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Pleasure One
''Pleasure One'' is the fourth studio album by the English new wave and synth-pop band Heaven 17, released on 17 November 1986 by Virgin Records. It was the band's last studio album chart entry within the UK Top 100. Background Speaking of the album, Martyn Ware told Simon Mayo in 1986: "I realised that while it was taking me two days to programme a machine to play a few bars, a good musician could do it in 30 minutes and probably with more feeling. The public won't stand for intellectual twaddle any more. They want instant satisfaction. I think we have come up with a very good intelligent pop LP." Critical reception Upon its release, ''Music & Media'' picked ''Pleasure One'' as one of their "Albums of the Week" and wrote: "The overall style of the album is one that will set the feet moving to the fast R&B sounds and recommended tracks include "Contenders", "Trouble" and "Look at Me"." Paul Russell of the '' Sunday Independent'' wrote: "Yet another unmemorable LP from Hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Mayo
Simon Andrew Hicks Mayo (born 21 September 1958) is an English radio presenter and author who worked for BBC Radio from 1982 until 2022. Mayo has presented across three BBC stations for extended periods. From 1986 to 2001 he worked for Radio 1, including a five-year stint on the Radio 1 Breakfast Show. From 2001 he presented on BBC Radio 5 Live: from his debut until 2009 on a daily afternoon programme, and since then until 2022 with ''Kermode and Mayo's Film Review'' on Fridays. Between January 2010 to December 2018 he was the presenter of ''Simon Mayo Drivetime'' on BBC Radio 2, for the final six months with co-host Jo Whiley. Since March 2021, Simon Mayo Drivetime has returned on Greatest Hits Radio. In 2008, Mayo was recognised as the "Radio Broadcaster of the Year" at the 34th annual Broadcasting Press Guild Awards, and the "Speech Broadcaster of the Year" at the Sony Radio Academy Awards, receiving the latter for his "ability to paint colourful pictures of location and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McGeoch
John Alexander McGeoch (25 August 1955 – 4 March 2004) was a Scottish musician and songwriter. He is best known as the guitarist of the rock bands Magazine (1977-1980) and Siouxsie and the Banshees (1980-1982). He has been described as one of the most influential guitarists of his generation. In 1996 he was listed by ''Mojo'' in their "100 Greatest Guitarists of All Time" for his work on the Siouxsie and the Banshees song " Spellbound". Signature characteristics of his playing style included inventive arpeggios, string harmonics, the uses of flanger and an occasional disregard for conventional scales. He was also a member of the bands Visage (1979-1980), the Armoury Show (1983-1986) and Public Image Ltd (1986-1992). McGeoch has been cited as an influence by guitarists including Johnny Marr, Jonny Greenwood, Ed O'Brien, the Edge, John Frusciante, Steve Albini, Duane Denison, and Dave Navarro. Early life McGeoch was born on 25 August 1955 in Greenock, Renfrewshire, Sco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu SP-12
E-mu SP-12 12 also known as the “sampling drum computer” was designed in 1985 and widely released in 1986 by E-mu Systems. Although the SP-12 was quickly superseded by the more powerful SP-1200, the SP-12 is often regarded as the first commercially successful drum machine and sampler combo. History The E-mu SP-12 was the spiritual successor to E-mu's Drumulator and was originally going to be produced under the name Drumulator II, however shortly before the sampler went into production its name was changed to SP-12. The name SP-12 stands for sampling percussion at twelve bits, demonstrating the power of the sampler. The E-mu SP-12 is credited with helping usher in the era of digital sampling by being one of the first digital samplers in production, which allowed musicians to take digital sampling in a completely different direction. Originally the sole purpose of digital sampling was to allow producers to implement a desired sound into a keyboard so it would be able to be repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until 2002. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002. Impetus E-mu Systems was founded in 1971 and began business as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing this technology gave E-mu ample funds to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system. In 1979, founders Scott Wedge and Dave Rossum saw the Fairlight CMI and the Linn LM-1 at a convention, inspiring them to de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Craig Marsh
Ian Craig Marsh (born 11 November 1956) is an English musician and composer. He was a founding member of the electronic band the Human League, writing and playing on their first two albums and several singles, until leaving in 1980 to form the British Electric Foundation and later Heaven 17. Musical career Marsh began in music at Sheffield's council-sponsored community theatre group Meatwhistle. There he met Mark Civico; they formed a performance art band called Musical Vomit, taking the name from a music paper's hostile review of the band Suicide.Blind Youth: The early work of the Human League Ex-rental.com, (archived) Musical Vomit specialised in |
Edmonton Journal
The ''Edmonton Journal'' is a daily newspaper in Edmonton, Alberta. It is part of the Postmedia Network. History The ''Journal'' was founded in 1903 by three local businessmen — John Macpherson, Arthur Moore and J.W. Cunningham — as a rival to Alberta's first newspaper, the 23-year-old ''Edmonton Bulletin''. Within a week, the ''Journal'' took over another newspaper, ''The Edmonton Post'', and established an editorial policy supporting the Conservative Party of Canada (historical), Conservative Party against the ''Bulletins stance for the Liberal Party of Canada, Liberal Party. In 1912, the ''Journal'' was sold to the William Southam, Southam family. It remained under Southam ownership until 1996, when it was acquired by Hollinger International. The ''Journal'' was subsequently sold to Canwest in 2000, and finally came under its current ownership, Postmedia Network Inc., in 2010. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Gregory
Glenn Peter Gregory (born 16 May 1958) is an English singer, songwriter and multi-instrumentalist whose music career spans more than 40 years. He came to prominence in the early 1980s as co-founder and lead singer of the new wave and synthpop band Heaven 17, which released several UK chart hits in the 1980s and 1990s, including "Temptation", "Let Me Go", " Come Live with Me", " Crushed by the Wheels of Industry", "Sunset Now", " This Is Mine", and " (We Don't Need This) Fascist Groove Thang" Early years Glenn Peter Gregory was born on 16 May 1958 in Sheffield, England. His father, Howard, was a steel worker. As a teenager, he wanted to be an actor, but he worked in London as a photographer. Music career In 1977, Gregory was part of the band 57 Men, formed by Jack Hues and Nick Feldman, who both later formed the band Wang Chung. Gregory knew the founding members of The Human League for many years. He had been singing and playing bass guitar in bands with Ian Craig Marsh since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Independent
The ''Irish Independent'' is an Irish daily newspaper and online publication which is owned by Independent News & Media (INM), a subsidiary of Mediahuis. The newspaper version often includes glossy magazines. Traditionally a broadsheet newspaper, it introduced an additional compact size in 2004. Further, in December 2012 (following billionaire Denis O'Brien's takeover) it was announced that the newspaper would become compact only. History Murphy and family (1905–1973) The ''Irish Independent'' was formed in 1905 as the direct successor to ''The Irish Daily Independent and Daily Nation'', an 1890s' pro-Parnellite newspaper. It was launched by William Martin Murphy, a controversial Irish nationalist businessman, staunch anti-Parnellite and fellow townsman of Parnell's most venomous opponent, Timothy Michael Healy from Bantry. The first issue of the ''Irish Independent'', published 2 January 1905, was marked as "Vol. 14. No. 1". During the 1913 Lockout of workers, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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