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Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Frederic's only sola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mikado
''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.The longest-running piece of musical theatre was the operetta ''Les Cloches de Corneville'', which held the title until ''Dorothy (opera), Dorothy'' opened in 1886, which pushed ''The Mikado'' down to third place. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.H. L. Mencken, Mencken, H. L.]Article on ''The Mikado'', ''Baltimore Evening Sun'', 29 November 1910 ''The Mikado'' is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Club (weapon)
A club (also known as a cudgel, baton, bludgeon, truncheon, cosh, nightstick, or impact weapon) is a short staff or stick, usually made of wood, wielded as a weapon since prehistoric times. There are several examples of blunt-force trauma caused by clubs in the past, including at the site of Nataruk in Turkana, Kenya, described as the scene of a prehistoric conflict between bands of hunter-gatherers 10,000 years ago. Most clubs are small enough to be swung with one hand, although larger clubs may require the use of two to be effective. Various specialized clubs are used in martial arts and other fields, including the law-enforcement baton. The military mace is a more sophisticated descendant of the club, typically made of metal and featuring a spiked, knobbed, or flanged head attached to a shaft. Examples of cultural depictions of clubs may be found in mythology, where they are associated with strong figures such as Hercules or the Japanese oni, or in popular culture, where t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play ''The Robbers'') and opéra comique (''Fra Diavolo'' and ''Les diamants de la couronne'' by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation. ''Les brigands'' has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Toto
''Princess Toto'' is a three-act comic opera by W. S. Gilbert and his long-time collaborator Frederic Clay. Its pre-London tour opened on 24 June 1876 at the Theatre Royal, Nottingham, starring Kate Santley, W. S. Penley and J. H. Ryley. It transferred to the Royal Strand Theatre in London on 2 October 1876 for a run of only 48 performances. Brief New York and Boston runs followed in 1879–80 starring Leonora Braham and Ryley, and there were later tours in the US. ''Princess Toto'' was revived in 1881 at the Opera Comique in London for a run of 65 performances (starring Richard Temple). There was also an 1886 revival in Australia. Background ''Princess Toto'' was the last work in a long and successful partnership with Clay that had produced four of Gilbert's major musical works up to that date. The year before, Gilbert and Arthur Sullivan, Clay's friend, had premiered their hit ''Trial by Jury'', and after ''Princess Toto'', Gilbert would not collaborate on any further operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Contrabandista
''The Contrabandista'', ''or The Law of the Ladrones'', is a two-act comic opera by Arthur Sullivan and F. C. Burnand. It premiered at St. George's Hall, in London, on 18 December 1867 under the management of Thomas German Reed, for a run of 72 performances. There were brief revivals in Manchester in 1874 and America in 1880. In 1894, it was revised into a new opera, ''The Chieftain'', with a completely different second act. The piece was the first of Sullivan's full-length operas that was produced. It was not a great success, with Burnand's libretto receiving criticism, but its music exhibits many of the qualities and techniques that Sullivan would employ in composing his twenty further comic operas, including the famous series of fourteen Gilbert and Sullivan operas produced between 1871 and 1896. Background In 1866, F. C. Burnand and Arthur Sullivan, then 24 years old, wrote the one-act comic opera ''Cox and Box'' for a private performance at Moray Lodge, where a group of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Red Rover
''The Red Rover'' is a novel by American writer James Fenimore Cooper. It was originally published in Paris on November 27, 1827, before being published in London three days later on November 30. It was not published in the United States until January 9, 1828, in Philadelphia. In the same year, it was translated and published in Germany under the name ''Red Rover''.James Fenimore Cooper: ''Red Rover.'Translated by Gottfried Friedenberg Duncker & Humblot, Berlin 1828. Soon after its publication it was adapted for theater both in the United States and in England.Gordan 66 The novel follows the activities of the sailor Dick Fid, free black sailor Scipio Africanus and Royal Navy officer James Wilder as they encounter the famous pirate, "The Red Rover". A contemporary reviewer in the ''North American Review'' noted how Cooper was particularly good at writing sea novels such as ''The Red Rover'', the sea being his more natural element than what the author calls wilderness novels which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Fenimore Cooper
James Fenimore Cooper (September 15, 1789 – September 14, 1851) was an American writer of the first half of the 19th century, whose historical romances depicting colonist and Indigenous characters from the 17th to the 19th centuries brought him fame and fortune. He lived much of his boyhood and the last fifteen years of life in Cooperstown, New York, which was founded by his father William Cooper (judge), William Cooper on property that he owned. Cooper became a member of the Episcopal Church (United States), Episcopal Church shortly before his death and contributed generously to it. He attended Yale University for three years, where he was a member of the Linonian Society.#Lounsbury, Lounsbury, 1883, pp. 7–8 After a stint on a commercial voyage, Cooper served in the U.S. Navy as a midshipman, where he learned the technology of managing sailing vessels which greatly influenced many of his novels and other writings. The novel that launched his career was ''The Spy (Cooper nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pirate (novel)
:''"The Pirate" is also the title of novels by Harold Robbins and Frederick Marryat'' ''The Pirate'' (published at the end of 1821 with the date 1822) is one of the Waverley novels by Sir Walter Scott, based roughly on the life of John Gow who features as Captain Cleveland. The setting is the southern tip of the main island of Shetland (which Scott visited in 1814), towards the end of the 17th century, with 1689 as the likely date of the main incidents. Composition and sources On 21 August 1820 John Ballantyne offered Archibald Constable a new novel to follow ''Kenilworth'' (which was to be published in January the following year). No title or subject was specified at that stage, and it was not until April 1821 that Ballantyne noted that what he calls the 'Buccaneer' had been begun. The need for research on the northern isles, and other occupations, slowed Scott down, and the first volume was not completed until early August, but his pace then quickened and the work was finishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Scott
Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet, playwright and historian. Many of his works remain classics of European and Scottish literature, notably the novels ''Ivanhoe'', ''Rob Roy (novel), Rob Roy'', ''Waverley (novel), Waverley'', ''Old Mortality'', ''The Heart of Mid-Lothian'' and ''The Bride of Lammermoor'', and the narrative poems ''The Lady of the Lake (poem), The Lady of the Lake'' and ''Marmion (poem), Marmion''. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff court, Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory (political faction), Tory establishment, active in the Royal Highland and Agricultural Society of Scotland, Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
