Pitch (typewriter)
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Pitch (typewriter)
Pitch is the number of (monospaced) letters, numbers and spaces in of , that is, ''characters per inch'' (abbreviated cpi), measured horizontally. The pitch was most often used as a measurement of the size of typewriter fonts as well as those of impact printers used with computers. The most widespread fonts in typewriters are 10 and 12 pitch, called ''Pica'' and ''Elite'', respectively. Both fonts have the same x-height, yielding six lines per vertical inch. There may be other font styles with various width: condensed or compressed (17–20 cpi), italic or bold (10 pitch), enlarged (5–8 cpi), and so on. ''Pica'', the typewriter font, should not be confused with pica, a unit equal to of an inch or twelve points, usually measured vertically. See also * Copyfitting Estimating the average number of characters per line for a proportionately spaced font. * * * Proportional spacingA proportional typeface contains glyph A glyph () is any kind of purposeful mark. In typogr ...
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Monospaced
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting computer code. Monospaced fonts were widely used in early computers and computer terminals, which often had extremely limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font. Even though computers c ...
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Typewriter
A typewriter is a mechanical or electromechanical machine for typing characters. Typically, a typewriter has an array of keys, and each one causes a different single character to be produced on paper by striking an inked ribbon selectively against the paper with a type element. At the end of the nineteenth century, the term 'typewriter' was also applied to a ''person'' who used such a device. The first commercial typewriters were introduced in 1874, but did not become common in offices until after the mid-1880s. The typewriter quickly became an indispensable tool for practically all writing other than personal handwritten correspondence. It was widely used by professional writers, in offices, business correspondence in private homes, and by students preparing written assignments. Typewriters were a standard fixture in most offices up to the 1980s. Thereafter, they began to be largely supplanted by personal computers running word processing software. Nevertheless, typewr ...
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Printer (computing)
In computing, a printer is a peripheral machine which makes a persistent representation of graphics or text, usually on paper. While most output is human-readable, bar code printers are an example of an expanded use for printers. Different types of printers include 3D printers, inkjet printers, laser printers, and thermal printers. History The first computer printer designed was a mechanically driven apparatus by Charles Babbage for his difference engine in the 19th century; however, his mechanical printer design was not built until 2000. The first patented printing mechanism for applying a marking medium to a recording medium or more particularly an electrostatic inking apparatus and a method for electrostatically depositing ink on controlled areas of a receiving medium, was in 1962 by C. R. Winston, Teletype Corporation, using continuous inkjet printing. The ink was a red stamp-pad ink manufactured by Phillips Process Company of Rochester, NY under the name Clear Prin ...
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X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x- ...
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Condensed Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a " sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), "Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: ...
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Pica (typography)
The pica is a typographic unit of measure corresponding to approximately of an inch, or from to of a foot. One pica is further divided into 12 points. In printing, three pica measures are used: * The French pica of 12 Didot points (also called cicero) generally is: 12 × 0.376 = . * The American pica of . It was established by the United States Type Founders' Association in 1886. In TeX one pica is of an inch. * The contemporary computer PostScript pica is exactly of an inch or of a foot, i.e. 4.2 mm or 0.1 in. Publishing applications such as Adobe InDesign and QuarkXPress represent pica measurements with whole-number picas left of a lower-case ''p'', followed by the points number, for example: 5p6 represents 5 picas and 6 points, or 5 picas. Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica ( of an inch), and pt for point ( of an inch). The pica is also used in measuring the font capacity and is applied in the pro ...
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Pica (typography)
The pica is a typographic unit of measure corresponding to approximately of an inch, or from to of a foot. One pica is further divided into 12 points. In printing, three pica measures are used: * The French pica of 12 Didot points (also called cicero) generally is: 12 × 0.376 = . * The American pica of . It was established by the United States Type Founders' Association in 1886. In TeX one pica is of an inch. * The contemporary computer PostScript pica is exactly of an inch or of a foot, i.e. 4.2 mm or 0.1 in. Publishing applications such as Adobe InDesign and QuarkXPress represent pica measurements with whole-number picas left of a lower-case ''p'', followed by the points number, for example: 5p6 represents 5 picas and 6 points, or 5 picas. Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica ( of an inch), and pt for point ( of an inch). The pica is also used in measuring the font capacity and is applied in the pro ...
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Proportional Spacing
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ...
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Glyph
A glyph () is any kind of purposeful mark. In typography, a glyph is "the specific shape, design, or representation of a character". It is a particular graphical representation, in a particular typeface, of an element of written language. A grapheme, or part of a grapheme (such as a diacritic), or sometimes several graphemes in combination (a composed glyph) can be represented by a glyph. Glyphs, graphemes and characters In most languages written in any variety of the Latin alphabet except English, the use of diacritics to signify a sound mutation is common. For example, the grapheme requires two glyphs: the basic and the grave accent . In general, a diacritic is regarded as a glyph, even if it is contiguous with the rest of the character like a cedilla in French, Catalan or Portuguese, the ogonek in several languages, or the stroke on a Polish " Ł". Although these marks originally had no independent meaning, they have since acquired meaning in the field of mathematic ...
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