dead Sea Scrolls, and most recently the 10th century medieval Masoretic Text, Masoretic text created by the Masoretes currently used in modern Rabbinic Judaism. The terms "Hebrew Bible" or "Hebrew Canon" are frequently confused with the Masoretic text, however, this is a medieval version and one of several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Latin
Classical Latin is the form of Literary Latin recognized as a literary standard by writers of the late Roman Republic and early Roman Empire. It was used from 75 BC to the 3rd century AD, when it developed into Late Latin. In some later periods, it was regarded as good or proper Latin, with following versions viewed as debased, degenerate, or corrupted. The word ''Latin'' is now understood by default to mean "Classical Latin"; for example, modern Latin textbooks almost exclusively teach Classical Latin. Cicero and his contemporaries of the late republic referred to the Latin language, in contrast to other languages such as Greek, as or . They distinguished the common vernacular, however, as Vulgar Latin (''sermo vulgaris'' and ''sermo vulgi''), in contrast to the higher register that they called , sometimes translated as "Latinity". ''Latinitas'' was also called ("speech of the good families"), ''sermo urbanus'' ("speech of the city"), and in rare cases ''sermo nobilis'' ("nob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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