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Pocket Rockers
Pocket Rockers was a brand of personal stereo produced by Fisher-Price in the late 1980s, aimed at elementary school-age children. They played a proprietary variety of miniature cassette (appearing to be a smaller version of the 8-track tape) which was released only by Fisher-Price themselves. Designed to be as much of a fashion accessory as a music player, the devices were enough of a youth craze to even be banned in some schools for a brief period. Housed in a variety of stylish, translucent colors, each tape had two songs in mono which could be clipped to clothing to showcase one’s musical taste. Tapes were available from several pop stars, including Michael Jackson, Whitney Houston, Tiffany, or Debbie Gibson and even rock stars like Bon Jovi or The Bangles. The commercials featured an original theme song which was a parody of "Down on the Corner” by Creedence Clearwater Revival. In addition to standard blue on black and pink on black color schemes, 3 variations of Pocket ...
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Pocket Rocker
A pocket is a bag- or envelope-like receptacle either fastened to or inserted in an article of clothing to hold small items. Pockets are also attached to luggage, backpacks, and similar items. In older usage, a pocket was a separate small bag or pouch. Origins Ancient people used leather or cloth pouches to hold valuables. Ötzi (also called the "Iceman"), who lived around 3,300 BCE, had a belt with a pouch sewn to it that contained a cache of useful items: a scraper, drill, flint flake, bone awl, and a dried tinder fungus. In European clothing, fitchets, resembling modern day pockets, appeared in the 13th century. Vertical slits were cut in the super tunic, which did not have any side openings, to allow access to purse or keys slung from the girdle of the tunic. According to historian Rebecca Unsworth, it was in the late 15th century that pockets became more noticeable. During the 16th century, pockets increased in popularity and prevalence. In slightly later European cloth ...
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Inch Per Second
The inch per second is a unit of speed or velocity. It expresses the distance in inches (''in'') traveled or displaced, divided by time in seconds (''s'', or ''sec''). The equivalent SI unit is the metre per second. Abbreviations include in/s, in/sec, ips, and less frequently in s−1. Conversions 1 inch per second is equivalent to: : = 0.0254  metres per second (exactly) : =  or 0.08  feet per second (exactly) : =  or 0.056  miles per hour (exactly) : = 0.09144  km·h−1 (exactly) 1 metre per second ≈ 39.370079 inches per second (approximately) 1 foot per second = 12 inches per second (exactly) 1 mile per hour = 17.6 inches per second (exactly) 1 kilometre per hour ≈ 10.936133 inches per second (approximately) Uses In magnetic tape sound recording, magnetic tape speed is often quoted in inches per second (abbreviated "ips"). ...
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(You Gotta) Fight For Your Right (To Party!)
"(You Gotta) Fight for Your Right (To Party!)" (shortened to "Fight for Your Right" on album releases) is a song by American hip hop group the Beastie Boys, released as the fourth single released from their debut album ''Licensed to Ill'' (1986). One of their best-known songs, it reached No. 7 on the ''Billboard'' Hot 100 in the week of March 7, 1987, and was later named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. The song was also included on their compilation albums '' The Sounds of Science'' in 1999, ''Solid Gold Hits'' in 2005 and ''Beastie Boys Music'' in 2020. History The song, written by Adam Yauch and band friend Tom "Tommy Triphammer" Cushman (who appears in the video), was intended as an ironic parody of "party" and "attitude"-themed songs, such as " Smokin' in the Boys Room" and "I Wanna Rock". However, the irony was lost on most listeners. Mike D commented that, "The only thing that upsets me is that we might have reinforced certain va ...
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Beastie Boys
Beastie Boys were an American rap rock group from New York City, formed in 1978. The group was composed of Mike D, Michael "Mike D" Diamond (vocals, drums), Adam Yauch, Adam "MCA" Yauch (vocals, bass), and Ad-Rock, Adam "Ad-Rock" Horovitz (vocals, guitar, Programming (music), programming). Beastie Boys were formed out of members of experimental hardcore punk band the Young Aborigines in 1978, with Diamond as vocalist, Jeremy Shatan on bass guitar, John Berry (Beastie Boys), John Berry on guitar, and Kate Schellenbach on drums. When Shatan left in 1981, Yauch replaced him on bass and the band changed their name to Beastie Boys. Berry left shortly thereafter and was replaced by Horovitz. After achieving local success with the 1983 comedy hip hop single "Cooky Puss", Beastie Boys made a full transition to hip hop, and Schellenbach left. They toured with Madonna (entertainer), Madonna in 1985 and a year later released their debut album, ''Licensed to Ill'' (1986), the first rap reco ...
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Surfin' U
"Surfin'" is a song by American rock band the Beach Boys that was written by Brian Wilson and Mike Love. It was released as the debut record by the Beach Boys (with "Luau" on the B-side) in November 1961 on Candix Records and was included on the October 1962 album '' Surfin' Safari''. The single effectively began the Beach Boys' music career, establishing them at the vanguard of what was later dubbed the " California sound". It peaked at number 75 in the U.S. and was never released in the UK. The Beach Boys later re-recorded the song for their 1992 album '' Summer in Paradise''. Love re-recorded it for his 2019 solo album '' 12 Sides of Summer''. Background and authorship In his book ''Becoming the Beach Boys'' (2015), James Murphy prefaces the chapter concerned with "Surfin" to warn the reader that accounts of the events surrounding the conception, making, and release of the song are "addled with errors and incongruities" and have "frustrated music historians and writers for ...
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Surfin' Safari (song)
"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with " 409" in June 1962, it peaked at number 14 on the ''Billboard'' Hot 100. The song also appeared on the 1962 album of the same name. Recording The Beach Boys first recorded the song at World Pacific Studios on February 8, 1962 in what was the band's second ever recording session. However, the recordings from that session, engineered by Hite Morgan, would ultimately remain unreleased until the late Sixties. The only difference instrumentally on this early version as opposed to the officially released version was the presence of Al Jardine on guitar instead of David Marks. The instrumental track as well as the vocals for the officially released version were recorded at Western Recorders on April 19, 1962. The session, produced by Brian, featured David Marks and Carl Wilson on guitar; Brian Wilson on bass guitar and Dennis Wilson on drums. The song feat ...
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The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ...
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Manic Monday
"Manic Monday" is a song written by American musician Prince, but is better known from the version recorded by the American pop rock band the Bangles, which was the first single released from their second studio album, ''Different Light'' (1986). Prince used the pseudonym "Christopher" for the song's writing credits and originally it was intended for the group Apollonia 6 in 1984. Lyrically, it describes a woman who is waking up to go to work on Monday, wishing it was still Sunday so that she could continue relaxing. The single, released by Columbia Records on Monday, January 27, 1986, received generally positive reviews from music critics, with comparisons being made to the Mamas & the Papas' "Monday, Monday". It became the Bangles' first hit, reaching No. 2 in the United States and the United Kingdom. It also reached No. 2 in Austria, Canada, Germany, and Ireland, and peaked within the Top 5 in Australia, New Zealand, Norway, and Switzerland. It was later certified silver in ...
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Walk Like An Egyptian
"Walk Like an Egyptian" is a song recorded by the American band the Bangles. It was released in 1986 as the third single from the album ''Different Light''. It was the band's first number one single, being certified gold by the RIAA, and became ''Billboard'''s number-one song of 1987. Composition Liam Sternberg said he was inspired to create the song while on a ferry crossing the English Channel. When the vessel hit choppy water, passengers stepped carefully and moved their arms awkwardly while struggling to maintain their balance, and that reminded Sternberg of the depiction of human figures in ancient Egyptian tomb paintings. He wrote the words "Walk like an Egyptian" in a notebook. Later, Sternberg looked back in the notebook, and composing the melody with a guitar, he put together an up-tempo song with lyrics about Egyptian hieroglyphs, the Nile River, crocodiles, desert sand, bazaars and hookah pipes and then segued into modern scenes of blond waitresses, school kids and p ...
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I Heard A Rumour
"I Heard a Rumour" is a song by English girl group Bananarama from their fourth studio album, ''Wow!'' (1987). It was released on 29th June 1987, as the album's lead single. It was also featured in the 1987 comedy film ''Disorderlies'' and is included on its soundtrack. "I Heard a Rumour" peaked at number 14 on the UK Singles Chart,. It was one of Bananarama's highest-charting singles in the United States – it reached number four on the ''Billboard'' Hot 100 and became their third and final top ten hit. It was also their last top 40 hit on that chart. It was also successful in nightclubs, reaching number three on the '' Billboard'' Dance Club Songs. The track bears notable similarities in part to Michael Fortunati's "Give Me Up", which was released in early 1986. However, producer Mike Stock denied the track was based excessively on that record, insisting "I Heard A Rumour" was simply broadly inspired by Europop trends at the time. "We didn't do sampling... There's no si ...
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Bananarama
Bananarama are an English pop duo from London, formed as a trio in 1980 by friends Sara Dallin, Siobhan Fahey and Keren Woodward. Fahey left the group in 1988 and was replaced by Jacquie O'Sullivan until 1991, when the trio became a duo. Their success on both pop and dance charts saw them listed in the ''Guinness World Records'' for achieving the world's highest number of chart entries by an all-female group. Between 1982 and 2009, they had 30 singles reach the Top 50 of the UK Singles Chart. The group's UK top-10 hits include " It Ain't What You Do..." (1982), "Really Saying Something" (1982), "Shy Boy" (1982), " Na Na Hey Hey Kiss Him Goodbye" (1983), " Cruel Summer" (1983), " Robert De Niro's Waiting..." (1984), " Love in the First Degree" (1987), "I Want You Back" in 1988 and charity track "Help!" in 1989. In 1986, they had a U.S. number one with another of their UK top-10 hits, a cover of "Venus". In total, they had 11 singles reach the US ''Billboard'' Hot 100 (1983 ...
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Tape Transport
A tape transport is the collection of parts of a magnetic tape player or recorder that move the tape and play or record it. Transport parts include the head, capstan, pinch roller, tape pins, and tape guide. The tape transport as a whole is called the ''transport mechanism''. Tape head {{main, Tape head The tape head is the part of a tape recording or playback device which converts the magnetic fluctuations present in the tape into an electrical signal, which is then amplified and sent to speakers or headphones. The tape head is set off-center in a multitrack device in order to record or play one or more tracks running in each direction of the tape (e.g. the two different tracks present on most, if not all, compact cassettes). Capstan The capstan is a rotating spindle used to move recording tape through the mechanism of a tape recorder. The tape is threaded between the capstan and one or more rubber-covered wheels, called pinch rollers, which press against the capstan, thus prov ...
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