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Play On (musical)
''Play On!'' is a musical adaptation of Shakespeare's '' Twelfth Night'', featuring the music of Duke Ellington, with a book by Cheryl L. West. The musical resets the story in 1940s Harlem. Production history The original production, conceived by director Sheldon Epps, premiered in San Diego at the Old Globe Theatre in September 1996. After 19 previews, it opened on Broadway on March 20, 1997 at the Brooks Atkinson Theatre, where it ran for 61 performances. The cast included Tonya Pinkins, André De Shields, and Carl Anderson. An original cast recording was released on May 20, 1997 on Varèse Sarabande. A 1999 production of ''Play On!'' at the Pasadena Playhouse was recorded for the PBS series '' Great Performances''. The book, by playwright Cheryl L. West, departs from ''Twelfth Nights usual setting of Illyria, resetting the play's action and characters in 1940s Swing-era Harlem. Synopsis Vy comes to swinging 1940s Harlem to write songs for the Duke, Harlem's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illyria
In classical antiquity, Illyria (; grc, Ἰλλυρία, ''Illyría'' or , ''Illyrís''; la, Illyria, ''Illyricum'') was a region in the western part of the Balkan Peninsula inhabited by numerous tribes of people collectively known as the Illyrians. Illyrians spoke the Illyrian language, an Indo-European language, which in ancient times perhaps also had speakers in some parts of Southern Italy. The geographical term Illyris (distinct from ''Illyria'') was sometimes used to define approximately the area of northern and central Albania down to the Aoös valley (modern Vjosa), including in most periods much of the lakeland area. In Roman times the terms Illyria / Illyris / Illyricum were extended from the territory that was roughly located in the area of the south-eastern Adriatic coast (modern Albania and Montenegro) and its hinterland, to a broader region stretching between the Adriatic Sea and the Danube, and from the upper reaches of the Adriatic down to the Ardiaei. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Let A Song Go Out Of My Heart
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman (with Martha Tilton singing), Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938. Other recordings *Tony Bennett - for the album '' Tony Makes It Happen'' (1967). *June Christy - included in the album ''Mood Indigo: Capitol Sings Duke Ellington'' (1994). *Rosemary Clooney - for the album ''Blue Rose'' (1956) *Bing Crosby recorded the song in 1957 for use on his radio show and it was subsequently included in the album ''With All My Heart'' (2012). *Ella Fitzgerald - in the album ''Ella Fitzgerald Sings the Duke Ellington Song Book'' (1957) *Gogi Grant - for her album ''Suddenly There's Gogi Grant'' (1956). *Lena Horne - for her album '' Lena...Lovely and Alive'' (1962) *Irene Kra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Kenny (poet)
Nicholas Aloysius Kenny (February 3, 1895 in Astoria, New York - December 1, 1975 in Sarasota, Florida) was a syndicated newspaper columnist, a song lyricist and a poet who wrote light verse in the Edgar Guest tradition. Biography Born in Queens, Kenny attended high school for only three months before joining the Navy (1911–18), serving on the USS Arizona, followed by a tour of duty in the Merchant Marine (1918–20). He enlisted in the navy in April 1917 and was discharged in November 1918 as a Yeoman 2nd Class."U.S. Veterans Bureau Form 7202 Index Card", "United States Government, Veterans Administration Master Index, 1917-1940" database, National Archives and Records Administration, St. Louis, Missouri, available through FamilySearch. Enl was listed as "4/6/17", Dis was as "11/14/18". He continued his education with extensive reading in ships' libraries. He began writing poetry but did not sign his poems until one was published in Arthur Brisbane's column. While a sportswri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop Me Off In Harlem
"Drop Me Off in Harlem" is a 1933 song composed during the Harlem Renaissance composed by Duke Ellington, with lyrics written by Nick Kenny. A.H. Lawrence writes that the song originated from an off the cuff remark from Ellington. Nick Kenny had hailed a taxi, and offered to share it with Ellington. Kenny asked "Where to, Duke?", and Ellington replied "Drop me off at Harlem". Kenny then fashioned lyrics from Ellington's remark and presented him with them a few days later at the Cotton Club.Lawrence, A.H. ''Duke Ellington and His World'' (New York: Routledge, 2003), 189. Notable recordings *Duke Ellington and his Orchestra, February 17, 1933 *Ella Fitzgerald - ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1958) *Duke Ellington and Louis Armstrong on ''The Great Summit'' (1961, re released 2001) This recording appeared in the 1989 film ''Harlem Nights''. *Richie Kamuca - ''Drop Me Off at Harlem'' (1975) *Ran Blake - ''Duke Dreams'' (1981) *Sun Ra - ''Nuclear War'' (1982) * G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The A Train
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive speci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Singing
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malvolio
Malvolio is a fictional character in William Shakespeare's comedy ''Twelfth Night, or What You Will''. His name means "ill will" in Italian, referencing his disagreeable nature. He is the vain, pompous, authoritarian steward of Olivia's household. Style In the play, Malvolio is defined as "a kind of Puritan". He despises all manner of fun and games, and wishes his world to be completely free of human sin, yet he behaves very foolishly against his stoic nature when he believes that Olivia loves him. This leads to major conflicts with characters such as Sir Toby Belch, Sir Andrew Aguecheek, and Maria, mistress of the household. Much of the play's humour comes from Maria, Feste, Toby Belch, and Andrew Aguecheek tormenting Malvolio with drinking, joking, and singing. After Malvolio interrupts their party and chastises them for their lewdness, Maria devises a way to gain revenge on the steward, which she proposes to Sir Toby and the others. Maria composes a love letter in Olivia's h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton Club
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Black Past (retrieved September 9, 2014). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall,Iain Cameron Williams, Chapter 15, ''Underneath A Harlem Moon: The Harlem to Paris Years of Adelaide Hall'', Continuum, 2002. Ethel Waters, Cab Calloway, Bessie Smith, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery Choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Lena Horne, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivia (Twelfth Night Character)
Olivia is a fictional character from William Shakespeare's play '' Twelfth Night'', believed to have been written around 1600 or 1601. She is at the centre of the various plots, both the comedic and the romantic. She has various suitors. Background Olivia is a beautiful lady of noble birth who lives in Illyria. Before the play begins, she lost her brother, her guardian, after her father died. This loss has made her grief-stricken and she has refused to see anyone who does not reside in her household and declared that she will be in mourning for seven years (The element itself, till seven years' heat, Shall not behold her face at ample view). Because of her wealth and beauty, Olivia attracts various men ( Malvolio, Sir Andrew Aguecheek) who wish to marry her. The play begins with the Duke of Illyria, Orsino, pining away over his love for Olivia while she refuses to accept him as a suitor. Sir Andrew has been invited to her household by Sir Toby, and Andrew hopes to u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
