Plaquette
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Plaquette
A plaquette (, ''small plaque'') is a small low relief sculpture in bronze or other materials. These were popular in the Italian Renaissance and later. They may be commemorative, but especially in the Renaissance and Mannerist periods were often made for purely decorative purposes, with often crowded scenes from religious, historical or mythological sources. Only one side is decorated, giving the main point of distinction with the artistic medal, where both sides are normally decorated. Most are rectangular or circular, but other shapes are found, as in the example illustrated. Typical sizes range from about two inches up to about seven across a side, or as the diameter, with the smaller end or middle of that range more common. They "typically fit within the hand", as Oxford Art Online, Grove puts it. At the smaller end they overlap with medals, and at the larger they begin to be called plaques. The form began in the 1440s in Italy, but spread across Europe in the next century, ...
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Studiolo
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian '' ...
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Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or ...
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Casting
Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a ''casting'', which is ejected or broken out of the mold to complete the process. Casting materials are usually metals or various ''time setting'' materials that cure after mixing two or more components together; examples are epoxy, concrete, plaster and clay. Casting is most often used for making complex shapes that would be otherwise difficult or uneconomical to make by other methods. Heavy equipment like machine tool beds, ships' propellers, etc. can be cast easily in the required size, rather than fabricating by joining several small pieces. Casting is a 7,000-year-old process. The oldest surviving casting is a copper frog from 3200 BC. History Throughout history, metal casting has been used to make tools, weapons, and religious objects. Metal casting history and de ...
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Lost Wax
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predomin ...
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Leone Leoni, Trionfo Allegorico Di Giannettino Doria, 1541-42, V&a
Leone may refer to: Geography *Leone, American Samoa *Monte Leone, mountain in the ''Leone-Gruppe'' as part of Western Alps *Sierra Leone, independent nation in West Africa Leone as a given name * Leone Battista Alberti (1404–1472), Italian Renaissance humanist polymath * Leone Caetani (1869–1935), Italian politician * Leone de' Sommi (c. 1525–c. 1590), Italian writer * Leone N. Farrell (1904–1986), Canadian biochemist and microbiologist * Leone Ginzburg (1909–1944), Italian journalist * Leone Leoni (1509–1590), Italian Renaissance sculptor and medallist * Léone-Noëlle Meyer (born 1939), French businesswoman and philanthropist * Leone Minassian (1905–1978), Ottoman Empire-born Italian painter of Armenian descent * Leone Ross (b. 1969), British writer, editor, journalist and academic * Leone Sforza (1406–1440), Italian condottiero * Leone Strozzi (1515–1554), Italian condottiero Leone as a surname * Brad Leone (b. 1985), American chef and YouTube personalit ...
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Valerio Belli
Valerio Belli (c. 1468–1546), also known as Valerio Vicentino, was a celebrated medallist, gem engraver, goldsmith, who with Giovanni Bernardi, who was twenty years younger, was the leading specialist in intaglios engraved in rock crystal, a difficult luxury form which Belli pioneered. These were highly sought after by wealthy Italian collectors. Though described as being "engraved", the intaglios are cut by drills, sometimes quite deeply, and developed their style from classical coins and engraved gems, to give "smoothly and eloquently orchestrated figural compositions". Castings of many of the crystal carvings were taken in wax and them used to make metal plaquettes, which Belli also designed and made ''de novo''. He was described as a goldsmith, though no surviving works are known, and had some role at the Papal mint, though no coins are clearly attributable to him. Born in Vicenza, he was also active in Rome, his most important period, and Venice before returning to his n ...
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Engraved Gems
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be used. ...
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Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ...
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Regency Period
The Regency era of British history officially spanned the years 1811 to 1820, though the term is commonly applied to the longer period between and 1837. King George III succumbed to mental illness in late 1810 and, by the Regency Act 1811, his eldest son George, Prince of Wales, was appointed prince regent to discharge royal functions. When George III died in 1820, the Prince Regent succeeded him as George IV. In terms of periodisation, the longer timespan is roughly the final third of the Georgian era (1714–1837), encompassing the last 25 years or so of George III's reign, including the official Regency, and the complete reigns of both George IV and his brother William IV. It ends with the accession of Queen Victoria in June 1837 and is followed by the Victorian era (1837–1901). Although the Regency era is remembered as a time of refinement and culture, that was the preserve of the wealthy few, especially those in the Prince Regent's own social circle. For the masses, ...
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