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Plantation Lullabies
''Plantation Lullabies'' is the debut studio album by American singer-songwriter and bassist Me'shell NdegéOcello. It was released by Maverick Records on October 19, 1993, to widespread critical acclaim and has since been viewed as a landmark neo soul record. Music and lyrics NdegéOcello recorded ''Plantation Lullabies'' after being one of the first artists to sign with Madonna's Maverick label. She worked with co-producer and multi-instrumentalist David Gamson on much of the record. NdegéOcello was also accompanied in the recording sessions by backing players such as saxophonist Joshua Redman and guitarist Wah Wah Watson. Her music incorporated hip hop, funk, soul, and jazz elements; NdegéOcello was a fan of Prince, Miles Davis, A Tribe Called Quest, Sly Stone, and Parliament. In her songwriting, NdegéOcello explored themes of sexuality, gender, Black pride, and White racism from a perspective she described as Afrocentric. Reception and legacy ''Plantation Lullabies'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meshell Ndegeocello
Michelle Lynn Johnson, better known as Meshell Ndegeocello (; born August 29, 1968), is a German-born American singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, being nominated for eleven Grammy Awards, and winning one. She also has been credited for helping to "spark the neo-soul movement". Biography Ndegeocello was born Michelle Lynn Johnson in West Berlin, Germany, to US Army Sergeant Major and saxophonist father Jacques Johnson and health care worker mother Helen. She was raised in Washington, D.C. where she attended Duke Ellington School of the Arts and Oxon Hill High School. Ndegeocello adopted her surname, which she says means "free like a bird" in Swahili. Early pressings of ''Plantation Lull ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christgau's Consumer Guide
''Christgau's Consumer Guide: Albums of the '90s'' is a music reference book by American music journalist and essayist Robert Christgau. It was published in October 2000 by St. Martin's Press's Griffin imprint and collects approximately 3,800 capsule album reviews, originally written by Christgau during the 1990s for his "Consumer Guide" column in ''The Village Voice''. Text from his other writings for the ''Voice'', ''Rolling Stone'', '' Spin'', and ''Playboy'' from this period is also featured. The book is the third in a series of influential "Consumer Guide" collections, following '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981) and '' Christgau's Record Guide: The '80s'' (1990). Covering a variety of genres within and beyond the conventional pop/rock axis of most music press, the reviews are composed in a concentrated, fragmented prose style characterized by layered clauses, caustic wit, one-liner jokes, political digressions, and allusions ranging from co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Tribune
The ''Chicago Tribune'' is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper" (a slogan for which WGN radio and television are named), it remains the most-read daily newspaper in the Chicago metropolitan area and the Great Lakes region. It had the sixth-highest circulation for American newspapers in 2017. In the 1850s, under Joseph Medill, the ''Chicago Tribune'' became closely associated with the Illinois politician Abraham Lincoln, and the Republican Party's progressive wing. In the 20th century under Medill's grandson, Robert R. McCormick, it achieved a reputation as a crusading paper with a decidedly more American-conservative anti-New Deal outlook, and its writing reached other markets through family and corporate relationships at the ''New York Daily News'' and the ''Washington Times-Herald.'' The 1960s saw its corporate parent owner, Tribune Company, rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrocentrism
Afrocentrism is an approach to the study of world history that focuses on the history of people of recent African descent. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a Pan-African point of view for the study of culture, philosophy, and history. Gates, Henry Louis, and Kwame Anthony Appiah (eds), '' Africana: The Encyclopedia of the African and African-American'' Volume 1, p. 111, Oxford University Press. 2005. Afrocentrism is a scholarly movement that see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Racism
White supremacy or white supremacism is the belief that white people are superior to those of other races and thus should dominate them. The belief favors the maintenance and defense of any power and privilege held by white people. White supremacy has roots in the now-discredited doctrine of scientific racism and was a key justification for European colonialism. As a political ideology, it imposes and maintains cultural, social, political, historical, and/or institutional domination by white people and non-white supporters. In the past, this ideology had been put into effect through socioeconomic and legal structures such as the Atlantic slave trade, Jim Crow laws in the United States, the White Australia policies from the 1890s to the mid-1970s, and apartheid in South Africa. This ideology is also today present among neo-Confederates. White supremacy underlies a spectrum of contemporary movements including white nationalism, white separatism, neo-Nazism, and the Christia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Pride
Black Pride in the United States is a movement which encourages black people to celebrate African-American culture and embrace their African heritage. In the United States, it was a direct response to white racism especially during the Civil Rights Movement. Stemming from the idea of Black Power, this movement emphasizes racial pride, economic empowerment, and the creation of political and cultural institutions. Related movements include black power, black nationalism, Black Panthers and Afrocentrism. Arts and music Black pride is a major theme in some works by African American popular musicians. Civil Rights Movement era songs such as The Impressions's hit songs "We're a Winner" and " Keep on Pushing" and James Brown's "Say It Loud – I'm Black and I'm Proud" celebrated black pride. Beyoncé's half-time performance at Super Bowl 50, which included homages to Malcolm X and the Black Panthers, has been described by the media as a display of black pride. Dating back to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament (band)
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk (Tear the Roof off the Sucker)," and Top 40 albums such as ''Mothership Connection'' (1975). History Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was the group leader and manager. The group scored a hit single in 1967 with " (I Wanna) Testify" (co-written by Clinton) on Revilot Records. To capitalize on this chart success, Clinton formed a touring band, featuring teenage barbershop employee Billy Nelson on bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sly Stone
Sylvester Stewart (born March 15, 1943), better known by his stage name Sly Stone, is an American musician, songwriter, and record producer who is most famous for his role as frontman for Sly and the Family Stone, playing a critical role in the development of funk with his pioneering fusion of soul, rock, psychedelia and gospel in the 1960s and 1970s. AllMusic stated that "James Brown may have invented funk, but Sly Stone perfected it," and credited him with "creating a series of euphoric yet politically charged records that proved a massive influence on artists of all musical and cultural backgrounds." ''Crawdaddy!'' has called him "the founder of progressive soul". Born in Texas and raised in the Bay Area of Northern California, Stone mastered several instruments at an early age and performed gospel music as a child with his siblings (and future bandmates) Freddie and Rose. In the mid-1960s, he worked as both a record producer for Autumn Records and a disc jockey for San Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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