Pistoxenos Painter
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Pistoxenos Painter
The Pistoxenos Painter was an important ancient Greek vase painter of the Classical period. He was active in Athens between c. 480 and 460 BC. Many vases have been attributed to his hand on the basis of style. John Beazley gave him the name from a ''skyphos'' now at Schwerin with a signature indicating that it was made by the potter Pistoxenos. It depicts Iphikles being taught music by Linos, and Heracles accompanied by his tattooed Thracian servant Geropso. The Pistoxenos Painter probably started his apprenticeship under the Antiphon Painter in the workshop of Euphronios. He specialized in '' kylikes'', which he painted in the red-figure style, bringing "the delicacy of Late Archaic vase-painting into the Early Classical style". Some of his best pieces, however, were produced in the white ground technique. The most important motifs of his paintings are horses, warriors and ''thiasos'' imagery. He was one of the first painters to employ four-colour polychromy, using slip, ...
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Apollo Black Bird AM Delphi 8140
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an orac ...
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Antiphon Painter
The Antiphon Painter was an Athenian vase painter of the early 5th century BC. He owes his name to a double Kalos inscription of Antiphon on the dinos stand in the Antique collection of Berlin (Inventory number F 2325). He was active between 500 and 475 BC in Athens as a painter of the red-figure style in the largest workshop of the 5th century. He learned his handicraft in the workshop of Euphronios and Onesimos. There he worked closely with them, the Kalmarer Painter and other painters. There are about 100 drinking containers of his (primarily kylikes) known to us. They almost exclusively depict the life of the aristocratic youth of Athens. They are shown as athletes, in symposia, in komos scenes, and with their horses or in arms. Representations of women – in particular Hetairai – are rare, as are mythological topics. When he depicts mythological subjects, they are usually the heroic acts of Herakles or Theseus. One of his bowls possibly refers to the Battle of Marathon ...
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Anonymous Artists Of Antiquity
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * Anonymous (Australian Playhouse), "Anonymous" (''Australian Playhouse''), an Australian television play * Anonymous (2011 film), ''Anonymous'' (2011 film), a 2011 film * Anonymous (TV series), ''Anonymous'' (TV series), a 2006 Irish television show * Anonymous (CSI), "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * Anonymous (NCIS: Los Angeles), "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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5th-century BC Greek People
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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5th-century BC Deaths
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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Kalos Inscription
A ''kalos'' inscription (''καλός'') is a form of epigraph found on Attic vases and graffiti in antiquity, mainly during the Classical period from 550 to 450 BC. The word ''kalos'' (καλός) means "beautiful", and in the inscriptions it had an erotic connotation. Overview The ''kalos'' inscription is typically found on vessels used for a symposium. The scenes that accompany the inscription vary, and include athletic exercises and myths. Some inscriptions are generic, reading only "the boy is beautiful" (ὁ παῖς καλός). The inscription more often took the form of the beloved's name, in the nominative singular, followed by "kalos" (''X kalos'', i.e. "X is beautiful"). The beloved is most often a male youth, but a few times girls or women were spoken of as ''kalē'' (καλή). In one early cataloging of the inscriptions, among the individuals labeled as beautiful were 30 women and girls, and 528 youths. Male names outnumber female by more than twenty to one. At ...
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Penthesilea Painter
The Penthesilea Painter (active between 470 and 450 BC at Athens) was a Greek vase painter of the Attic red-figure style. His true name is unknown. His conventional name is derived from his name vase, "bowl 2688" in Munich, the inside of which depicts the slaying of Penthesilea by Achilles. On the basis of that work, John Beazley attributed 177 known vases to the painter, about 100 of which only survive fragmentarily. Bowls, 149 in number, represent the bulk of his work. The rest is distributed among small shapes like ''skyphoi'', '' kantharoi'' and bobbins. His work is characterised by large, space-filling figures whose posture is often bent so as to permit them to fit on a vessel. For the same reason, ornamental decoration around the edges is often very narrow. His works are also characterised by being very colourful, permitting several intermediate shades. Apart from dark coral red and the usual light red, he also used tones of brown, yellow, yellow-white and gold. His figures ...
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Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery
thepotterywheel.com, accessed 10 July 2021.
Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an

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Thiasos
In Greek mythology and religion, the ''thiasus'' ( el, θίασος, thíasos), was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus' ''Dionysiaca''. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs. The ''thiasos'' of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, ''thiasoi'' (plural; el, θίασοι) were religious organizations whose existence was protected by law. Dionysian ''thiasos'' The most significant members of the thiasus were the human female devotees, the maenads, wh ...
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White Ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic m ...
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Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ...
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