Playas Gon' Play
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Playas Gon' Play
"Playas Gon' Play" is the second and final single from American girl group 3LW's self-titled debut album (2000). The single was released in April 2001. Although the song was a favorite among fans, it peaked at only number 81 on the ''Billboard'' Hot 100. It performed moderately on the UK Singles Chart, where it peaked at number 21. In 2017, ''Billboard'' named the song number 89 on their list of "100 Greatest Girl Group Songs of All Time". The song featured lead vocals by Naturi Naughton. Music video The video was directed by Darren Grant on February 17, 2001. It received decent video play on TV channels such as BET and MTV and enjoyed some success on BET's ''106 & Park'' and MTV's ''TRL''. The video debuted on TRL on March 7, 2001, at number seven and stayed on the countdown for 11 days and peaked at number five. The video fell off the countdown on May 18, 2001. The video starts with the girls being dropped of at a tropical beach resort. Once they have been dropped off, they ...
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3LW (album)
''3LW'' is the debut studio album by American girl group 3LW. It was released through Epic Records on December 5, 2000. The album contains their hit singles "No More (Baby I'ma Do Right)" and "Playas Gon' Play". ''3LW'' peaked at number 29 on the US ''Billboard'' 200 and was certified Platinum by Recording Industry Association of America (RIAA). To date it has sold 1.3 million copies in the US. Background and production In April 1999, Kiely Williams, Adrienne Bailon and Naturi Naughton met each other at an audition. The following week later the trio went to a recording studio to record a 4-song demo tape. Eventually they caught the attention of Sony Music Entertainment chairman/CEO Tommy Mottola and after performing for him he signed them to his label. For nine months the girls recorded material for their debut album. Bailon discussed the developmental experience saying, "We've become like sisters. We sing, pray, and go to church as unit". She continued," We have bunk beds, and "th ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ...
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Epic Records Singles
Epic commonly refers to: * Epic poetry, a long narrative poem celebrating heroic deeds and events significant to a culture or nation * Epic film, a genre of film with heroic elements Epic or EPIC may also refer to: Arts, entertainment, and media Films * ''Epic'' (1984 film) * ''Epic'' (2013 film) Gaming * ''Epic'' (game), a series of wargames * ''Epic'' (video game), a 1992 video game * ''Epic: Battle for Moonhaven'', a 2013 video game by Gameloft based on the film ''Epic'' (2013) * '' Epic Card Game'', a 2015 strategy card game by White Wizard Games Literature * ''Epic'' (Kostick novel), a 2004 novel by Conor Kostick * '' Epic Illustrated'', a 1980s anthology series published by Marvel Comics Music Albums * ''Epic'' (Blood on the Dance Floor album), 2011 * ''Epic'' (Borknagar album), 2004 * ''Epic'' (R. Kelly album), 2010 * ''Epic'' (Sharon Van Etten album), 2010 * ''Epic'' (Tang Dynasty album), 1998 Songs * "Epic" (Faith No More song), 1990 * "Epic" (Sandro Silv ...
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3LW Songs
3LW (initialism of "3 Lil Women") was an American girl group formed in 1999 by Adrienne Bailon, Kiely Williams, and Naturi Naughton. Jessica Benson later replaced Naughton after she left the group in 2002. 3LW was signed to the label Epic Records, and later moved to So So Def. They are best known for their singles "No More (Baby I'ma Do Right)", "Playas Gon' Play" and "I Do (Wanna Get Close to You)". History 1999–2001: ''3LW'' In 1999, the group 3LW was formed by sisters Michelle & Tse Williams. Michelle's daughter & Tse's younger sister/niece Kiely Williams was the first member into the lineup and the group would soon be rounded out by Adrienne Bailon & Naturi Naughton, with both Michelle and Tse as head of the group's management. Their debut single, "No More (Baby I'ma Do Right)", was released in the fall of 2000. "No More (Baby I'ma Do Right)" was a chart success, and was followed by "Playas Gon' Play" in early 2001. The group's self-titled debut album, ''3LW'' was released ...
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2001 Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Shake It Off
"Shake It Off" is a song by American singer-songwriter Taylor Swift, taken from her fifth studio album, ''1989''. Swift wrote the lyrics and composed the melody with producers Max Martin and Shellback. An uptempo dance-pop song featuring a saxophone line in its production, it is about Swift's indifference to her detractors and their negative view of her image. The song was the lead single from ''1989'', which Swift marketed as her first pop album. It was released for digital download worldwide on August 19, 2014, by Big Machine Records. Contemporary critics found the song's dance-pop production catchy, but some believed the lyrics were weak. Retrospectively, critics have considered "Shake It Off" an effective opener for the ''1989'' era, which transformed Swift's sound and image from country to pop. The song featured on 2010's decade-end lists by '' NME'' and ''Consequence''. In the U.S., the single spent 50 weeks–including four weeks at number one–on the ''Billboard'' Hot 1 ...
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Taylor Swift
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Her discography spans multiple genres, and her vivid songwriting—often inspired by her personal life—has received critical praise and wide media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville at age 14 to become a country artist. She signed a songwriting deal with Sony/ATV Music Publishing in 2004 and a recording contract with Big Machine Records in 2005. Her 2006 self-titled debut album made her the first female country singer to write or co-write a U.S. platinum-certified album entirely. Swift's next albums, '' Fearless'' (2008) and '' Speak Now'' (2010), explored country pop. The former's " Love Story" and "You Belong with Me" were the first country songs to top the U.S. pop and all-genre airplay charts, respectively. She experimented with rock and electronic styles on ''Red'' (2012), which featured her first ''Billboard'' Hot 100 number-one song, "We Are Neve ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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