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Plus-Minus (Stockhausen)
''Plus-Minus'', 2 × 7 pages for realisation, is a composition for one or several performers by Karlheinz Stockhausen, first written in 1963 and redrafted in 1974. It is Nr. 14 in the composer's catalogue of works, and has a variable performing length that depends on the version worked out from the given materials. The score is dedicated to Mary Bauermeister. History ''Plus-Minus'' is a " polyvalent process composition", designed as a project for the composition students attending the first Cologne Courses for New Music, held at the in October to December 1963. In it, various compositional premises of Stockhausen's are presented in such a way as to enable the most radically different concrete results. ''Plus-Minus'' was composed in September 1963 while Stockhausen was in Siculiana, preparing for what proved to be an aborted performance of ''Momente'' at the Palermo Festival: The piece represents an extreme instance of the new, open type of composition Stockhausen was develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riserva Torre Salsa Siculiana
Reserve wine is wine of a higher quality than usual, a wine that has been aged before sale, or both. Traditionally, winemakers would reserve some of their best wine rather than sell it immediately, coining the term. In some countries the use of the term "reserve", "''reserva''" or "''riserva''" is regulated, but in many places it is not. According to Italian wine laws, ''riserva'' indicates additional aging. Sometimes, reserve wine originates from the best vineyards, or the best barrels. Reserve wines may be made in a style suited to longer aging periods. In regions where the use is not regulated, the presence of the term "reserve" on a wine label may be a marketing strategy, without specific criteria. In Kendall-Jackson Chardonnay, every bottle produced is "Vintner's Reserve", and to indicate a traditional reserve wine, Kendall-Jackson uses the term "Grand Reserve". Like the term " old vines", "reserve" traditionally indicates a wine that is special, or at least different in flav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aus Den Sieben Tagen
''Aus den sieben Tagen'' (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is Work Number 26 in the composer's catalog of works. History The seven days of the title were 7–13 May 1968. Although this coincided with the beginning of the May 1968 protests and general strike in Paris, Stockhausen does not appear to have been aware of them at the time. These texts were written at Stockhausen's home in Kürten during the first five of those days, at night or late in the evening. During daylight hours, including the remaining two days, Stockhausen wrote "many poems," as well as reading Satprem's book on Sri Aurobindo, and experienced "many extraordinary things". Some of the poems appear in Stockhausen's third volume of ''Texte zur Musik''. The first of the pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Fox (composer)
Christopher Fox (born 10 March 1955) is an English composer and writer on music. Biography He studied at the universities of Liverpool, Southampton and York, where his teachers included Hugh Wood and Jonathan Harvey. He received a PhD in composition from the University of York in 1984. From 1984 to 1994 he was a member of the composition staff at the Darmstadt New Music Summer School. He is currently Professor in Music at Brunel University, a post he took up in 2006. His music is widely performed, broadcast and recorded. He is also a prolific writer on music. In addition to concert works, Fox has collaborated with artists on gallery works, and with the poet Ian Duhig on a "musical box". An important aspect of Fox's music is its stylistic breadth—whilst his principal considerations may seem to be with systems music and adopting a systematic approach, his music also serves a political function, is deeply rooted in the post-war Darmstadt traditions of applying psychological ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kreuzspiel
(Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in 1951 (it was later revised for just three percussionists, along with other changes). It is assigned the number 1/7 in the composer's catalogue of works. History Stockhausen regarded ''Kreuzspiel'' as his first original composition, as opposed to the style-imitation exercises he did as part of his music studies. According to the composer, it was influenced by Olivier Messiaen's " Mode de valeurs et d'intensités" (1949) and Karel Goeyvaerts's Sonata for Two Pianos (1950), and is one of the earliest examples of "point" music. ''Kreuzspiel'' was premièred at the Darmstädter Ferienkurse in the summer of 1952, conducted by the composer. According to Stockhausen, the performance "ended in a scandal". Analysis ''Kreuzspiel'' has been analysed in print more often than any other work by Stockhausen, though all but one restrict themselves to just the first of its thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. These refrains are notated on a rotatable transparent plastic strip, superimposed on curved sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Brown
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. Among his most famous works are ''December 1952'', an entirely graphic score, and the open form pieces ''Available Forms I & II'', ''Centering'', and ''Cross Sections and Color Fields''. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Life Brown was born in Lunenburg, Massachusetts, and first devoted himself to playing jazz. He initially considered a career in engineering, and enrolled for engineering and mathematics at Northeastern University (1944–45). He enlisted in the U.S. Air Force in 1945. However, the war ended while he was still in basic training, and he was assigned to the base band at Randolph Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvano Bussotti
Sylvano Bussotti (1 October 1931 – 19 September 2021) was an Italian composer of contemporary classical music, also a painter, set and costume designer, opera director and manager, writer and academic teacher. His compositions employ graphic notation, which has often created special problems of interpretation. He was known as a composer for the stage. His first opera was ''La Passion selon Sade'', premiered in Palermo in 1965. Later operas and ballets were premiered at the Teatro Comunale di Firenze, Teatro Lirico di Milano, Teatro Regio di Torino and Piccola Scala di Milano, among others. He was artistic director of La Fenice in Venice, the Puccini Festival and the music section of the Venice Biennale. He taught internationally, for a decade at the Fiesole School of Music. He is regarded as a leading composer of Italy's avantgarde, and a Renaissance man with many talents who combined the arts expressively. Life and career Born in Florence, Bussotti learned to play the viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Behrman
David Behrman (born August 16, 1937) is an American composer and a pioneer of computer music. In the early 1960s he was the producer of Columbia Records' ''Music of Our Time'' series, which included the first recording of Terry Riley's ''In C''.David Behrman: Foundation for Contemporary Arts. Biography. In 1966 Behrman co-founded with fellow composers , and |
Jackson Mac Low
Jackson Mac Low (1922–2004) was an American poet, performance artist, composer and playwright, known to most readers of poetry as a practioneer of systematic chance operations and other non-intentional compositional methods in his work, which Mac Low first experienced in the musical work of John Cage, Earle Brown, and Christian Wolff. He was married to the artist Iris Lezak from 1962 to 1978, and to the poet Anne Tardos from 1990 until his death. An early affiliate of Fluxus (he co-published ''An Anthology of Chance Operations'') and stylistic progenitor of the Language poets, Mac Low cultivated ties with an eclectic array of notable figures in the postwar American avant-garde, including Nam June Paik, Kathy Acker, Allen Ginsberg, and Arthur Russell. His work has been published in more than 90 anthologies and periodicals and read publicly, exhibited, performed, and broadcast in North and South America, Europe, Japan, Australia, and New Zealand. He read, performed, and lec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Goldstein
Malcolm Goldstein (born March 27, 1936 in Brooklyn, New York (state), New York) is an Americans, American-Canadians, Canadian composer, violinist and improviser who has been active in the presentation of new music and dance since the early 1960s. He received an M.A. in music composition from Columbia University in 1960, having studied with Otto Luening. In the 1960s in New York City, he was a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble and was a participant in the Judson Dance Theater, the New York Festival of the Avant-Garde and the Experimental Intermedia Foundation. Since then, he has toured extensively throughout North America and Europe, with solo concerts as well as with new music and dance ensembles. Since the mid-1960s he has integrated structured improvisation aspects into his compositions, exploring the rich sound textures of new performance techniques within a variety of instrumental and vocal frameworks. Numerous ensembles such as Essentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Corner
Philip Lionel Corner (born April 10, 1933; name sometimes given as Phil Corner) is an American composer, trombonist, alphornist, vocalist, pianist, music theorist, music educator, and visual artist. Biography After The High School of Music & Art in New York City, Philip Corner received his BA (1955) at CCNY, where his most important teacher was Fritz Jahoda; and an MA (1959) from Columbia University where his composition teachers were Otto Luening and Henry Cowell, The two years in between (1955–57) were spent in Paris at the Conservatoire Nat'l de Musique, following the class "Philosophie Musicale" of Olivier Messiaen. Equally important was his friendship with the Canadian painter Paul-Emile Borduas, who introduced him to "la grande aventure nord-américaine", to which he returned and became part of the group around John Cage. At the same time he resumed his studies of the piano with Dorothy Taubman, which was to have a significant role in his compositional as well as perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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