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Playwrights' Company
The Playwrights Company (1938–1960) was an American theatrical production company. History Maxwell Anderson, S. N. Behrman, Sidney Howard, Elmer Rice, Robert E. Sherwood and John F. Wharton established The Playwrights Company in 1938 (incorporated as The Playwrights Producing Company on July 1, 1938) to produce all works of the founding playwrights. Anderson had been frustrated with Broadway producers as well as drama critics, stating the goal of the company would be "to make a center for ourselves within the theatre and possibly rally the theatre as a whole to new levels by setting a high standard of writing and production". The founders had been unhappy with the policies of the Theatre Guild which had previously been their main producer. Initial backers included Governor Averell Harriman, publisher Dorothy Schiff, actor Raymond Massey and CBS President William Paley. Business Manager Victor Samrock, who served, in effect, as the company’s co-producer, was an initial sharehol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Huston
Walter Thomas Huston ( ;According to the Province of Ontario. ''Ontario, Canada Births, 1869–1911''. ancestry.com April 5, 1883 – April 7, 1950) was a Canadian actor and singer. Huston won the Academy Award for Best Supporting Actor for his role in '' The Treasure of the Sierra Madre'', directed by his son John Huston. He is the patriarch of the four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Kingsley
Sidney Kingsley (22 October 1906 – 20 March 1995) was an American dramatist. He received the Pulitzer Prize for Drama for his play '' Men in White'' in 1934. Life and career Kingsley was born Sidney Kirschner in New York. He studied at Cornell University, where he began his career writing plays for the college dramatic club. He joined the Group Theater for the production of his first major work. In 1933 the company performed his play '' Men in White''. Set in a hospital, the play dealt with the issue of illegal abortion, 1930s medical and surgical practices, and the struggle of one promising physician who must choose to dedicate his life to medicine or devote himself to his fiancée. The play was a box-office smash. Kingsley followed this success with the play ''Dead End'' in 1935, a story about slum housing and its connection to crime. The play was fairly successful, eventually spawning the film Dead End Kids. In 2022, ''Dead End'' was adapted as a musical and relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Eve Of St
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montgomery Clift
Edward Montgomery Clift (; October 17, 1920 – July 23, 1966) was an American actor. A four-time Academy Award nominee, he was known for his portrayal of "moody, sensitive young men", according to ''The New York Times''. He is best remembered for his roles in Howard Hawks's '' Red River'' (1948), George Stevens's '' A Place in the Sun'' (1951), Fred Zinnemann's ''From Here to Eternity'' (1953), Stanley Kramer's ''Judgment at Nuremberg'' (1961), and John Huston's '' The Misfits'' (1961). Along with Marlon Brando and James Dean, Clift was considered one of the original method actors in Hollywood (though Clift distanced himself from the term); he was one of the first actors to be invited to study in the Actors Studio with Lee Strasberg and Elia Kazan. He also executed a rare move by not signing a contract after arriving in Hollywood, only doing so after his first two films were a success. This was described as "a power differential that would go on to structure the star–studio r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynn Fontanne
Lynn Fontanne (; 6 December 1887 – 30 July 1983) was an English actress. After early success in supporting roles in the West End, she met the American actor Alfred Lunt, whom she married in 1922 and with whom she co-starred in Broadway and West End productions over the next four decades. They became known as "The Lunts", and were celebrated on both sides of the Atlantic. Fontanne was born in what is now the London suburb of Woodford, and received her first training as an actress from Ellen Terry. After building up an acting career in Britain she worked extensively in the US, first appearing in New York in 1910. Although she appeared in classics including ''The Taming of the Shrew'' and ''The Seagull'', experimental drama by Eugene O'Neill, and dark comedy by Friedrich Dürrenmatt, Fontanne and her husband were best known for their stylish performances in light comedies by Noël Coward, S. N. Behrman, Terence Rattigan and others, and romantic plays by writers such as Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Lunt
Alfred David Lunt (August 12, 1892 – August 3, 1977) was an American actor and director, best known for his long stage partnership with his wife, Lynn Fontanne, from the 1920s to 1960, co-starring in Broadway theatre, Broadway and West End theatre, West End productions. After their marriage, they nearly always appeared together. They became known as "the Lunts" and were celebrated on both sides of the Atlantic. Although they appeared in classics including ''The Taming of the Shrew'', ''The Seagull'' and ''Pygmalion (play), Pygmalion'', and dark comedy by Friedrich Dürrenmatt, The Lunts were best known for their stylish performances in light comedies by Noël Coward, S. N. Behrman, Terence Rattigan and others, and romantic plays by writers such as Robert E. Sherwood. Lunt directed some of the couple's productions, and staged plays for other managements. Though they rarely acted for the camera, The Lunts each received an Emmy Award and were nominated for an Academy Award. The Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There Shall Be No Night
''There Shall Be No Night'' is a three-act play written by American playwright Robert E. Sherwood. Production The play was presented by the Theatre Guild on Broadway at the Alvin Theatre (now renamed the Neil Simon Theater), from April 29 through November 2, 1940. (The play ran from April 29, 1940 – August 9, 1940, and again from September 9, 1940 – November 2, 1940.)"'There Shall Be No Night' Broadway" playbillvault.com, accessed November 30, 2015 Directed by , the cast starred Lunt (Dr. Kaarlo Valkonen), (Mir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uta Hagen
Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of ''Who's Afraid of Virginia Woolf?'' by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre. She later became a highly influential acting teacher at New York's HB Studio, Herbert Berghof Studio and authored best-selling acting texts, ''Respect for Acting'', with Haskel Frankel, and ''A Challenge for the Actor''. Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov. She was elected to the American Theater Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Muni
Paul Muni (born Frederich Meshilem Meier Weisenfreund; September 22, 1895– August 25, 1967) was an American stage and film actor who grew up in Chicago. Muni was a five-time Academy Award nominee, with one win. He started his acting career in the Yiddish theater. During the 1930s, he was considered one of the most prestigious actors at the Warner Bros. studio and was given the rare privilege of choosing which parts he wanted. His acting quality, usually playing a powerful character, such as the lead in '' Scarface'' (1932), was partly a result of his intense preparation for his parts, often immersing himself in the study of the real character's traits and mannerisms. He was also highly skilled in using makeup techniques, a talent he learned from his parents, who were also actors, and from his early years on stage with the Yiddish theater in Chicago. At the age of 12, he played the stage role of an 80-year-old man; in one of his films, ''Seven Faces,'' he played seven different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Largo (play)
''Key Largo'' was a 1939 Broadway theatre, Broadway play written in blank verse by Maxwell Anderson that became the basis for the Key Largo (film), 1948 film by the same name. The play ran for 105 performances in 1939 at the Ethel Barrymore Theatre from November 27, 1939 to February 24, 1940. It was produced by the Playwrights' Company and staged by Guthrie McClintic, with scenic design created by noted designer Jo Mielziner. This was actor James Gregory (actor), James Gregory's Broadway debut, playing the character "Jerry". on Internet Broadway Database The rights to the play were bought by producer Jerry Wald. Wald convinced maverick film director John Huston to turn this into the 1948 film ''Key Largo (film), Key Largo'' starring Humphrey Bogart, Edward G. Robinson, and Lauren Bacall. The film script was heavily changed from the play. John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Olivier
Laurence Kerr Olivier, Baron Olivier (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the Theatre of the United Kingdom, British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles. His family had no theatrical connections, but Olivier's father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End theatre, West End success in Noël Coward's ''Private Lives'', and he appeared in his first film. In 1935 he played in a celebrated production of ''Romeo and Juliet'' alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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