|
Pirithoüs (opera)
''Pirithoüs'' is an opera by the French composer Jean-Joseph Mouret, first performed at the Académie Royale de Musique (the Paris Opera) on 26 January 1723. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Jean-Louis-Ignace de La Serre. The opera takes its name from the King Pirithous Pirithous (; grc-gre, Πειρίθοος or , derived from ; also transliterated as Perithous), in Greek mythology, was the King of the Lapiths of Larissa in Thessaly, as well as best friend to Theseus. Biography Pirithous was a son of "h ... of Greek mythology. The premiere was considered very successful, although '' Le Mercure'' said that the main scenes wasn't as interesting as hoped for, but overall the opera was lively, pleasureful, and brilliant. Sources Libretto at "Livrets baroques"* ;References French-language operas Tragédies en musique Operas by Jean-Joseph Mouret Operas 1723 operas {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Joseph Mouret
Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are rarely performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first ''Suite de symphonies'', which has been adopted as the signature tune of the PBS program ''Masterpiece'' and is a popular musical choice in many modern weddings. Life He was the son of Jean Bertrand Mouret, a silk merchant, who gave him a good education and, noting his early gifts for music, favored this choice. He sang with talent, began to compose with success and, around the age of twenty-five, settled in Paris. Talented and endowed with a pleasant character, he was not long in making himself known there and, in 1708, was introduced to Anne, Duchess of Maine, whose salon at Sceaux was a center of courtly society in the declining years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis-Ignace De La Serre
Jean-Louis-Ignace de La Serre, sieur de Langlade, was an 18th-century French novelist and playwright born in Cahors in 1662 and died 30 September 1756. Royal censor, he authored a biography of Molière. He was wrongly attributed some works by Marguerite de Lussan. Works Librettos *1706: ''Polyxène et Pirrhus'' by Pascal Collasse *1710: '' Diomède'' by Toussaint Bertin de la Doué *1723: '' Pirithoüs'' by Jean-Joseph Mouret *1726: '' Pirame et Thisbé'' by François Francoeur and François Rebel *1735: ''Scanderberg'' by François Francoeur and François Rebel *1741: ''Nitétis'' by Charles-Louis Mion Other *1727: ''Hippalque, prince scythe'' *1728: ''Amosis, prince égyptien'' *1734: ''Mémoire sur la vie et les ouvrages de Molière'', in ''Œuvres'' de Molière, in-4°, tome VII Bibliography * Cardinal Georges Grente Georges-François-Xavier-Marie Grente (5 May 1872 – 5 May 1959) was a French Cardinal of the Roman Catholic Church. He served as Archbishop of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirithous
Pirithous (; grc-gre, Πειρίθοος or , derived from ; also transliterated as Perithous), in Greek mythology, was the King of the Lapiths of Larissa in Thessaly, as well as best friend to Theseus. Biography Pirithous was a son of "heavenly" Dia, fathered either by Ixion or by Zeus. He married Hippodamia, daughter of Atrax or Butes, at whose wedding the famous Battle of Lapiths and Centaurs occurred. By his wife, he became the father of Polypoetes, one of the Greek leaders during the Trojan War. Peirithous was also the close friend of the hero Theseus. Early years According to Homer, Dia had sex with Zeus, who was disguised as a stallion, and gave birth to Pirithous; a folk etymology derived Pirithous' name from ''peritheein'' (), because that was what Zeus did to seduce Dia. His best friend was Theseus. In the ''Iliad'' I, Nestor numbers Pirithous and Theseus "of heroic fame" among an earlier generation of heroes of his youth, "the strongest men that Earth has b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Mercure
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of the go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Joseph Mouret
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
